爱情与政治的悲剧——《长生殿》与《安东尼与克丽奥佩德拉》之比较研究
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摘要
《长生殿》与《安东尼与克丽奥佩德拉》(以下简称《安东尼》)都创作于15世纪左右,且都是在社会经历过急剧的思想解放后产生的戏剧作品。其中,莎士比亚侧重于"爱情误国"的描写,而洪升在不规避"误国"这一政治主题的情况下,把重点放在美化爱情、歌颂"精诚"之情上。本文在深析作品内容的基础之上,对《长生殿》与《安东尼》主题的侧重点、制造矛盾的手法、歌颂的精神以及创作的文化背景等方面进行分析和比较,以期达到文化情感的互融与共鸣。
Both Longevity Palace and Antony and Cleopatra(hereinafter referred to as "Antony") were written around the 15th century, and both were produced after the radical liberation of thought in society. Among them,Shakespeare focused on the description of "love is wrong to the country", while Hongsheng focused on beautifying love and praising "sincerity" without evading the political theme of "wrong country". On the basis of in-depth analysis of the content of the work, this paper analyzes and compares the focus of the theme of Longevity Palace and Antony, the technique of creating contradictions, the spirit of praise and the cultural background of creation, so as to achieve the mutual integration and resonance of cultural emotions.
Both Longevity Palace and Antony and Cleopatra(hereinafter referred to as "Antony") were written around the 15th century, and both were produced after the radical liberation of thought in society. Among them,Shakespeare focused on the description of "love is wrong to the country", while Hongsheng focused on beautifying love and praising "sincerity" without evading the political theme of "wrong country". On the basis of in-depth analysis of the content of the work, this paper analyzes and compares the focus of the theme of Longevity Palace and Antony, the technique of creating contradictions, the spirit of praise and the cultural background of creation, so as to achieve the mutual integration and resonance of cultural emotions.
引文
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[2]宋希之.《长生殿》双重主题新探[J].成都:古今戏曲通论,2011(1):139.
[3]莎士比亚.莎士比亚全集[M].吉林:时代文艺出版社,2010:1190.
[4]马克思.路易·波拿巴的雾月十八日[M].南京:江苏人民出版社,2011:36.
[5]尼科洛·马基雅维利.君主论[M]北京:商务印书馆,1985:56
[6]雅克布·布克哈特.意大利文艺复兴时期的文化[M].北京:商务印书馆,1979:32.
[2]宋希之.《长生殿》双重主题新探[J].成都:古今戏曲通论,2011(1):139.
[3]莎士比亚.莎士比亚全集[M].吉林:时代文艺出版社,2010:1190.
[4]马克思.路易·波拿巴的雾月十八日[M].南京:江苏人民出版社,2011:36.
[5]尼科洛·马基雅维利.君主论[M]北京:商务印书馆,1985:56
[6]雅克布·布克哈特.意大利文艺复兴时期的文化[M].北京:商务印书馆,1979:32.