摘要
音乐剧《汉密尔顿》荣获2016年美国普利策戏剧奖。该剧以美国建国之父汉密尔顿为蓝本,通过对历史事件、人物与话语的解构,有力地抨击了当下美国社会在文明的表象背后所隐藏着的种族、性别与移民歧视等问题,借此重塑了建国之父、三位女性、外来移民形象,也重塑了公众的历史观。从新历史主义视角来看,《汉密尔顿》借助于颠覆性戏剧内容和现代黑人流行嘻哈说唱艺术,成功地创造了新的历史文本,为未来历史研究提供了新媒介。
Hamilton,a musical which won 2016 Pulitzer Prize for Drama, is based on the real story of the founding father Hamilton. Through the deconstruction of historical event, people and discourse, Hamilton strongly lashes out the current problems of race, gender and discrimination of the immigrants behind the glory of American civilization, which in turn recreates a new image for the founding father, three women and immigrants to the US, and more, changes the view of the public over that history. Looking from the perspective of Neo-historicism, Hamilton, with its subversive content and Hip-hop art, has successfully created a fresh historical text, which will consequently provide a new means for the future study of the history.
引文
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(1)在1794年,汉密尔顿借“威士忌叛乱”之由采取军事行动,派遣上千名士兵逮捕20人,以为自己的政治仇敌带来致命一击;在1798年,汉密尔顿则将矛头对准了抗议限制言论自由的美国民众,试图采取军事手段压制,并借华盛顿指挥官的名义号令军队。
(2)汉密尔顿文集的编辑哈罗德·希莱特说,在1804年夏天之前,汉密尔顿“只在名义上参加过决斗,并未有任何实际行动”。
(3)“旧事新提”译自音乐剧《汉密尔顿》创作者林-曼努尔·米兰达本人谈及创作理念时使用的“a story about America then, told by America now”这一表达。
(4)这句唱词中的前半部分,即“我们在南方种植耕耘”为汉密尔顿对杰斐逊发言的模仿,此处的重复蕴含了极强的嘲讽意味。