人体体型特征与服装结构平衡初探
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摘要
服装的结构平衡决定了整件服装的外观穿着效果,并与人体体型特征有着密切的关系。服装结构平衡主要表现在外观形态平衡和各部件造型的平衡上。文章对人体测量部位的特征和体型特点进行了分析,探究了人体胸部、背部、肩部特征对结构平衡的影响,服装外观的造型平衡有对称式平衡与非对称式平衡两种,并指出对称平衡是服装结构平衡的主要形式,并对服装各部件的造型平衡进行了分析。结果表明:人体体型特征对服装结构平衡有很大的影响,各部位的外观形态平衡决定了服装结构的平衡,做好每个部位的细节平衡问题,才能达到整体的和谐统一。
The balance between the structure of the garment determines the appearance of the entire garment wearing effect, and with the body shape characteristics are closely related. The balance of clothing structure is mainly manifested in the balance of appearance and shape and the balance of each part shape. In this paper, the characteristics of human body measurements and the characteristics of body shape were analyzed. The effects of chest, back and shoulder features on the balance of body structure were explored. The balance of appearance of costumes was symmetrical and asymmetrical, and the symmetry balance is the main form of clothing structure balance, and the shape of the garment parts balance analysis. The results show that body shape characteristics have a great influence on the balance of clothing structure. The balance of the appearance of each part determines the balance of the clothing structure, and the details balance of each part can be well balanced so as to achieve the overall harmony and unity.
The balance between the structure of the garment determines the appearance of the entire garment wearing effect, and with the body shape characteristics are closely related. The balance of clothing structure is mainly manifested in the balance of appearance and shape and the balance of each part shape. In this paper, the characteristics of human body measurements and the characteristics of body shape were analyzed. The effects of chest, back and shoulder features on the balance of body structure were explored. The balance of appearance of costumes was symmetrical and asymmetrical, and the symmetry balance is the main form of clothing structure balance, and the shape of the garment parts balance analysis. The results show that body shape characteristics have a great influence on the balance of clothing structure. The balance of the appearance of each part determines the balance of the clothing structure, and the details balance of each part can be well balanced so as to achieve the overall harmony and unity.
引文
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[14]李桂荣.时装底边的缝制技巧[J].现代服装,2013,(2):38-39.
[2]邹昆,马黎,李蓉,等.基于图像的非接触式人体参数测量方法[J].计算机工程与设计,2017,38(2):511-516.
[3]陈敏,陈飞荣,章国信.应用日本新原型设计惠安女上衣的结构版型[J].黎明职业大学学报,2015,(4):75-79.
[4]戴璐.服装版型结构的影响因素分析[J].纺织导报,2012,(2):92-95.
[5]周丽华.平衡于人体动静态的上装结构配伍技术研究[D].上海:东华大学,2015.
[6]王旭.日本文化原型女式西服袖结构设计的改进[J].北京服装学院学报(自然科学版),1995,(02):80-84.
[7]Sung Min Kim,Tae Jin Kang.Garment pattern generation from body scan data[J].Computer-Aided Design,2003,35(7):151-742.
[8]吉岡,松太郎.Research institute of human engineering for quality Life[J].Human Interface,2003,5:241-244.
[9]李文元.女装衣身结构平衡新方法研究[D].武汉:武汉纺织大学,2014.
[10]董心怡.男式衬衣衣领造型对整体风格变化的影响研究[D].天津:天津工业大学,2017.
[11]吴琳红.浅析服装的结构平衡[J].轻工科技,2011,(9):159-160.
[12]肖柳庆.不同凸腹体服装的结构设计[J].纺织科技进展,2012,(2):67-68.
[13]王珊珊.女装袖型设计及配袖要点探讨[J].长春工业大学学报,2014,(3):349-354.
[14]李桂荣.时装底边的缝制技巧[J].现代服装,2013,(2):38-39.