信息互动在博物馆展陈中的运用及发展探析
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摘要
在当今的数字化社会,新技术和新媒体的发展与注入让博物馆开始运用新的展示方式和手段,展览策略的改变也让以往专业的展览开始面向普通大众,观众从被动接收信息到现在可以主动参与,用户体验的提升也需要在展陈设计中创造有效且适合的展示方式来加强信息的互动。从纯物理互动到基于屏幕的互动,再到实体交互等的综合运用,数字展示在博物馆整体展示中的比例越来越高,而信息互动手段如何在文化的传递中得到良好的运用是一个值得探讨的议题。
Museums in the digitalized society begin to seek new ways of display under the development and infi ltration of new technologies and new media. The changing of the exhibition strategy also makes the museums which used to face professional to turn to the general public. Audience are changing from passively receiving information to actively participating. The improvement of the user experience also needs to create an effective and suitable display method in the exhibition design to enhance the interaction of information. From purely physical interaction to screen-based interaction to physical interaction and so on, how the development of the information interactive mode to be proper used in the transmission of culture is a question worth exploring.
Museums in the digitalized society begin to seek new ways of display under the development and infi ltration of new technologies and new media. The changing of the exhibition strategy also makes the museums which used to face professional to turn to the general public. Audience are changing from passively receiving information to actively participating. The improvement of the user experience also needs to create an effective and suitable display method in the exhibition design to enhance the interaction of information. From purely physical interaction to screen-based interaction to physical interaction and so on, how the development of the information interactive mode to be proper used in the transmission of culture is a question worth exploring.
引文
[1]王宏钧主编.中国博物馆学基础[M].上海:上海古籍出版社,2001:38.
[2]陈碧如.交互设计在博物馆的应用——数字时代的挑战及机遇[C].鲁晓波,徐迎庆主编.第三届交互设计国际会议论文集.江苏:江苏凤凰美术出版社,2014:97.
[3]辛向阳.交互设计:从物理逻辑到行为逻辑[J].装饰,2015(1):58-62.
[4](加)马歇尔·麦克卢汉著,何道宽译.理解媒介:论人的延伸[M].北京:商务印书馆,2009:33-50.
[5]师丹青.数字媒体条件下主题性展览中虚实结合的设计[J].包装工程,2015,36(8):22-25,38.
(1)图1、图2、图3、图4、图5来源:作者拍摄.
(2)参见:2016年由安德鲁·罗西执导的基于“中国:镜花水月”(China:Through The Looking Glass)展览的纪录片《五月第一个星期一》(The First Monday in May).
[2]陈碧如.交互设计在博物馆的应用——数字时代的挑战及机遇[C].鲁晓波,徐迎庆主编.第三届交互设计国际会议论文集.江苏:江苏凤凰美术出版社,2014:97.
[3]辛向阳.交互设计:从物理逻辑到行为逻辑[J].装饰,2015(1):58-62.
[4](加)马歇尔·麦克卢汉著,何道宽译.理解媒介:论人的延伸[M].北京:商务印书馆,2009:33-50.
[5]师丹青.数字媒体条件下主题性展览中虚实结合的设计[J].包装工程,2015,36(8):22-25,38.
(1)图1、图2、图3、图4、图5来源:作者拍摄.
(2)参见:2016年由安德鲁·罗西执导的基于“中国:镜花水月”(China:Through The Looking Glass)展览的纪录片《五月第一个星期一》(The First Monday in May).