木材的装饰艺术——以黑胡桃木为例
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摘要
木材是大自然的馈赠,它的美丽之处在于每一道纹理都是天然的,不同的,展现了树木生命的轨迹。在装饰艺术中,材料的发展史就体现了装饰艺术的演变,木材作为天然材料中重要的一部分,在装饰艺术中有着渊源的历史和强大的生命力。本文将在了解木材的历史下,简述黑胡桃木的肌理之美,分析黑胡桃木的装饰效果。在中国材料的发展史上,木材,一直承担着重要的角色。在原始社会时期,中国人就一直钟情于木材的开发与使用,到了现代各种装饰材料发展成熟,但是木材仍是主流装饰材料。
Wood is a gift from nature, whose beauty is that every grain is natural and different, showing the path of tree's life. In decorative art, the development history of materials reflects the evolution of decorative art. As an important part of natural materials, wood has a history of origin and strong vitality in decorative art. This article, based on the understanding of wood history, briefly introduces the beauty of its texture, and analyzes the adornment effect that analyses black walnut. In the development history of Chinese material, wood has been playing an important role. In primitive society period, Chinese people is loving the development and using of wood all the time. Until now, all sorts of adornment material develop mature, but wood is still mainstream adornment material.
Wood is a gift from nature, whose beauty is that every grain is natural and different, showing the path of tree's life. In decorative art, the development history of materials reflects the evolution of decorative art. As an important part of natural materials, wood has a history of origin and strong vitality in decorative art. This article, based on the understanding of wood history, briefly introduces the beauty of its texture, and analyzes the adornment effect that analyses black walnut. In the development history of Chinese material, wood has been playing an important role. In primitive society period, Chinese people is loving the development and using of wood all the time. Until now, all sorts of adornment material develop mature, but wood is still mainstream adornment material.
引文
[1]李浈.中国传统建筑形制与工艺[M].同济大学出版社,2015(10):03.
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[5]裴中兰,吴礼程,张乘风.有关产品设计的实际价值探讨[J].大众文艺,2018(21):73-74.
[6]陶蓓蓓,徐丽.中国传统家具木材审美研究[J].家具与室内装饰,2016(02):26-27
[7]谢杰,谭宏伟,郝晓峰,李贤军,熊幸阳,郑敏,全鹏.初含水率对白橡锯材热压干燥特性的影响[J].中南林业科技大学学报,2018,38(09):120-125.
[8]魏路,孙照斌,陈凤义,邵利英,马淑玲,相广东.预处理方式对黑胡桃木干缩湿胀特性的影响[J].中南林业科技大学学报,2017,37(03):104-110.
[9]马宏儒,刘文金.木材肌理在家具造型设中的表现[J].家具与室内装饰,2008(03):66-67.
[10]王秀芳,唐立华.针对木材纹理的木制品设计研究[J].家具与室内装饰,2017(03):22-23.
[11]吕九芳,吴智慧,廖晓梅.木材花纹美学图案的设计及其应用研究[J].家具与室内装饰.2011(10):106-107.
[12]徐兴楠.浅析点,线,面在平面设计中的应用[J].辽宁师专学报(社会科学版),2017,(01):27-28.
[13]黎云昆.木材及木文化刍议[J].西南林业大学学报(社会科学),2017(01):33-38.
[14]梅青原.榫卯结构——木头里的信仰与象征[J].中外建筑,2018(09):69-71.
[2]赵广超.不只中国木建筑[M].三联书店,2006(04):01.
[3]马炳坚.中国古建筑木作营造技术[M].北京科学出版社,1991.
[4]吴礼程,王青青,金晓雯.室内居住环境中风水学的应用[J].家具与室内装饰,2018,(04):110-111.
[5]裴中兰,吴礼程,张乘风.有关产品设计的实际价值探讨[J].大众文艺,2018(21):73-74.
[6]陶蓓蓓,徐丽.中国传统家具木材审美研究[J].家具与室内装饰,2016(02):26-27
[7]谢杰,谭宏伟,郝晓峰,李贤军,熊幸阳,郑敏,全鹏.初含水率对白橡锯材热压干燥特性的影响[J].中南林业科技大学学报,2018,38(09):120-125.
[8]魏路,孙照斌,陈凤义,邵利英,马淑玲,相广东.预处理方式对黑胡桃木干缩湿胀特性的影响[J].中南林业科技大学学报,2017,37(03):104-110.
[9]马宏儒,刘文金.木材肌理在家具造型设中的表现[J].家具与室内装饰,2008(03):66-67.
[10]王秀芳,唐立华.针对木材纹理的木制品设计研究[J].家具与室内装饰,2017(03):22-23.
[11]吕九芳,吴智慧,廖晓梅.木材花纹美学图案的设计及其应用研究[J].家具与室内装饰.2011(10):106-107.
[12]徐兴楠.浅析点,线,面在平面设计中的应用[J].辽宁师专学报(社会科学版),2017,(01):27-28.
[13]黎云昆.木材及木文化刍议[J].西南林业大学学报(社会科学),2017(01):33-38.
[14]梅青原.榫卯结构——木头里的信仰与象征[J].中外建筑,2018(09):69-71.