稼轩词“入声韵”声情研究
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摘要
入声字在现代普通话中已经消失,然而入声有着非常独特的发音方式,在表情达意上有别样的作用,故被大量运用于古诗词中。入声的消失使得许多古诗词读起来平仄不相对、不押韵,其蕴含着的特殊声情也很难从诵读中体会出来。本文将从辛弃疾的词作入手,探究其中入声韵所传达出的特殊声情,分析入声韵对情感抒发所产生的独特作用,从那些反复回环的入声之中体会作者的情感,同时感受其作品的美感。
Entering tone has disappeared in modern mandarin, however, its voice has a very unique way of pronunciation and expresses a special kind of meaning. As a result, it is widely used in ancient poetry. The disappearance of Entering tone makes many ancient poems read relatively level and oblique, non-rhyming. The implication of its special voice is quite difficult to understand from reading. Based on the Ci-Poetry of Xin Qiji, this paper explores the special feelings by the rhyme, and analyze the unique function of rhyme into the expression of emotions, in order to feel the author's emotions from those low and depressed voice that is repeatedly reverberating and appreciate the beauty of their works.
Entering tone has disappeared in modern mandarin, however, its voice has a very unique way of pronunciation and expresses a special kind of meaning. As a result, it is widely used in ancient poetry. The disappearance of Entering tone makes many ancient poems read relatively level and oblique, non-rhyming. The implication of its special voice is quite difficult to understand from reading. Based on the Ci-Poetry of Xin Qiji, this paper explores the special feelings by the rhyme, and analyze the unique function of rhyme into the expression of emotions, in order to feel the author's emotions from those low and depressed voice that is repeatedly reverberating and appreciate the beauty of their works.
引文
[1]王硕荃.杜诗入声韵考(上)[J].渤海学刊,1988,(1):34-41.
[2]王硕荃.杜诗入声韵考(下)[J].渤海学刊,1988,(2):46-53.
[3]田业政.元代江西诗人古体诗用韵研究[J].南阳师范学院学报,2007,(11):57-62.
[4]李莎莉.明代江西诗人用韵入声合韵研究[J].九江学院学报,2008,(2):88-90.
[5]李军.元代江西文人诗文用韵所反映的入声韵演变及其分布特征[J].语言科学,2010,(4):428-435.
[6]胡艳.《琵琶行》中“入声韵”的妙用[J].中华文化论坛,2012,(2):26-30.
[7]胡艳.浩浩长歌,戚戚之尤——析柳宗元入声韵诗的声情[J].名作欣赏,2013,(18):108-110.
[8]李启文.近代汉语共同语入声字的演变[J].中国语文,1996,(1):50-58.
[9]王艳红.浅说宋词的入声字[J].文学教育(中),2010,(10):110-111.
[10]崔铭导读.辛弃疾词集[M].上海:上海古籍出版社,2010.
[2]王硕荃.杜诗入声韵考(下)[J].渤海学刊,1988,(2):46-53.
[3]田业政.元代江西诗人古体诗用韵研究[J].南阳师范学院学报,2007,(11):57-62.
[4]李莎莉.明代江西诗人用韵入声合韵研究[J].九江学院学报,2008,(2):88-90.
[5]李军.元代江西文人诗文用韵所反映的入声韵演变及其分布特征[J].语言科学,2010,(4):428-435.
[6]胡艳.《琵琶行》中“入声韵”的妙用[J].中华文化论坛,2012,(2):26-30.
[7]胡艳.浩浩长歌,戚戚之尤——析柳宗元入声韵诗的声情[J].名作欣赏,2013,(18):108-110.
[8]李启文.近代汉语共同语入声字的演变[J].中国语文,1996,(1):50-58.
[9]王艳红.浅说宋词的入声字[J].文学教育(中),2010,(10):110-111.
[10]崔铭导读.辛弃疾词集[M].上海:上海古籍出版社,2010.