多姿多彩的釉上彩瓷工艺所表现的信仰与敬畏
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摘要
文化、民俗民风、艺术的传承都需要通过一种媒介来记载,这样才能更好的传承。虽然现在进入信息化,数据化,很多文学艺术都可以通过数据,图片来存储,可以通过互联网进行学习交流。但数据互联网是起到对文化、宗教信仰有锦上添花的作用,却不是主导作用。据考古史料可得知在远古时期就开始有岩画、画像石、画像砖、兽骨、龟壳上的甲骨文来记载。随着人类的进化不断征服自然,开始使用火冶炼陶土、青铜,开始在陶坯上绘制图腾、信仰物与生活场景,在青铜上刻入铭文、回纹、饕餮纹、龙凤纹等等,逐渐开始采用文字和绘画来记录帝王将相,边疆征战,沾扑算卦。古人进入文明后,书写绘画材质不断发展,材质多,有绢、帛、宣纸、瓷器,以及欧美的麻布、细布等等。笔者借此文主要论述瓷器上绘画来记载对宗教的信仰和对我国共产党为建设新中国奋斗精神的敬畏。
The inheritance of culture, folklore and art needs to be recorded through a medium, so as to better inherit. Although now into information technology, data, a lot of literature and art can be stored through data, pictures, through the Internet for learning and communication. But the data Internet is to play a role of cultural and religious beliefs, but not the leading role.According to archaeological data, it is known that in ancient times there were inscriptions on rock paintings, stone portraits,brick portraits, animal bones and tortoise shells to record. With the continuous conquest of nature by human evolution, people began to use fire to smelt pottery and bronze, began to draw totems, belief in life and life scenes on pottery billets, engraved inscriptions, palindromes, gluttony patterns, dragon and phoenix patterns on bronze, and gradually began to use words and paintings to record emperors and generals, frontier battles and calculate hexagrams. After the ancients entered civilization, the materials of writing and painting continued to develop, and there were many materials, such as silk, silk, rice paper, porcelains,linen and fine cloth in Europe and America. In this paper, the author mainly discusses the painting of porcelain.
The inheritance of culture, folklore and art needs to be recorded through a medium, so as to better inherit. Although now into information technology, data, a lot of literature and art can be stored through data, pictures, through the Internet for learning and communication. But the data Internet is to play a role of cultural and religious beliefs, but not the leading role.According to archaeological data, it is known that in ancient times there were inscriptions on rock paintings, stone portraits,brick portraits, animal bones and tortoise shells to record. With the continuous conquest of nature by human evolution, people began to use fire to smelt pottery and bronze, began to draw totems, belief in life and life scenes on pottery billets, engraved inscriptions, palindromes, gluttony patterns, dragon and phoenix patterns on bronze, and gradually began to use words and paintings to record emperors and generals, frontier battles and calculate hexagrams. After the ancients entered civilization, the materials of writing and painting continued to develop, and there were many materials, such as silk, silk, rice paper, porcelains,linen and fine cloth in Europe and America. In this paper, the author mainly discusses the painting of porcelain.
引文
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[11]论当代釉上彩仕女瓷画审美特征与发展趋势[J].胡文毅,陆璇.艺术科技. 2014(01)
[12]当代釉上彩花鸟瓷画色彩表现研究[J].邹达怀.中国陶瓷. 2014(08)
[13]论当代写实油画风格釉上彩人物瓷画表现与发展趋势[J].杨拥军,林亚宏.陶瓷研究. 2013(01)
[14]釉上彩人物瓷画中传统笔墨的运用特征与价值[J].彭国春,潘助梁.陶瓷研究. 2013(01)
[15]釉上彩绘浅析[J].龚敬.陶瓷科学与艺术.2013(01)
[16]浅谈釉上彩工艺与创作[J].王国喜.景德镇陶瓷.2012(04)
[2]康雍乾外销欧洲瓷器中“人物题材”纹饰的研究[D].方波.景德镇陶瓷学院2012
[3]“珠山八友”陶瓷艺术的审美研究[D].李晓明.景德镇陶瓷学院2010
[4]民国时装女子瓷画的题材特征[D].王丽.景德镇陶瓷学院2007
[5]近现代瓷上粉彩人物画艺术的发展及其意义[D].郭爱红.景德镇陶瓷学院2007
[6]中国陶瓷绘画艺术史[M].东南大学出版社,孔六庆著, 2003
[7]“文革”瓷器图鉴[M].文物出版社,樊建川编著,2002
[8]瓷绘霓裳[M].文物出版社,张朋川,张晶[著],2002
[9]景德镇彩瓷三百年[M].江西美术出版社,曾美芳编,2002
[10]美的历程[M].天津社会科学院出版社,李泽厚著,2001
[11]论当代釉上彩仕女瓷画审美特征与发展趋势[J].胡文毅,陆璇.艺术科技. 2014(01)
[12]当代釉上彩花鸟瓷画色彩表现研究[J].邹达怀.中国陶瓷. 2014(08)
[13]论当代写实油画风格釉上彩人物瓷画表现与发展趋势[J].杨拥军,林亚宏.陶瓷研究. 2013(01)
[14]釉上彩人物瓷画中传统笔墨的运用特征与价值[J].彭国春,潘助梁.陶瓷研究. 2013(01)
[15]釉上彩绘浅析[J].龚敬.陶瓷科学与艺术.2013(01)
[16]浅谈釉上彩工艺与创作[J].王国喜.景德镇陶瓷.2012(04)