刘若愚《文心雕龙》研究的文化性阐释
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摘要
刘若愚致力于以西方文艺理论新概念阐释中国文学及批评,其研究则主要借鉴艾布拉姆斯对于宇宙、作品、艺术家、观众之间关系的理论,结合中国文论构造环形结构,再以这个环形结构为依据,谈论形而上学理论、决定理论、表现理论、技巧理论、审美理论、实用理论以及各种理论的相互影响和表现。
Liu Ruoyu devotes himself to explaining Chinese literature and criticism with the new concepts of western literary theory. His research mainly draws on Abrams' theory of the relationship between the universe,works, artists and audiences, combines Chinese literary theory to construct a circular structure, and then based on this circular structure, talks about metaphysical theory, decision theory, performance theory, skill theory and aesthetic theory. On the interaction and expression of theory, practical theory and various theories.
Liu Ruoyu devotes himself to explaining Chinese literature and criticism with the new concepts of western literary theory. His research mainly draws on Abrams' theory of the relationship between the universe,works, artists and audiences, combines Chinese literary theory to construct a circular structure, and then based on this circular structure, talks about metaphysical theory, decision theory, performance theory, skill theory and aesthetic theory. On the interaction and expression of theory, practical theory and various theories.
引文
[1][9][美]刘若愚.杜国清译.中国文学理论[M].台北:联经出版事业公司,1981:304、495.
[2][3][12][南朝梁]刘勰.范文澜注.文心雕龙注[M].北京:人民文学出版社,1958:656、3、190、278.
[4][7][美]宇文所安.王柏华、陶庆梅译.中国文论:英译与评论[M]上海:上海社会科学院出版社,2003:280、245.
[5][德]黑格尔.朱光潜译.美学[M].北京:上午印书馆,1979:569.
[6][14][古希腊]亚里士多德.陈中梅译注.诗学[M].北京:商务印书馆,1996:120、368.
[8]郭绍虞.中国文学批评史[M].天津:百花文艺出版社,2008:127.
[10][13][西晋]陆机.张少康集释.文赋集释[M].北京:人民文学出版社,2002:190、190.
[11][15][德]尼采.周国平译.悲剧的诞生:尼采美学文选[M].上海:上海人民出版社,2009:430、409.
[2][3][12][南朝梁]刘勰.范文澜注.文心雕龙注[M].北京:人民文学出版社,1958:656、3、190、278.
[4][7][美]宇文所安.王柏华、陶庆梅译.中国文论:英译与评论[M]上海:上海社会科学院出版社,2003:280、245.
[5][德]黑格尔.朱光潜译.美学[M].北京:上午印书馆,1979:569.
[6][14][古希腊]亚里士多德.陈中梅译注.诗学[M].北京:商务印书馆,1996:120、368.
[8]郭绍虞.中国文学批评史[M].天津:百花文艺出版社,2008:127.
[10][13][西晋]陆机.张少康集释.文赋集释[M].北京:人民文学出版社,2002:190、190.
[11][15][德]尼采.周国平译.悲剧的诞生:尼采美学文选[M].上海:上海人民出版社,2009:430、409.