摘要
韩少功随笔集《山南水北》记述了其迁居八溪峒的日常生活以及在乡村的所见所闻,在乡土叙事中阐发对乡村生活及村民生存状态的审美体验和形而上思索,同时表达出对都市生活的厌倦。《山南水北》是作者韩少功对抗焦虑的产物。关于缓解焦虑之道,韩少功的策略,其一是回归乡村自然,回归土地劳作,以此安放身心;其二是从事文学创作,使日常生活审美化。
Han Shaogong's volume of essays South of the Mountain and North of the Water describes his daily life of living in Baxidong and what he has seen and heard in the countryside, and expounds his aesthetic experience and metaphysical thinking about the village life and the living condition of the villagers in the local narrative. At the same time, he expressed his boredom with city life. South of the Mountain and North of the Water is the product of Han Shaogong's struggle against anxiety. On the way to alleviate anxiety, Han Shaogong's strategy is to return to the natural village, and return to the land to work, so as to rest the body and mind; the second is to engage in literary creation, so as to make daily life aestheticized.
引文
[1]杨丽娟.世界神话与原始文化[M].上海:上海社会科学院出版社,2004:39.
[2]朱志荣.西方文论史[M].上海:华东师范大学出版社,2017.
[3]童庆炳.文学理论新编[M].北京:北京师范大学出版社,2005.
[4]李红绿.《九歌》中的原型意象及其英译:以许渊冲和卓振英先生的译本为例[J].湖南工业大学学报(社会科学版),2018,23(2):111.
[5]袁欢.郜元宝:在大时代,读海德格尔[N].文学报,2018-04-12(04).
[6]韩少功.山南水北[M].武汉:长江文艺出版社,2018.
[7]韩少功,王尧.在妖化与美化之外的历史[J].当代作家评论,2003(3):39-50.
[8]衣俊卿.现代化与日常生活批判[M].北京:人民出版社,2005.
[9]尼采.悲剧的诞生[M].缪朗山,译.海口:海南国际新闻出版中心,1996:6-7.
[10]芳菲.次优主义的生活:对话韩少功[M]//韩少功.山南水北.武汉:长江文艺出版社,2018:343.
[11]胡经之.西方文艺理论名著教程:下[M].北京:北京大学出版社,2003:643.
[12]汪民安.文化研究关键词[M]南京:江苏人民出版社,2007:397.
[13]杨庆祥.韩少功的文化焦虑和文化宿命[J].扬子江评论,2009(6):10.