民族文化交融对元代少数民族杂剧创作的影响——以石君宝爱情婚姻剧作品为例
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摘要
元代杂剧是我国古代文学戏剧的代表,具有深厚的研究价值。元代又是我国北方游牧文化与中原农耕文化相互碰撞与交融的历史时期,北方少数民族文化与中原汉文化的交融对元代杂剧创作产生了深远的影响。石君宝是我国元代著名的少数民族杂剧作家,其仅存的三部爱情婚姻剧作品反映了民族文化交融影响下社会各阶层对待社会生活的习俗观念。论文介绍了元代民族文化交融的时代背景,并以元代著名少数民族杂剧作家石君宝的三部爱情婚姻剧作品为例,分析了民族文化交融对元代少数民族杂剧创作的影响。
Zaju in Yuan Dynasty is the representative of ancient Chinese literature and drama.It has profound research value.The Yuan Dynasty was a historical period of collision and blending between the nomadic culture of northern China and the farming culture of the Central Plains.The blend of the northern minority culture and the Central Plains and the Han culture had a profound influence on the creation of the Yuan Dynasty's zaju.SHI Jun-bao is a famous minority Zaju writer in the Yuan Dynasty,and the only three love and marriage dramas that exist reflect the concept and custom of treating social life in all social strata under the influence of national culture blending.This paper introduces the background of the cultural blend of the Yuan Dynasty,and takes the three love marriage plays of SHI Jun-bao,a minority Zaju writer in Yuan Dynasty as an example,to analyze the influence of the blend of ethnic culture on the creation of the minority Zaju in Yuan Dynasty.
Zaju in Yuan Dynasty is the representative of ancient Chinese literature and drama.It has profound research value.The Yuan Dynasty was a historical period of collision and blending between the nomadic culture of northern China and the farming culture of the Central Plains.The blend of the northern minority culture and the Central Plains and the Han culture had a profound influence on the creation of the Yuan Dynasty's zaju.SHI Jun-bao is a famous minority Zaju writer in the Yuan Dynasty,and the only three love and marriage dramas that exist reflect the concept and custom of treating social life in all social strata under the influence of national culture blending.This paper introduces the background of the cultural blend of the Yuan Dynasty,and takes the three love marriage plays of SHI Jun-bao,a minority Zaju writer in Yuan Dynasty as an example,to analyze the influence of the blend of ethnic culture on the creation of the minority Zaju in Yuan Dynasty.
引文
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[2]云峰.试论元代较宽松的思想政治等人文环境对元杂剧繁荣兴盛之影响[J].民族文学研究,2006,(1).
[3]云峰.试论元代统治者对元杂剧创作之影响[J].黑龙江民族丛刊,2006,(5).
[4]王双梅.草原文化与元代文学研究综述[J].前沿,2015,(11).
[5]云峰.论蒙古民族及其文化对元散曲创作的影响及贡献[J].民族文学研究,2004,(2).
[6]李成,周惠泉,孙黎,周晖,李成,刘达科,田同旭.民族文化融合与中国古代戏曲繁荣(笔谈)[J].大连大学学报,2004,(3).
[7]郭小转,胡海燕.从蒙古族习俗及文化心理看元杂剧大团圆结局[J].青海民族大学学报(社会科学版),2011,(1).
[8]赵维江.北方地域文化与辽金元文学[J].文史哲,2005,(1).
[9]许秋华.论元杂剧人物命名的民族文化意蕴[J].贵州民族研究,2012,(1).
[10]吕虹.振兴贵州民族民间歌舞戏剧文化创造多元化民族文化生态圈[J].贵州民族研究,2005,(6).
[11]石洪樑,李云保.云南少数民族戏剧保护与传承[J].学术探索,2015,(8).
[12]刘科,周勇.城镇化进程中少数民族戏曲现代化生存模式构建[J].贵州民族研究,2017,(5).