张三丰道教文学创作特质论略
|
摘要
张三丰道教文学创作代表着明代道教文学的最高成就。探讨其诗文样式的内涵与形式关系,揭示其诗文创作的理论意蕴,归纳其文本建构的艺术取境,有利于展示明代道教文学创作的一般规律,发现明代文学思潮与明代道教文学之间相激相荡的历史逻辑。
Zhang San-feng's Taoist literary creation represents the highest achievement of Taoist literature in Ming Dynasty. It is meaningful to reveal the general law of Taoist literature creation in Ming Dynasty by discussing the relationship between connotation and form of poetic style, revealing the theoretical implication of its poetic creation, and summarizing the artistic conception of its text construction. It is beneficial to the demonstration of the general law of Taoist literary creation in Ming Dynasty. And it is useful for the finding of historical logic between Ming Dynasty's literature trend of thought and Ming Dynasty's Taoist literature.
Zhang San-feng's Taoist literary creation represents the highest achievement of Taoist literature in Ming Dynasty. It is meaningful to reveal the general law of Taoist literature creation in Ming Dynasty by discussing the relationship between connotation and form of poetic style, revealing the theoretical implication of its poetic creation, and summarizing the artistic conception of its text construction. It is beneficial to the demonstration of the general law of Taoist literary creation in Ming Dynasty. And it is useful for the finding of historical logic between Ming Dynasty's literature trend of thought and Ming Dynasty's Taoist literature.
引文
[1]董沛文,主编.盛克琦,芮国华,点校.张三丰全集[M].北京:华夏出版社,2017.
[2]董沛文,主编.陈全林,点校.张三丰全集[M].北京:团结出版社,2008.
[3]刘勰.文心雕龙[M].北京:人民文学出版社,1961:12-13.
[4]刘师培.读道藏记[M].北京:中国社会科学出版社,1984:32-36.
[5]黄兆汉.明代道士张三丰考[M].台北:台湾学生书局,1989:176-178.
[2]董沛文,主编.陈全林,点校.张三丰全集[M].北京:团结出版社,2008.
[3]刘勰.文心雕龙[M].北京:人民文学出版社,1961:12-13.
[4]刘师培.读道藏记[M].北京:中国社会科学出版社,1984:32-36.
[5]黄兆汉.明代道士张三丰考[M].台北:台湾学生书局,1989:176-178.