历史演义、英雄传奇、世情小说的比较研究——以《三国演义》《水浒传》《金瓶梅》为例
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摘要
无论是从思想上还是从艺术上来说,世情小说都迥异于历史演义、英雄传奇类小说。社会的发展赋予世情小说不少新的内涵,甚至出现一些雅俗共赏的完美之作,完成了中国古典小说雅俗整合的现代转型。世情小说的出现标志着中国古典长篇小说进入了崭新的阶段。本文将通过对世情小说与历史演义、英雄传奇类小说的比较,进一步探讨它们各自在艺术上的不同特点。
From both on thought and art,the traditional novels are different in the historical romance and saga novels. The development of society gives a lot of new connotations to the novels of the world novels,and even some perfect works of tastes and tastes,and completes the modern transformation of Chinese classical novels. The emergence of the traditional novel marked the classical Chinese novels has entered a new stage. This paper will be sent to you by the traditional novels and historical romance,saga novels and further discusses their different characteristics in art.
From both on thought and art,the traditional novels are different in the historical romance and saga novels. The development of society gives a lot of new connotations to the novels of the world novels,and even some perfect works of tastes and tastes,and completes the modern transformation of Chinese classical novels. The emergence of the traditional novel marked the classical Chinese novels has entered a new stage. This paper will be sent to you by the traditional novels and historical romance,saga novels and further discusses their different characteristics in art.
引文
[1]王峰.浅论《金瓶梅》主题的迂回表现[J].明清小说研究,2009(3):88-98.
[2]鲁迅.中国小说的历史的变迁[A].鲁迅全集(第9卷)[M]北京:人民文学出版社,1981.
[3]常林炎,常和.《水浒》四论[J].水浒争鸣,1982.
[4]浦安迪.明代小说四大奇书[M].北京:中国和平出版社,1993:105-118.
[5]江健.《金瓶梅》与历史演义、英雄传奇类小说之比较——论《金瓶梅》的艺术突破[J].江苏社会科学,1999(5):151-156.
[2]鲁迅.中国小说的历史的变迁[A].鲁迅全集(第9卷)[M]北京:人民文学出版社,1981.
[3]常林炎,常和.《水浒》四论[J].水浒争鸣,1982.
[4]浦安迪.明代小说四大奇书[M].北京:中国和平出版社,1993:105-118.
[5]江健.《金瓶梅》与历史演义、英雄传奇类小说之比较——论《金瓶梅》的艺术突破[J].江苏社会科学,1999(5):151-156.