空间闭合与解域:《时时刻刻》中劳拉·布朗的生存伦理之惑
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摘要
劳拉·布朗是二战后一位"幸福"的家庭主妇,意欲成为"房中天使"却变成了家庭生活"牢笼"里的囚徒,以试图自杀和最后逃离的方式实现自我。劳拉·布朗的迷惘代表的是现代知识女性的"生存伦理"之惑,即都市"闭合空间"里的生存困境和伦理选择之惑以及由此导致的压抑、彷徨,诠释女性对都市生存空间和精神家园的痛苦求索。
Mrs. Brown is one of the three heroines in The Hours.After World War II,Laura Brown,who intends to become a "Room Angel",turns out to be a prisoner in the " Cage" of family life.She achieves her self-realization by attempting to suicide and leaving home.This article aims to explore in depth the confusion of " Ethics of existence" of the modern intellectual women represented by housewife Laura,that is the survival plight and the confusion of ethical choice in urban " Space Closure",resulted in depression and anxiety,understanding women's painful quest of urban living space and spiritual homeland.
Mrs. Brown is one of the three heroines in The Hours.After World War II,Laura Brown,who intends to become a "Room Angel",turns out to be a prisoner in the " Cage" of family life.She achieves her self-realization by attempting to suicide and leaving home.This article aims to explore in depth the confusion of " Ethics of existence" of the modern intellectual women represented by housewife Laura,that is the survival plight and the confusion of ethical choice in urban " Space Closure",resulted in depression and anxiety,understanding women's painful quest of urban living space and spiritual homeland.
引文
[1]Elaine Showalter A Literature of Their Own---British Women Novelists from Bronte to Lessing[M].Princeton University Press,Foreign Language Teaching and Research Press 2004,7.
[2]贝蒂·弗里丹.女性的奥秘[M].巫漪云,等译.南京:江苏人民出版社,1988.294.
[3]周铭.闭合与解域:《秀拉》中身份想象的空间维度[J].天津外国语学院学报,2010,(02).53.
[4]朱立元.当代西方文艺理论[M].上海:华东师范大学出版社,1997,347.
[5]郑皖春.生命意识的流动---解读影片《时时刻刻》[J].电影评介,2012,(09):57.
[6]董晓.《时时刻刻》中的“房间“意象[J].河北联合大学学报,2012,(03):154.
[7]张在新.笛福小说《罗克珊娜》对性别代码的解域[J].外国文学评论,1997,(04):100.
[8]Samuels,Wilfred and Clenora Hudson-Weems.Toni Morrison.Boston:Twayne,1990.31.
[9]郭明.“轻生---并非‘轻松'地放弃生命---小说《时时刻刻》与《达洛维夫人》中自杀现象探微[J].宝鸡文理学院学报,2010,(06):97.
[10]Michel Foucault.Texts/Contexts of Other Space[J].Diacritics,1986,16(1)(Spring):23.
[11]姬莉.诗意的栖居与失意的存在---《时时刻刻》之精神生态解读[J].徐州师范大学学报(哲学社会科学版),2008,(05).
(1)Micheal Cunningham.The Hours[M].New York:Picador USA,2000.35.本文相关引文均出自本书,以下只注明出处页码,不再一一说明。
[2]贝蒂·弗里丹.女性的奥秘[M].巫漪云,等译.南京:江苏人民出版社,1988.294.
[3]周铭.闭合与解域:《秀拉》中身份想象的空间维度[J].天津外国语学院学报,2010,(02).53.
[4]朱立元.当代西方文艺理论[M].上海:华东师范大学出版社,1997,347.
[5]郑皖春.生命意识的流动---解读影片《时时刻刻》[J].电影评介,2012,(09):57.
[6]董晓.《时时刻刻》中的“房间“意象[J].河北联合大学学报,2012,(03):154.
[7]张在新.笛福小说《罗克珊娜》对性别代码的解域[J].外国文学评论,1997,(04):100.
[8]Samuels,Wilfred and Clenora Hudson-Weems.Toni Morrison.Boston:Twayne,1990.31.
[9]郭明.“轻生---并非‘轻松'地放弃生命---小说《时时刻刻》与《达洛维夫人》中自杀现象探微[J].宝鸡文理学院学报,2010,(06):97.
[10]Michel Foucault.Texts/Contexts of Other Space[J].Diacritics,1986,16(1)(Spring):23.
[11]姬莉.诗意的栖居与失意的存在---《时时刻刻》之精神生态解读[J].徐州师范大学学报(哲学社会科学版),2008,(05).
(1)Micheal Cunningham.The Hours[M].New York:Picador USA,2000.35.本文相关引文均出自本书,以下只注明出处页码,不再一一说明。