格式塔心理学视知觉理论在UI扁平化设计中的应用
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摘要
随着数字终端设备的发展,UI设计走向扁平化成为当下的重大设计转向。为了追求便捷、准确、高效与沉浸式的体验,UI设计经历了从"拟物化"到"扁平化"的转型。扁平化的实质是对极简主义的追求,设计风格流行的背后主要是受到认知因素、技术因素和视知觉因素的影响。根据格式塔心理学视知觉理论,当前的UI扁平化设计主要是在形状、色彩与运动三方面予以应用。但设计师们对平衡与简化的过度向往,也使得UI设计存在着文化功能性弱化、情感体验性匮乏的缺陷。
With the development of digital terminal devices,the flattening of UI design has become a major design shift. In order to pursue a convenient,accurate,efficient and immersive experience,the UI design has undergone the transition from objectification to flattening. The essence of flattening is the pursuit of minimalism,and the popularity of design style is mainly influenced by cognitive factors,technical factors and visual perception factors. Based on the visual perception theory of Gestalt Psychology,the current flat UI design mainly applies in three aspects: shape,color and movement. However,designers' excessive desire for balance and simplification also leads to the weakness of cultural functionality and the lack of emotional experience in the UI design.
With the development of digital terminal devices,the flattening of UI design has become a major design shift. In order to pursue a convenient,accurate,efficient and immersive experience,the UI design has undergone the transition from objectification to flattening. The essence of flattening is the pursuit of minimalism,and the popularity of design style is mainly influenced by cognitive factors,technical factors and visual perception factors. Based on the visual perception theory of Gestalt Psychology,the current flat UI design mainly applies in three aspects: shape,color and movement. However,designers' excessive desire for balance and simplification also leads to the weakness of cultural functionality and the lack of emotional experience in the UI design.
引文
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[3]鲁道夫·阿恩海姆.艺术与视知觉[M].滕守尧,朱疆源,译.长沙:湖南美术出版社,2008.
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[5]鲁道夫·阿恩海姆.视觉思维[M].滕守尧,译.成都:四川人民出版社,1998.
[2]格列高里.视觉心理学[M].北京:北京师范大学出版社,1987.
[3]鲁道夫·阿恩海姆.艺术与视知觉[M].滕守尧,朱疆源,译.长沙:湖南美术出版社,2008.
[4]张鑫,郭媛媛.设计心理学[M].武汉:华中科技大学出版社,2012.
[5]鲁道夫·阿恩海姆.视觉思维[M].滕守尧,译.成都:四川人民出版社,1998.