论琵琶女的形象书写
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摘要
"琵琶女"形象书写在白石词中代表了姜夔对心目中理想化恋人的最高诉求。在早期恋情词中,姜夔多借片段化的叙事塑造琵琶女形象以抒发别离后的相思及对当年美好恋情的追忆。随着分别时间的增加与个人心性的成熟,姜夔开始在咏物词中添加怀人成分,琵琶女成为词人对自己飘零身世哀叹的意象。姜夔这种"自叙式叙事"的创作手段,在一定程度上代表了其在儒家思想影响下的思想矛盾与精神压抑。
the image writing of "Pipa girl" in the Baishi lyrics represents Jiang Kui's highest appeal to the idealized lover in his heart. In the early love poems, Jiang Kui always created the image of Pipa girl through fragmented narration to express the yearning for the beautiful romance in those days after separating. With the time went by and personal maturity grew, Jiang Kui began to add the missing element to the poetry for objects, and Pipa girl became the poet's lament image for his drifts destiny. Jiang Kui's creation means of "self-narrative" represented his ideological contradictions and spiritual repression under the influence of Confucianism to some extent.
the image writing of "Pipa girl" in the Baishi lyrics represents Jiang Kui's highest appeal to the idealized lover in his heart. In the early love poems, Jiang Kui always created the image of Pipa girl through fragmented narration to express the yearning for the beautiful romance in those days after separating. With the time went by and personal maturity grew, Jiang Kui began to add the missing element to the poetry for objects, and Pipa girl became the poet's lament image for his drifts destiny. Jiang Kui's creation means of "self-narrative" represented his ideological contradictions and spiritual repression under the influence of Confucianism to some extent.
引文
(1)吴熊和,《唐宋词汇评·两宋卷》(第三册),浙江教育出版社2004年版,第2702页。
(2)(10)夏成焘,《白石诗词集》,人民文学出版社1959年版,分别引自第159页,第2页。
(3)(12)(19)(21)张海鸥,《论词的叙事性》,《中国社会科学》,2004年第2期,分别引自第154页,第159页,第160页,第142页。
(4)(5)(6)(7)(9)(11)(13)(14)(15)(16)(17)(24)(25)(26)陈书良,《姜白石词笺注》,中华书局2013年版,分别引自第33页,第61页,第85页,第186页,第35页,第125页,第35页,第7页,第82页,第35页,第132页,第187页,第61页,第61页。
(8)傅修延,《中国叙事学》,北京大学出版社2015年版,第214页。
(18)陶尔夫、刘敬圻,《南宋词史》(下),北方文艺出版社2014年版,第219页。
(20)孙艳红,《唐宋词的女性化特征演变史》,中华书局2014年版,第393页。
(22)薛瑞生,《乐章集校注》,中华书局1994年版,第239页。
(23)彭玉平,《唐宋词举要》,商务印书馆2014年版,第133页。
(2)(10)夏成焘,《白石诗词集》,人民文学出版社1959年版,分别引自第159页,第2页。
(3)(12)(19)(21)张海鸥,《论词的叙事性》,《中国社会科学》,2004年第2期,分别引自第154页,第159页,第160页,第142页。
(4)(5)(6)(7)(9)(11)(13)(14)(15)(16)(17)(24)(25)(26)陈书良,《姜白石词笺注》,中华书局2013年版,分别引自第33页,第61页,第85页,第186页,第35页,第125页,第35页,第7页,第82页,第35页,第132页,第187页,第61页,第61页。
(8)傅修延,《中国叙事学》,北京大学出版社2015年版,第214页。
(18)陶尔夫、刘敬圻,《南宋词史》(下),北方文艺出版社2014年版,第219页。
(20)孙艳红,《唐宋词的女性化特征演变史》,中华书局2014年版,第393页。
(22)薛瑞生,《乐章集校注》,中华书局1994年版,第239页。
(23)彭玉平,《唐宋词举要》,商务印书馆2014年版,第133页。