波普艺术在艺术设计领域的发展演变
摘要
波普艺术1950年起源于英国,60年代风靡于美国,后又波及到意大利、日本等国,它将艺术从高高的神坛拉下来,抹煞了艺术与生活的界线,使艺术不再那么高深莫测和晦涩难懂,而变得更具亲和力。作为一种通俗化、大众化、商业化的艺术形式,波普艺术在设计的众多领域都产生了潜移默化的影响,它激发了设计师的想象力和创造才能,强调趣味性和反叛精神,影响着设计向多元化发展。文章通过梳理和研究文献,探究波普艺术在建筑、服装、视觉、绘画等领域的应用价值和意义,为现代设计带来更为丰富的艺术风格展望。
Pop art originated at Britain in 1950. It was popular in the United States at1960 s, then spread to Italy, Japan and other countries. It makes art more universal and more relevant to life. The art is no longer so profound and obscure,and become more approachable. As a kind of popularization, the pop art has a subtle influence in the design of many fields, it stimulates the imagination and the creation ability of the designers. It emphasizes the fun and the spirit of rebellion. And make design oriented toward diversified development. In this paper, through the carding and research literature, it explores the application value and meaning of pop art in architecture, clothing, vision, painting and so on. It brings more abundant for modern design art style.
Pop art originated at Britain in 1950. It was popular in the United States at1960 s, then spread to Italy, Japan and other countries. It makes art more universal and more relevant to life. The art is no longer so profound and obscure,and become more approachable. As a kind of popularization, the pop art has a subtle influence in the design of many fields, it stimulates the imagination and the creation ability of the designers. It emphasizes the fun and the spirit of rebellion. And make design oriented toward diversified development. In this paper, through the carding and research literature, it explores the application value and meaning of pop art in architecture, clothing, vision, painting and so on. It brings more abundant for modern design art style.
引文
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[4]吴侨.罗伊·李奇登斯坦的波普艺术中色彩元素对商业插画的影响[D].东北师范大学,2008
[5]李丹.当代新波普艺术的视觉语言研究[D].江南大学,2015
[6]袁淞,于炜.基于形式美法则的淮阳“泥泥狗”图腾文化造型承继与创新设计研究[J].设计,2017,30(1):69-71
[7]齐帅,张甜,冯豫韬.现代消费需求下的旅游产品设计形式探索——以北京为例[J].设计,2016,29(1):26-28
[8]沈楠.视觉传达设计教学过程中版面设计问题的研究分析[J].设计,2017,30(2):126-127
[2](英国)苏珊·伍德福德编著,剑桥艺术史,钱乘旦译[M].译林出版社,2009
[3]洪志坚,郭弟强.现代艺术设计的定义及其宏观分类研究[J].艺术教育,2009(09):24-25
[4]吴侨.罗伊·李奇登斯坦的波普艺术中色彩元素对商业插画的影响[D].东北师范大学,2008
[5]李丹.当代新波普艺术的视觉语言研究[D].江南大学,2015
[6]袁淞,于炜.基于形式美法则的淮阳“泥泥狗”图腾文化造型承继与创新设计研究[J].设计,2017,30(1):69-71
[7]齐帅,张甜,冯豫韬.现代消费需求下的旅游产品设计形式探索——以北京为例[J].设计,2016,29(1):26-28
[8]沈楠.视觉传达设计教学过程中版面设计问题的研究分析[J].设计,2017,30(2):126-127