乡村人的都市情感困境与沉沦——贾平凹《高兴》中人物的情感纠葛
|
摘要
《高兴》是贾平凹的一部小说,描写农民工进城后命运与情感纠葛的苦泪史,再现了底层拾荒者在城市中生存的卑微和感情的沉沦。刘高兴是一个具有时髦浪漫的都市爱情幻想的拾荒者,他渴望与孟夷纯相恋;孟夷纯是游走于浮世生活中并经过"人格美化"的另类女性,也是城市金钱与欲望的象征;韦达是大城市的富豪,也是孟夷纯的"摇钱树"。刘高兴、孟夷纯、韦达的三角链环关系展现了都市最底层人物矛盾复杂的情感与情爱,深刻揭露了乡村人的都市情感困境及其挣扎与沉沦。在现代病态城市文明的化身韦达面前,刘高兴与孟夷纯的爱情是脆弱和虚无缥缈的,印证了不以物质为基础的爱情无法在现代社会立足的事实。贫穷依然使底层人民无法有尊严地生存,也是其在追求爱情的道路中无法消弭的痛点。
Happy Dreams is a novel by Jia Pingwa. It presents the history of the tears of fate and emotional entanglement of migrant workers after entering the city, and reproduces the humble and emotional indulgence of the underlying scavengers in the city. Liu Gaoxing is a scavenger with a fashionable and romantic urban love fantasy. He is eager to fall in love with Meng Yichun. Meng Yichun is an alternative woman who wanders through the life of the world and undergoes "personalization" and is also a symbol of urban money and desire; Wei Da is the richest man in the big city, and also the "money tree" of Meng Yichun. The relationship between Liu Gaoxing, Meng Yichun and Wei Da's triangle links shows the contradictory complex emotions and loves of the lowest figures in the city, and profoundly exposes the urban emotional dilemma of the rural people and their struggle and sinking. In the face of Veda, the incarnation of modern morbid urban civilization, Liu Gaoxing and Meng Yichun's love is fragile and illusory, confirming the fact that material-based love cannot stand in modern society. Poverty still prevents the underlying people from living in dignity, and it is also a pain point that cannot be eliminated in the pursuit of love.
Happy Dreams is a novel by Jia Pingwa. It presents the history of the tears of fate and emotional entanglement of migrant workers after entering the city, and reproduces the humble and emotional indulgence of the underlying scavengers in the city. Liu Gaoxing is a scavenger with a fashionable and romantic urban love fantasy. He is eager to fall in love with Meng Yichun. Meng Yichun is an alternative woman who wanders through the life of the world and undergoes "personalization" and is also a symbol of urban money and desire; Wei Da is the richest man in the big city, and also the "money tree" of Meng Yichun. The relationship between Liu Gaoxing, Meng Yichun and Wei Da's triangle links shows the contradictory complex emotions and loves of the lowest figures in the city, and profoundly exposes the urban emotional dilemma of the rural people and their struggle and sinking. In the face of Veda, the incarnation of modern morbid urban civilization, Liu Gaoxing and Meng Yichun's love is fragile and illusory, confirming the fact that material-based love cannot stand in modern society. Poverty still prevents the underlying people from living in dignity, and it is also a pain point that cannot be eliminated in the pursuit of love.
引文
[1]江腊生.在“高兴”与“不高兴”之间——贾平凹小说《高兴》的多重焦虑[J].当代文坛,2016(6):122-125.
[2]王光东.“刘高兴”的精神与尊严——读贾平凹的《高兴》[J].扬子江评论,2008(1):4-5.
[3]莫林虎.刘高兴:迷惘在城市与乡村之间[J].西安建筑科技大学学报(社会科学版),2008(3):40-44.
[4]陈建光.乡土的后现代隐喻——重读贾平凹的《高兴》[J].文艺争鸣,2012(5):140-142.
[5]徐德明.乡下人进城的一种叙述——论贾平凹的《高兴》[J].文学评论,2008(1):186-190.
[6]张福贵,杨丹.底层的真相与病相——解读《高兴》[J].文艺争鸣,2009(4):67-70.
[7]张建军.“反英雄”的形象内涵:底层性、杂糅性与漫游性——以贾平凹《高兴》为例[J].商洛学院学报,2016,30(1):7-12.
[8]贾平凹.高兴[M].北京:作家出版社,2007.
[9]霍尔.荣格心理学入门[M].北京:三联书店,1987:35.
[10]吴义勤,张丽军.“他者”的浮沉:评贾平凹长篇小说新作《高兴》[J].西安建筑科技大学学报(社会科学版),2008(3):12-19.
[11]叶延珪.海录碎事[M].上海:上海辞书出版社,1989.
[12]叶凯蒂.妓女与城市文学[J].中国现代文学研究丛刊,2001(2):23-24.
[2]王光东.“刘高兴”的精神与尊严——读贾平凹的《高兴》[J].扬子江评论,2008(1):4-5.
[3]莫林虎.刘高兴:迷惘在城市与乡村之间[J].西安建筑科技大学学报(社会科学版),2008(3):40-44.
[4]陈建光.乡土的后现代隐喻——重读贾平凹的《高兴》[J].文艺争鸣,2012(5):140-142.
[5]徐德明.乡下人进城的一种叙述——论贾平凹的《高兴》[J].文学评论,2008(1):186-190.
[6]张福贵,杨丹.底层的真相与病相——解读《高兴》[J].文艺争鸣,2009(4):67-70.
[7]张建军.“反英雄”的形象内涵:底层性、杂糅性与漫游性——以贾平凹《高兴》为例[J].商洛学院学报,2016,30(1):7-12.
[8]贾平凹.高兴[M].北京:作家出版社,2007.
[9]霍尔.荣格心理学入门[M].北京:三联书店,1987:35.
[10]吴义勤,张丽军.“他者”的浮沉:评贾平凹长篇小说新作《高兴》[J].西安建筑科技大学学报(社会科学版),2008(3):12-19.
[11]叶延珪.海录碎事[M].上海:上海辞书出版社,1989.
[12]叶凯蒂.妓女与城市文学[J].中国现代文学研究丛刊,2001(2):23-24.