论《西厢记》的曲词风格及其戏剧史地位的确立
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摘要
《西厢记》在明代极受推崇,明人评价其曲词风格或为本色当行,或为妍丽艳冶。实际上《西厢记》兼备两种风格,呈现出辞采与本色二水合流的新态,这种多样的曲词风格对《西厢记》的地位在明代确立产生了重要影响。
The Romance of the Western Chamber was highly praised in the Ming Dynasty. The Ming people evaluated the style of its songs either for its being natural or for its beauty. In fact, The Story of the West Chamber has both the two styles, showing a new combination of rhetoric and original features. This diverse style of tunes and lyrics had an important effect on the establishment of the status of The Story of the West Chamber in the Ming dynasty. Scholars used to emphasize the research on its plot and figures, while hold different evaluations on its style of tunes and lyrics, rarely attentive to the connection between the diverse style of tunes and lyrics and its status in opera history. It was this style of tunes and lyrics that established its status in the Ming dynasty.
The Romance of the Western Chamber was highly praised in the Ming Dynasty. The Ming people evaluated the style of its songs either for its being natural or for its beauty. In fact, The Story of the West Chamber has both the two styles, showing a new combination of rhetoric and original features. This diverse style of tunes and lyrics had an important effect on the establishment of the status of The Story of the West Chamber in the Ming dynasty. Scholars used to emphasize the research on its plot and figures, while hold different evaluations on its style of tunes and lyrics, rarely attentive to the connection between the diverse style of tunes and lyrics and its status in opera history. It was this style of tunes and lyrics that established its status in the Ming dynasty.
引文
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[4]吴梅.奢摩他室曲话·诸典提要[M].见王卫民编校《吴梅全集》:理论卷,石家庄:河北教育出版社,2002:1160.
[5]、[6]、[7]、[11]吴梅.中国戏曲概论[M].北京:中国人民大学出版社,2004:170.144.148.154.
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[9][明]胡应麟.少室山房笔丛[M].上海:上海书店出版社,2009:431.
[10][明]王骥德.新校注古本西厢记·自序[M].《续修四库全书》影印本第1766册,上海:上海古籍出版社,1995:1.
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[13]蔡毅编著.中国古典戏曲序跋汇编[M].济南:齐鲁书社,1989:650.
[2][明]臧懋循编.元曲选[M].杭州:浙江古籍出版社,1998:1.
[3]吴毓华编著.中国古代戏曲序跋集[M].北京:中国戏曲出版社,1990:77.
[4]吴梅.奢摩他室曲话·诸典提要[M].见王卫民编校《吴梅全集》:理论卷,石家庄:河北教育出版社,2002:1160.
[5]、[6]、[7]、[11]吴梅.中国戏曲概论[M].北京:中国人民大学出版社,2004:170.144.148.154.
[8][明]朱权.太和正音谱[M].中国古曲戏曲论著集成(三).北京:中国戏剧出版社,1959:17.
[9][明]胡应麟.少室山房笔丛[M].上海:上海书店出版社,2009:431.
[10][明]王骥德.新校注古本西厢记·自序[M].《续修四库全书》影印本第1766册,上海:上海古籍出版社,1995:1.
[12][明]张琦.衡曲麈谈[M].中国古典戏曲论著集成:四,北京:中国戏剧出版社,1959:269.
[13]蔡毅编著.中国古典戏曲序跋汇编[M].济南:齐鲁书社,1989:650.