莫扎特C大调双簧管协奏曲第一乐章装饰音演奏处理分析
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摘要
对莫扎特C大调双簧管协奏曲(K314)第一乐章中装饰音的演奏分析,尝试从作品的创作历史背景入手,逐步分析并呈现作品的创作特点,并以一些著名演奏家和音乐理论家对于如何演奏18世纪乐曲中的装饰音方面的观点为基础,进一步就如何科学、合理地把握这部作品第一乐章中装饰音的演奏技巧等方面的问题,进行探讨与解析。
引文
(1)Max Becker,Chronik Bildbiografie W.A.Mozart,Germany:Gutersloh,2005,p.79.
(2)Phillip Huscher,Program Notes:W.A.Mozart Oboe Concerto,The Chicago Symphony Orchestra.
(3)Ludwig Nohl,Mozarts Briefe,Salzburg:Nabu Press,1865,p.130.
(4)同注(2)。
(5)同注(2)。
(6)David Benjamin Lewin,“Some Musical Jokes in Mozart'sLe Nozze di Figaro”,InStudies in Music History:Essays for Oliver Strunk,ed.,Harold Powers,pp.443-447;reprinted in“Figaro's Mistakes”,Current Musicology,1995,no.57,pp.45-60;reprinted in Stein Deborah,Engaging Music:Essays in Music Analysis,New York:Oxford University Press,2005,pp.99-109.
(7)Douglas Worthen,Ornamentation in Mozart's Flute Concerto in D Major K.314,Southern Illinois:Faculty Charts,2010,p.5.
(8)参见Frederick Neumann,Ornamentation and Improvisation in Mozart,Princeton:Princeton University Press,1986。
(9)David Mcgill:Sound in Motion,Bloomington and Indianapolis:Indiana University Press,2007,pp.71-78.
(10)David Mcgill:Sound in Motion,Bloomington and Indianapolis:Indiana University Press,2007,p.129.
(11)Johann Joachim Quantz,VersucheinerA nweisung die Fl?tetraversierezuspielen,Berlin,1752/R,3/1789/R,various edns andtrans,On Playing the Flute,London,1985,p.96.
(12)Leopold Mozart:A treatise on the Fundamental Principles of Violin Playing,Oxford:Oxford University Press,1951,p.170.
(13)Johann George Tromlitz,Ausführlicher und Gründlicher Unterricht die Fl?te zu Spielen,Amsterdam:Knuf,1973,p.58.
(14)同注(10),p.224。
(15)David Mcgill:Sound in Motion,Bloomington and Indianapolis:Indiana University Press,2007,p.225.
(16)David Mcgill:Sound in Motion,Bloomington and Indianapolis:Indiana University Press,2007,p.233.
(2)Phillip Huscher,Program Notes:W.A.Mozart Oboe Concerto,The Chicago Symphony Orchestra.
(3)Ludwig Nohl,Mozarts Briefe,Salzburg:Nabu Press,1865,p.130.
(4)同注(2)。
(5)同注(2)。
(6)David Benjamin Lewin,“Some Musical Jokes in Mozart'sLe Nozze di Figaro”,InStudies in Music History:Essays for Oliver Strunk,ed.,Harold Powers,pp.443-447;reprinted in“Figaro's Mistakes”,Current Musicology,1995,no.57,pp.45-60;reprinted in Stein Deborah,Engaging Music:Essays in Music Analysis,New York:Oxford University Press,2005,pp.99-109.
(7)Douglas Worthen,Ornamentation in Mozart's Flute Concerto in D Major K.314,Southern Illinois:Faculty Charts,2010,p.5.
(8)参见Frederick Neumann,Ornamentation and Improvisation in Mozart,Princeton:Princeton University Press,1986。
(9)David Mcgill:Sound in Motion,Bloomington and Indianapolis:Indiana University Press,2007,pp.71-78.
(10)David Mcgill:Sound in Motion,Bloomington and Indianapolis:Indiana University Press,2007,p.129.
(11)Johann Joachim Quantz,VersucheinerA nweisung die Fl?tetraversierezuspielen,Berlin,1752/R,3/1789/R,various edns andtrans,On Playing the Flute,London,1985,p.96.
(12)Leopold Mozart:A treatise on the Fundamental Principles of Violin Playing,Oxford:Oxford University Press,1951,p.170.
(13)Johann George Tromlitz,Ausführlicher und Gründlicher Unterricht die Fl?te zu Spielen,Amsterdam:Knuf,1973,p.58.
(14)同注(10),p.224。
(15)David Mcgill:Sound in Motion,Bloomington and Indianapolis:Indiana University Press,2007,p.225.
(16)David Mcgill:Sound in Motion,Bloomington and Indianapolis:Indiana University Press,2007,p.233.