基于软雕塑的陕西面花在服装设计中的应用
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摘要
面花是用面粉作为原料,或加上一些食物的色素调和,手工捏制的各式各样五颜六色的面塑作品,不仅仅是像民间面塑一样用来观赏,还可作食用,常常在民俗节日,婚丧嫁娶等重大场合出现。面花是陕西民间艺术的奇葩,被称为"秦艺六绝之一",更是我国享誉世界的民间艺术品。软雕塑是一种现代艺术的表现形式,是由传统艺术衍生的行为艺术和环境艺术的结合。由于服装和软雕塑使用材料和制作工艺基本相同,我们可以把服装称之为"软雕塑"。本文旨在把民间艺术与现代设计相结合,以陕西面花为代表,从民间色彩、民间图案和民俗文化内涵三个方面分析其在服装设计中的可行性,用软雕塑的表现形式,为服装设计开辟新的发展道路。
Flour-made flowers are various colorful dough modeling works taking flour as raw material, and made by hand with a mixture of some food pigments. They are not only used as folk dough modeling, but also for food, often present on folk festivals,wedding and funeral and other important occasions. Flour-made flower is a wonderful work of Shaanxi folk art. It is known as "one of the six Qin arts", and it is also a world-famous folk art. Soft sculpture is a form of expression of modern art. It is a combination of behavioral art and environmental art derived from traditional art. Because garments and materials and manufacturing processes are basically the same, we can call them "soft sculptures". The purpose of this paper is to combine folk art with modern design, take Shaanxi flour-made flowers as the representative, analyze its feasibility in the design of dress from three aspects of folk color, folk pattern and folk culture, and open a new way for dress design with the form of soft sculpture.
Flour-made flowers are various colorful dough modeling works taking flour as raw material, and made by hand with a mixture of some food pigments. They are not only used as folk dough modeling, but also for food, often present on folk festivals,wedding and funeral and other important occasions. Flour-made flower is a wonderful work of Shaanxi folk art. It is known as "one of the six Qin arts", and it is also a world-famous folk art. Soft sculpture is a form of expression of modern art. It is a combination of behavioral art and environmental art derived from traditional art. Because garments and materials and manufacturing processes are basically the same, we can call them "soft sculptures". The purpose of this paper is to combine folk art with modern design, take Shaanxi flour-made flowers as the representative, analyze its feasibility in the design of dress from three aspects of folk color, folk pattern and folk culture, and open a new way for dress design with the form of soft sculpture.
引文
[1]曲朝辉.浅谈陕西面花的特点和发展[J].当代艺术,2012(1):61-62.
[2]王春艳.软雕塑概念在服装设计中的应用尝试——立体玫瑰花的造型[J].文艺生活·文海艺苑,2016(1).
[3]谢迁,张恒,李志虎,谢登喜.陕西关中地区面花制作的特点与文化底蕴[J].西安工程大学学报,2008,22(3):290-294.
[4]王一名.民间艺术之陕西面花[J].芒种,2012(8):255-256.
[5]吕曼.服装设计中时装软雕塑[J].青春岁月,2015(1).
[6]步洪双.软雕塑艺术在时装首饰设计中的应用研究[D].上海:东华大学,2013.
[7]李明燕.论现代服装设计中的软雕塑风情[J].轻纺工业与技术,2014(3):60-62.
[2]王春艳.软雕塑概念在服装设计中的应用尝试——立体玫瑰花的造型[J].文艺生活·文海艺苑,2016(1).
[3]谢迁,张恒,李志虎,谢登喜.陕西关中地区面花制作的特点与文化底蕴[J].西安工程大学学报,2008,22(3):290-294.
[4]王一名.民间艺术之陕西面花[J].芒种,2012(8):255-256.
[5]吕曼.服装设计中时装软雕塑[J].青春岁月,2015(1).
[6]步洪双.软雕塑艺术在时装首饰设计中的应用研究[D].上海:东华大学,2013.
[7]李明燕.论现代服装设计中的软雕塑风情[J].轻纺工业与技术,2014(3):60-62.