身体美学15年:中国言说的逻辑反思和理论维度
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摘要
中国身体美学的理论体系构建,仍处于草创阶段,体现在基本概念、研究方向、研究对象等方面还未形成共识。被身体美学激活的美学主题和领域,尚未得到充分的论述与展开,身体美学与其他美学派别的关系,尚未清晰显现。身体美学的理论价值在于对实践美学、环境美学、生态美学以及中国美学史和西方美学史理论难题的反思,如实践美学与新实践美学因强调审美的社会性而造成鲜活审美经验的缺失,后实践美学因强调审美超越性而形成身心分离的精神主体,环境美学无法摆脱主客二分的思想模式,生态美学中审美对象的抽象性问题,中国美学和西方美学关于审美经验的主题所遇到的困难等等,身体美学理论从一个新的视角对上述问题的解决提供了新的思考向度,对当代美学原理研究具有一定的理论意义。身体美学自身理论体系的整个构建过程,无法离开与其他美学流派和美学理论的互动,这一具有互动性的建构过程,其实也是身体美学自身价值不断实现与提高的过程。
The construction of Chinese somaesthetics has not been imperfect,for its primary concepts,research orientation and research objects has not been consistent since somaethetics was put forward. The topic and fields which were motivated by somaethetics has not been reflected and developed sufficiently. The relationship between somaesthetics and other aesthetics schools has been indistinct. As for the value of somaethetics,firstly,it stimulates the reflection on dilemmas which lies in practical aesthetics,environmental aesthetics,ecological aesthetics and Chinese classical aesthetics.these theoretical questions are as follow,the absence of fresh aesthetic experience for practical aesthetics and neo-practical aesthetics have focuses on the sociality of aesthetic,subject-object dichotomy which environmental aesthetics can't get rid of,abstractness of aesthetic subjects in ecological aesthetics,emphasis of description of aesthetic experience and lack of logical construction in Chinese classical aesthetics,and so on. Secondly,somaesthetics provide the questions which been mentioned above with new perspective and different consideration orientation. Thirdly,somaethetics will also improve the writing of contemporary aesthetics theory. The construction of somaethetics will not separate from the interaction between somaesthetics and other aesthetic theory,and the value of somaethetics has been realized in the same procession of interaction.
The construction of Chinese somaesthetics has not been imperfect,for its primary concepts,research orientation and research objects has not been consistent since somaethetics was put forward. The topic and fields which were motivated by somaethetics has not been reflected and developed sufficiently. The relationship between somaesthetics and other aesthetics schools has been indistinct. As for the value of somaethetics,firstly,it stimulates the reflection on dilemmas which lies in practical aesthetics,environmental aesthetics,ecological aesthetics and Chinese classical aesthetics.these theoretical questions are as follow,the absence of fresh aesthetic experience for practical aesthetics and neo-practical aesthetics have focuses on the sociality of aesthetic,subject-object dichotomy which environmental aesthetics can't get rid of,abstractness of aesthetic subjects in ecological aesthetics,emphasis of description of aesthetic experience and lack of logical construction in Chinese classical aesthetics,and so on. Secondly,somaesthetics provide the questions which been mentioned above with new perspective and different consideration orientation. Thirdly,somaethetics will also improve the writing of contemporary aesthetics theory. The construction of somaethetics will not separate from the interaction between somaesthetics and other aesthetic theory,and the value of somaethetics has been realized in the same procession of interaction.
引文
[1]舒斯特曼.实用主义美学——生活之美,艺术之思[M].北京:商务印书馆,2002.
[2]舒斯特曼.身体意识与身体美学[M].北京:商务印书馆,2011.
[3]王晓华.身体美学导论[M].北京:中国社会科学出版社,2016.
[4]刘连杰.身体美学应是身体存在论美学[J].烟台大学学报,2013(4).
[5]杨春时.主体间性与“健全的身体美学”之建构[J].厦门大学学报,2008(3).
[6]彭锋.身体美学的进展[J].中州学刊,2005(3).
[7]程相占.论身体美学的三个层面[J].文艺理论研究,2011(6).
[8]张法.身体美学的四个问题[J].文艺理论研究,2011(4).
[9]杨春时.超越意识美学与身体美学的对立[J].文艺研究,2008(5).
[10]朱立元,朱琳.舒斯特曼身体美学述评[J].四川戏剧,2008(2).
[11]李泽厚.美学四讲[M].天津:天津社会科学院出版社,2002.
[12]张玉能.实践转向与身体美学[J].湖南社会科学,2013(2).
[13]潘知常.生命美学论稿[M].郑州:郑州大学出版社,2002.
[14]程相占.环境美学对分析美学的承续与拓展[J].文艺研究,2012(3).
[15]曾繁仁.关于“生态”与“环境”之辨——对于生态美学建设的一种回顾[J].求是学刊,2015(1).
[16]薛富兴.环境美学的基本理念[J].美育学刊,2014(4).
[17]陈望衡.环境美学是什么?[J].郑州大学学报(哲学社会科学版),2014(1).
[18]刘成纪.生态学时代的新自然美学[N].光明日报,2005-02-08.
[19]米·杜夫海纳.美学与哲学[M].北京:中国社会科学出版社,1985.
[20]曾繁仁.生态存在论美学视野中的自然之美[J].文艺研究,2011(6).
[21]米·杜夫海纳.审美经验现象学[M].北京:北京文化艺术出版社,1996.
[22]张再林.中国古代“体知”的基本特征及时代意义[J].西安政治学院学报,2008(8).
[23]舒斯特曼.水墨画中的身体美学——修身与风格[J].诗书画,2013(3).
[24]刘成纪.形而下的朽——汉代身体美学考论[M].北京:人民出版社,2007.
[25]刘成纪.中国古典美学中的身体及其映像[J].文艺研究,2007(4).
(1)“身体主体论身体美学”由深圳大学教授王晓华提出,他最早在《身体美学:回归身体主体的美学---以西方美学史为例》(2005年)一文中提出“身体主体”的观点,一直致力于“身体主体论身体美学”体系的建构,其代表作《身体美学导论》(2016年)从身体主体的角度,对审美发生机制等问题作了深入分析。
[2]舒斯特曼.身体意识与身体美学[M].北京:商务印书馆,2011.
[3]王晓华.身体美学导论[M].北京:中国社会科学出版社,2016.
[4]刘连杰.身体美学应是身体存在论美学[J].烟台大学学报,2013(4).
[5]杨春时.主体间性与“健全的身体美学”之建构[J].厦门大学学报,2008(3).
[6]彭锋.身体美学的进展[J].中州学刊,2005(3).
[7]程相占.论身体美学的三个层面[J].文艺理论研究,2011(6).
[8]张法.身体美学的四个问题[J].文艺理论研究,2011(4).
[9]杨春时.超越意识美学与身体美学的对立[J].文艺研究,2008(5).
[10]朱立元,朱琳.舒斯特曼身体美学述评[J].四川戏剧,2008(2).
[11]李泽厚.美学四讲[M].天津:天津社会科学院出版社,2002.
[12]张玉能.实践转向与身体美学[J].湖南社会科学,2013(2).
[13]潘知常.生命美学论稿[M].郑州:郑州大学出版社,2002.
[14]程相占.环境美学对分析美学的承续与拓展[J].文艺研究,2012(3).
[15]曾繁仁.关于“生态”与“环境”之辨——对于生态美学建设的一种回顾[J].求是学刊,2015(1).
[16]薛富兴.环境美学的基本理念[J].美育学刊,2014(4).
[17]陈望衡.环境美学是什么?[J].郑州大学学报(哲学社会科学版),2014(1).
[18]刘成纪.生态学时代的新自然美学[N].光明日报,2005-02-08.
[19]米·杜夫海纳.美学与哲学[M].北京:中国社会科学出版社,1985.
[20]曾繁仁.生态存在论美学视野中的自然之美[J].文艺研究,2011(6).
[21]米·杜夫海纳.审美经验现象学[M].北京:北京文化艺术出版社,1996.
[22]张再林.中国古代“体知”的基本特征及时代意义[J].西安政治学院学报,2008(8).
[23]舒斯特曼.水墨画中的身体美学——修身与风格[J].诗书画,2013(3).
[24]刘成纪.形而下的朽——汉代身体美学考论[M].北京:人民出版社,2007.
[25]刘成纪.中国古典美学中的身体及其映像[J].文艺研究,2007(4).
(1)“身体主体论身体美学”由深圳大学教授王晓华提出,他最早在《身体美学:回归身体主体的美学---以西方美学史为例》(2005年)一文中提出“身体主体”的观点,一直致力于“身体主体论身体美学”体系的建构,其代表作《身体美学导论》(2016年)从身体主体的角度,对审美发生机制等问题作了深入分析。