论莱蒙托夫海洋抒写中的普希金因素
|
摘要
莱蒙托夫对普希金的继承与模仿是多方面的,通过比较研究发现,莱蒙托夫的海洋抒写中存在着普希金因素。其一,影响的交汇:莱蒙托夫诗篇对亚德里亚海、威尼斯的关注、书写,承继了拜伦与普希金笔下的意境与意象。其二,文本的叠合:莱蒙托夫以海洋抒写拿破仑、以海洋探寻拿破仑命运与心境的书写方式,借鉴了普希金"拿破仑文本"的书写范式。其三,表达的延续:莱蒙托夫作品中以海洋表征自由、指示生活的表达,延续了普希金"海洋文本"中的相关表达。莱蒙托夫在模仿普希金的基础上,赋予了海洋"第二次生命",使"海洋"在俄罗斯文学中获得了新的内涵与表达。
Lemontov's inheritance and imitation of Pushkin are manifold. Through a comparative study,it is found that the influence of Pushkin on Lemontov's ocean writing is mainly reflected in the following three aspects. Firstly,Lemontov's concern and writing about the Adriatic Sea and Venice is an inheritance of the conception and image in Byron and Pushkin's works,which is the convergence of influence. Secondly,Lemontov's writing about Napoleon and his exploration of Napoleon's fate and psychology through ocean writing is an imitation of Pushkin's writing paradigm of "Napoleon text",which is the coincidence of text. Thirdly,the expression of freedom and life through the image of "ocean"in Lemontov's works develops the related expressions in Pushki's "ocean text",which is the continuity of expression. By imitating Pushkin' writing,Lermontov has given the "ocean""a second life"and enabled the "ocean"to gain newconnotations and expressions in Russian literature.
Lemontov's inheritance and imitation of Pushkin are manifold. Through a comparative study,it is found that the influence of Pushkin on Lemontov's ocean writing is mainly reflected in the following three aspects. Firstly,Lemontov's concern and writing about the Adriatic Sea and Venice is an inheritance of the conception and image in Byron and Pushkin's works,which is the convergence of influence. Secondly,Lemontov's writing about Napoleon and his exploration of Napoleon's fate and psychology through ocean writing is an imitation of Pushkin's writing paradigm of "Napoleon text",which is the coincidence of text. Thirdly,the expression of freedom and life through the image of "ocean"in Lemontov's works develops the related expressions in Pushki's "ocean text",which is the continuity of expression. By imitating Pushkin' writing,Lermontov has given the "ocean""a second life"and enabled the "ocean"to gain newconnotations and expressions in Russian literature.
引文
[1]顾蕴璞.莱蒙托夫研究[M].北京:北京大学出版社,2014.
[2]肖马,吴笛.普希金全集[M].杭州:浙江文艺出版社出版,1997.
[3]Пушкин А.C.Полноесо браниесо чиненийв10т.[M].М.;Л.:Изд-воАНСССР,1950.
[4]吴晓都.普希金与海洋[J].宁波大学学报(人文科学版),2011,(4):7-11.
[5]O'NEIL,CATHERINE.Byron's sea in Pushkin and Lermontov[J].The Byron Journal,2004,32(2):101-113.
[6]拜伦.唐璜[M].查良铮,译.北京:人民文学出版社,2008.
[7]拜伦.拜伦诗选[M].查良铮,译.上海:上海译文出版社,1982.
[8]拜伦.恰尔德·哈洛尔德游记[M].杨熙龄,译.上海:上海译文出版社,1990.
[9]顾蕴璞.莱蒙托夫全集[M].石家庄:河北教育出版社,1996.
[10]Лермонтов М.Ю.Со браниесочинен ийв6т.[M].М.;Л.:Изд-во АНСССР,1954-1957.
[11]黄晓敏.再论莱蒙托夫在俄罗斯文学史中的地位[J].邵阳学院学报(社会科学版),2014,13(5):31-37.
[12]赫尔岑.赫尔岑论文学[M].辛末艾,译.上海:上海译文出版社,1989.
(1)本文参考的《普希金全集》、《莱蒙托夫全集》(中文本、俄文本)均为多卷本,故采用“T卷次,引用页码”的方式标注。
(1)翻译自法国诗人安德烈·谢尼耶的《“在岸边那儿,威尼斯---大海的女皇……”》。
[2]肖马,吴笛.普希金全集[M].杭州:浙江文艺出版社出版,1997.
[3]Пушкин А.C.Полноесо браниесо чиненийв10т.[M].М.;Л.:Изд-воАНСССР,1950.
[4]吴晓都.普希金与海洋[J].宁波大学学报(人文科学版),2011,(4):7-11.
[5]O'NEIL,CATHERINE.Byron's sea in Pushkin and Lermontov[J].The Byron Journal,2004,32(2):101-113.
[6]拜伦.唐璜[M].查良铮,译.北京:人民文学出版社,2008.
[7]拜伦.拜伦诗选[M].查良铮,译.上海:上海译文出版社,1982.
[8]拜伦.恰尔德·哈洛尔德游记[M].杨熙龄,译.上海:上海译文出版社,1990.
[9]顾蕴璞.莱蒙托夫全集[M].石家庄:河北教育出版社,1996.
[10]Лермонтов М.Ю.Со браниесочинен ийв6т.[M].М.;Л.:Изд-во АНСССР,1954-1957.
[11]黄晓敏.再论莱蒙托夫在俄罗斯文学史中的地位[J].邵阳学院学报(社会科学版),2014,13(5):31-37.
[12]赫尔岑.赫尔岑论文学[M].辛末艾,译.上海:上海译文出版社,1989.
(1)本文参考的《普希金全集》、《莱蒙托夫全集》(中文本、俄文本)均为多卷本,故采用“T卷次,引用页码”的方式标注。
(1)翻译自法国诗人安德烈·谢尼耶的《“在岸边那儿,威尼斯---大海的女皇……”》。