论云南青花瓷绘艺术的当代价值
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摘要
云南青花瓷器的风格特征集中展现在其瓷绘技艺上。从美术史、传播学、社会学、艺术学的视角分别考察,云南青花瓷绘的当代价值有四个方面:图像内容可以作为云南元明时期绘画史料的补充;为中国青花文化向东南亚南亚的传播提供依据;艺术特征可以彰显云南文化的多元性、包容性、开放性和创造性;有助于实现云南青花艺术的当代设计转化与应用。
The style characteristics of Yunnan Blue-and-white porcelain are concentrated on its porcelain painting techniques. From the perspectives of art history, communication science, sociology, and art studies, respectively, the contemporary value of Yunnan Blue-andwhite porcelain painting has four aspects: ne is that the image content can be used as a supplement to Yunnan's Yuan and Ming painting history; the second is to provide a basis for the dissemination of Chinese blue-and-white culture to Southeast Asia and South Asia; and thirdly, its artistic characteristics can demonstrate the diversity, inclusiveness, openness, and creativity of Yunnan's culture; the fourth is to help realize the contemporary design transformation and application of Yunnan blue-and-white art.
The style characteristics of Yunnan Blue-and-white porcelain are concentrated on its porcelain painting techniques. From the perspectives of art history, communication science, sociology, and art studies, respectively, the contemporary value of Yunnan Blue-andwhite porcelain painting has four aspects: ne is that the image content can be used as a supplement to Yunnan's Yuan and Ming painting history; the second is to provide a basis for the dissemination of Chinese blue-and-white culture to Southeast Asia and South Asia; and thirdly, its artistic characteristics can demonstrate the diversity, inclusiveness, openness, and creativity of Yunnan's culture; the fourth is to help realize the contemporary design transformation and application of Yunnan blue-and-white art.
引文
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[2]陈传席.中国山水画史[M].天津:天津人民美术出版社,2001:24.
[3]刘萱,董伟.明末民窑青花瓷艺术文人画风探究[J].中国陶瓷,2010(5):76.
[4]施静菲.云南地区青花瓷器的变迁——兼谈与江西景德镇和越南青花瓷的关联[J].美术史研究集刊,2008(25):177.
[5]裴智明.云南瓷器在越南北部传播初探[J].管文强.黄敏.译.东南亚南亚研究,2009(3):87.
[6]尚刚.古物新知[M].北京:三联书店出版社,2012(5):249.
[7]冯丹,方愉.论民窑瓷画写意精神在当代的拓展与意义[J].中国陶瓷,2014(7):92.