基于清代皇家园林整体性的遗址展陈方式研究——以颐和园万寿山遗址为例
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摘要
保护与展示的两难处境导致了颐和园万寿山后山遗址长期处于搁置状态。近年来随着公众精神文化需求的增长,遗址展陈方式单一、展示内容缺乏的问题越来越突出。文章基于对清代皇家园林的整体性认识,通过对遗址现状的实地考察、对游客的问卷调查以及作者复原研究的切身经历,跳出孤立展示实物的思维方式,通过设置相互联系展陈内容、规划多主题游览路线,整合颐和园现存建筑和园林遗址,提出一种整体与多维度地对待遗址与现存园中园之间关系的展陈方法。研究成果具有以下积极意义:有利于公众铭记历史,继承和弘扬我国优秀的传统文化;成为向国外展示中国优秀传统文化的窗口;对未来的城市建设、风景规划、土木工程具有启示作用。
The dilemma of protection and exhibition led to the long-term absent treatment of the sites of Wanshou Mountain in the Summer Palace.In recent years,with the growth of the public's spiritual and cultural needs,the problems of single display mode and lack of display content have become more and more prominent.Based on the understanding of the integrity of the imperial gardens of the Qing Dynasty and through the investigation of the actual situation of the sites,the questionnaires of the visitors and the personal experiences of the restoration research,the article jumps out of the way of thinking of displaying objects in isolation,and integrates the existing buildings of the Summer Palace by setting up interrelated exhibition contents and planning multi-theme tour routes.The research results have three positive meanings:promoting the public to remember history,inherit and carry forward our excellent traditional culture;becoming a window to show case China's outstanding traditional culture abroad;enlightening and contributing to future urban construction and land-scape planning.
The dilemma of protection and exhibition led to the long-term absent treatment of the sites of Wanshou Mountain in the Summer Palace.In recent years,with the growth of the public's spiritual and cultural needs,the problems of single display mode and lack of display content have become more and more prominent.Based on the understanding of the integrity of the imperial gardens of the Qing Dynasty and through the investigation of the actual situation of the sites,the questionnaires of the visitors and the personal experiences of the restoration research,the article jumps out of the way of thinking of displaying objects in isolation,and integrates the existing buildings of the Summer Palace by setting up interrelated exhibition contents and planning multi-theme tour routes.The research results have three positive meanings:promoting the public to remember history,inherit and carry forward our excellent traditional culture;becoming a window to show case China's outstanding traditional culture abroad;enlightening and contributing to future urban construction and land-scape planning.
引文
[1]苏静.从澹宁堂的复建看文化遗产的多样性[C]//中国文物学会传统建筑园林委员会.中国文物学会传统建筑园林委员会第十三届学术研讨会会议文件:二.中国文物学会传统建筑园林委员会,2000:63-64.
[2]张龙,祝玮,谷媛.咸丰十年清漪园劫后余存建筑考[J].中国园林,2013(3):120-124.
[3]丛一蓬,赵迪.清漪园赅春园的植物景观审美探析[J].中国园林,2015,31(11):82-85.
[4]赵迪,张龙,刘佩怡.清漪园赅春园造园艺术及园林审美探析[J].风景园林,2017(5):107-115.
[5]何蓓洁,王其亨.清代样式雷世家及其建筑图档研究史[M].北京:中国建筑工业出版社,2017:12.
[2]张龙,祝玮,谷媛.咸丰十年清漪园劫后余存建筑考[J].中国园林,2013(3):120-124.
[3]丛一蓬,赵迪.清漪园赅春园的植物景观审美探析[J].中国园林,2015,31(11):82-85.
[4]赵迪,张龙,刘佩怡.清漪园赅春园造园艺术及园林审美探析[J].风景园林,2017(5):107-115.
[5]何蓓洁,王其亨.清代样式雷世家及其建筑图档研究史[M].北京:中国建筑工业出版社,2017:12.