摘要
贾平凹的小说《极花》是一部贴近现实的文学创作。它以进城而被拐卖的农村少女胡蝶为叙述者,展现了社会现代化进程中走向凋落的乡土的缩影。这种针砭时弊而进行的乡土书写,深涵着贾平凹对农村生存现状问题的深刻批判。小说所呈现的现实批判中不仅充斥着传统与现代的矛盾、城市与乡土的矛盾,而且还包含着无从救赎的精神困境。
Jia Pingwa's novel flower worm is a literary creation close to reality. With Hu Die as a narrator of novel,who is a rural girl carried off into the city,the novel shows the microcosm of the withered countryside in the process of modernization. This kind of vernacular writing that criticizesthe situation,deeply embodies Jia Ping-wa's profound criticism for the current situation of rural survival. But its realistic criticism is not only full of contradictions between tradition and modernity,but also between the city and the countryside,it also faces the plight of no way to save.
引文
[1]贾平凹.极花[M].北京:人民文学出版社,2016.
[2]包妍,万水.一部温润而刻骨的批判力作——评贾平凹新作《极花》[J].出版广角,2016(18).
[3]贾平凹.老生·后记[M].北京:人民文学出版社,2014.
[4]贾平凹.秦腔·后记[M].上海:上海三联书店,2012.
[5]苏奎.徘徊在城市与乡村之间——贾平凹身份意识研究[J].文艺评论,2005(6).
[6]谢有顺.在传统与现代中往返博弈的贾平凹[J].小说评论,2017(2).
[7]彭仁兵.论贾平凹《浮躁》的现实关怀与人文思考[J].西南科技大学学报(社会科学版),2018(3).
[8]石杰.伤痛与救赎——贾平凹长篇小说《古炉》研究[J].渤海大学学报(哲学社会科学版),2011(5).
[9]王妮娜.在异质文化的互证互动中寻求精神突围——贾平凹在文化转型中的困惑与摸索[J].西北大学学报(哲学社会科学版),2006(2).
[10]孔令燕.回不去的田园:《极花》之痛[N].光明日报,2016-05-10.