《人间词》用调与《人间词话》之词学观
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  • 英文篇名:The Tonal Patterns and Rhyme Schemes of Renjian Ci and the Theory of Renjian Cihua
  • 作者:豆晓楠
  • 英文作者:Dou Xiaonan;College of Literature, Hebei University;
  • 关键词:《人间词》 ; 用调 ; 《人间词话》 ; 境界说
  • 英文关键词:Renjian Ci;;the tonal patterns and rhyme schemes;;Renjian Cihua;;realm theory
  • 中文刊名:BDSZ
  • 英文刊名:Journal of Baoding University
  • 机构:河北大学文学院;
  • 出版日期:2019-05-24 14:51
  • 出版单位:保定学院学报
  • 年:2019
  • 期:v.32;No.138
  • 基金:国家社科基金重大项目“词体声律研究与词谱重修”(15ZDB072)
  • 语种:中文;
  • 页:BDSZ201903016
  • 页数:5
  • CN:03
  • ISSN:13-1388/G4
  • 分类号:91-95
摘要
王国维《人间词》用调与《人间词话》之词学观关联甚密。王国维《人间词》用调独特,在词调类型的选择上,以小令居多,喜唐五代和北宋流行词调。内容虽以闺阁恋情为主,但明显体现出《人间词话》中强调的"真"之境界;从对前人的用调接受来看,尤喜李煜、周邦彦、辛弃疾、姜夔等人词调及体式。这些与其词学观中的"境界说"和"真切"原则密切相关。
        There is a close relation between the tonal patterns and rhyme schemes of Wang Guowei's Renjian Ci and the theory of Renjian Cihua. The intonation of Wang Guowei's Renjian Ci is quite unique. On the choice of rhymes type, Xiaoling is in the majority,and his favorite popular tune was from Tang, Five Dynasties and Song Dynasty. Although the content is mainly boudoir romance, it clearly shows the "true feelings" of realm of the emphasis in Renjian Cihua; from the point of view of the predecessors' acceptance of rhymes and tonal patterns, the chief lyricists were Li Yu, Zhou Bangyan, Xin Qiji and Jiang Kui. The above were closely related to the "Realm Theory" and "True Principles" of his thoughts of Ci Poetry.
引文
[1]陈永正.王国维诗词笺注[M].上海:上海古籍出版社,2011.
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    [5]吴蓓.成也萧何,败也萧何——以“作者”基点论王国维《人间词》[J].浙江学刊,1994(6):85-89.
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    (1)以陈永正笺注的《王国维诗词笺注》(上海古籍出版社,2011年版)为依据,对王国维《人间词》的用调情况作基本统计。

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