苏州弹词入声字的字腔关系研究

详细信息    查看全文 | 推荐本文 |

英文篇名：A Research on the Relationship between the Tone and Rusheng Tone Characters of Suzhou Tanci 作者：杨晨 英文作者：YANG Chen;Art School,Huzhou University; 关键词：苏州弹词 ; 入声字 ; 字腔关系 英文关键词：Suzhou Tanci;;rusheng tone character;;the relationship between the tone and the characters 中文刊名：HZHX 英文刊名：Journal of Huzhou University 机构：湖州师范学院艺术学院; 出版日期：2018-05-15 出版单位：湖州师范学院学报 年：2018 期：v.40;No.265 语种：中文; 页：HZHX201805017 页数：8 CN：05 ISSN：33-1018/G4 分类号：98-105

摘要

苏州方言入声字的"逢入必断、短促急收藏"的基本特征,使其在委婉细腻的吴侬软语中,具备了"石骨铁硬"的情感体验,并与其他三声六调共同形成舒促相济、抑扬顿挫的整体语调风格。在苏州弹词流派唱腔中,其独特的字调特征对唱腔旋律的制约,是与唱腔旋律对入声字调束缚的突破相结合的。这种相顺与相背结合的入声字腔词关系,正是苏州弹词音乐富有表现力的一种体现。
        The basic characteristics of the Suzhou dialect vocabulary words with rusheng tone are pronounced in a short and urgent way which makes it an emotional experience of"hard bones and hard irons"in the euphemistic Wu dialect,and with three other shengs and six tones it has formed the overall tone style that promotes harmony and modulates.In the lyrics of Suzhou Tanci genre,its unique tone characteristics constrain the melody of the vocal melody,which is combined with the breakthrough of the melody of the vocal lyrics in the bondage of the vocal characters.This kind of combination of vocabulary and vocabulary in conjunction with each other is a manifestation of the expressiveness of Suzhou Tanci music.

引文

[1]于会泳.腔词关系研究[M].北京:中央音乐学院出版社,2008.
    [2]连波.论吟诵性唱腔的节奏处理[J].中国音乐,1981(S1).
    [3]廖荣容.苏州话单字和双字组的音长规律[M]//复旦大学中国语言研究所.吴语论丛.上海:上海教育出版社,1988.
    [4]沈宠绥《度曲须知》[M].古兆申,余丹,研究及注释.北京:生活·读者·新知三联书店,2014.
    [5]任中敏.南曲入声客问[M]//任中敏.新曲苑:上册.许建中,陈文和,点校.南京:凤凰出版社,2014.
    [6]俞为民.昆曲格律研究[M].南京:南京大学出版社,2009.
    (1)“石骨铁”是吴语的三个入声字,与表性质的“硬”放在一起成为方言成语,表示刚劲、坚硬、有力等意。