杨柳青年画中的服饰形象特征
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摘要
杨柳青年画作为中国民间艺术之一,人物服饰形象突出,明显得益于它的印绘结合,这一点有别于其他年画艺术.文中以明至清代作品为主要研究对象,包括清以前、清初和清末民初3个时期,阐述其年画中服饰形象的色彩、款式、纹样的表现形式.结果表明,一般年画中,主要以色彩、纹样体现传统民间艺术特色.而杨柳青年画中的服饰形象由于写实与舞台艺术互借,从而对研究中国服饰演变史有着至关重要的意义.希望通过对其服饰的探究,以加强当代人对中国传统民间艺术的关注与继承.
As one of the Chinese folk arts,Yangliuqing New Year paintings have prominent clothing images,obviously thanks to its combination of printing and painting,which is different from other New year painting art.With the Ming-and-Qing-Dynasty works as the main research object,including the three periods of before the Qing dynasty,the early Qing dynasty and the late Qing dynasty and the early Republic of China,their colors,style and patterns are discussed.It is shown that in some New Year paintings,colors and patterns reflect the characteristics of traditional folk art.The clothing images in Yangliuqing New Year paintings are borrowed from realism and stage art,so they are of great significance to the study of the history of costume evolution in China.Therefore,the article tends to further explore it,strengthen people′s attention to Chinese traditional folk art in the present era.
As one of the Chinese folk arts,Yangliuqing New Year paintings have prominent clothing images,obviously thanks to its combination of printing and painting,which is different from other New year painting art.With the Ming-and-Qing-Dynasty works as the main research object,including the three periods of before the Qing dynasty,the early Qing dynasty and the late Qing dynasty and the early Republic of China,their colors,style and patterns are discussed.It is shown that in some New Year paintings,colors and patterns reflect the characteristics of traditional folk art.The clothing images in Yangliuqing New Year paintings are borrowed from realism and stage art,so they are of great significance to the study of the history of costume evolution in China.Therefore,the article tends to further explore it,strengthen people′s attention to Chinese traditional folk art in the present era.
引文
[1]华梅.中国服装史[M].天津:天津人民美术出版社,1994.HUA M.History of Chinese clothing[M].Tianjin:People′s Fine Arts Publishing House,1994.(in Chinese)
[2]华梅.服饰与中国文化[M].北京:人民出版社,2001.HUA M.Clothing and Chinese culture[M].Beijing:People′s Publishing House,2001.(in Chinese)
[3]华梅.人类服饰文化学[M].天津:天津人民出版社,1995.HUA M.Human costume culturology[M].Tianjin:Tianjin People′s Publishing House,1995.(in Chinese)
[4]韩祖音刘见.中国杨柳青木版年画选[M].天津:天津杨柳青社,1999.HAN Z Y,LIU J.Chinese Yangliuqing painting[M].Tianjin:Tianjin Yanliuqing Fine Arts Press,1999.(in Chinese)
[2]华梅.服饰与中国文化[M].北京:人民出版社,2001.HUA M.Clothing and Chinese culture[M].Beijing:People′s Publishing House,2001.(in Chinese)
[3]华梅.人类服饰文化学[M].天津:天津人民出版社,1995.HUA M.Human costume culturology[M].Tianjin:Tianjin People′s Publishing House,1995.(in Chinese)
[4]韩祖音刘见.中国杨柳青木版年画选[M].天津:天津杨柳青社,1999.HAN Z Y,LIU J.Chinese Yangliuqing painting[M].Tianjin:Tianjin Yanliuqing Fine Arts Press,1999.(in Chinese)