琉璃瓦下 胡同人家——评薛燕平长篇小说《琉璃》
|
摘要
薛燕平长篇小说《琉璃》忠实地描写了1970年代中后期之后,三十年间,一代中国人的"食色性也"。这是作者作为胡同里长大的孩子,她眼里的北京人的"食色性",也是中国人曾经的"食色性"的缩影,特别是1970年代,处处困窘、处处捉襟见肘,也处处见精神、见人性,写出了一种生活的实质。作者以女性观察体验的细腻,写活了新旧交替中以北京老太太为核心的北京的"里儿"。整部作品,作者小心地隐藏了自己的态度,把批判性思维融合到人物角色的塑造中,让人物的内心世界显得颇为丰盈、活跃。
Xue Yanping's full-length novel"Glazed Tiles"loyally describes Chinese people's concept of"desire for food and sex is natural"during the 30 years since late 1970 s.It is the epitome of Chinese people's attitude toward food and sex in the past age,and also an epitome in the eyes of a child who has grown up in Hutong.The novel displays a nature of life especially in 1970 swhen the society was in poverty but spirit and human feeling were seen everywhere.The author describes vividly with feminine carefulness the Hutong life with Beijing elderly women in the exchanging period as the core.In the whole work,the author carefully hides her attitude and integrates her critical thinking into formation of the characters to make their spiritual world both rich and active.
Xue Yanping's full-length novel"Glazed Tiles"loyally describes Chinese people's concept of"desire for food and sex is natural"during the 30 years since late 1970 s.It is the epitome of Chinese people's attitude toward food and sex in the past age,and also an epitome in the eyes of a child who has grown up in Hutong.The novel displays a nature of life especially in 1970 swhen the society was in poverty but spirit and human feeling were seen everywhere.The author describes vividly with feminine carefulness the Hutong life with Beijing elderly women in the exchanging period as the core.In the whole work,the author carefully hides her attitude and integrates her critical thinking into formation of the characters to make their spiritual world both rich and active.
引文
[1]鲁迅.《绛洞花主》小引[M].鲁迅.鲁迅全集(8)北京:人民文学出版社,1982:145.
[2]张江艳.静水深流处繁华重重——品评金宇澄长篇小说《繁花》[J].北京劳动保障职业学院学报,2014(3)
[3]汪曾祺.胡同文化[DB/OL]//百度百科,[2017-11-4].https://baike.baidu.com/item/%E8%83%A1%E5%90%8C%E6%96%87%E5%8C%96/12809301?fr=aladdin
[4]薛燕平.琉璃[M].北京:时代出版传媒股份有限公司、北京时代华文书局,2016.
[5]江水,田纳东.“京味”只是外衣——访老舍文学奖获得者、著名作家薛燕平[N].图书馆报.2017-09-08//搜狐,[2017-11-4].http://www.sohu.com/?strategyid=00005
[6]孙郁.序言-帝京浮世绘[M].薛燕平.琉璃.北京:时代出版传媒股份有限公司、北京时代华文书局,2016.
[7]户晓辉.《保护非物质文化遗产公约》的实践范式[J].民族艺术,2017(4):53.
[8]薛燕平.东四八条的中午[DB/OL]//新浪博客,2009-08-29[2017-9-27].http://blog.sina.com.cn/s/blog_55e01fd30100evyh.html
(1)“新世纪北京人”特指2000年新世纪前后来北京开始工作、生活和学习的人。
(2)“新中国北京人”特指1949年新中国成立前后来北京开始工作、生活和学习的人。
[2]张江艳.静水深流处繁华重重——品评金宇澄长篇小说《繁花》[J].北京劳动保障职业学院学报,2014(3)
[3]汪曾祺.胡同文化[DB/OL]//百度百科,[2017-11-4].https://baike.baidu.com/item/%E8%83%A1%E5%90%8C%E6%96%87%E5%8C%96/12809301?fr=aladdin
[4]薛燕平.琉璃[M].北京:时代出版传媒股份有限公司、北京时代华文书局,2016.
[5]江水,田纳东.“京味”只是外衣——访老舍文学奖获得者、著名作家薛燕平[N].图书馆报.2017-09-08//搜狐,[2017-11-4].http://www.sohu.com/?strategyid=00005
[6]孙郁.序言-帝京浮世绘[M].薛燕平.琉璃.北京:时代出版传媒股份有限公司、北京时代华文书局,2016.
[7]户晓辉.《保护非物质文化遗产公约》的实践范式[J].民族艺术,2017(4):53.
[8]薛燕平.东四八条的中午[DB/OL]//新浪博客,2009-08-29[2017-9-27].http://blog.sina.com.cn/s/blog_55e01fd30100evyh.html
(1)“新世纪北京人”特指2000年新世纪前后来北京开始工作、生活和学习的人。
(2)“新中国北京人”特指1949年新中国成立前后来北京开始工作、生活和学习的人。