潮剧入沪演出及其影响考论
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摘要
民国年间,潮剧班社曾到上海演出共10次。在此期间,潮剧艺术广泛借鉴其他地方剧种与文艺形式以改良自身,致使潮剧的演出形态产生诸多变革。潮剧戏班在上海的多次演出使"潮剧"这一名称真正确立,并迅速传播到各地,被普遍接受。潮剧入沪演出促进潮剧剧目的拓展和舞台布景的改良,同时又将游艺演出、戏院演出、演剧筹款等风尚带到粤东,影响了粤东地区的演剧风气,是潮剧发展史上的重要节点。
During the Republic of China, Chaozhou Opera Troupe had been to Shanghai for 10 times, and meanwhile Chaozhou Opera widely learned from other local operas and art forms, which brought about various morphological changes. The performances in Shanghai finally established the title"Chaozhou Opera", and quickly spread it all over the country. They promoted the expansion of the repertoire and the improvement of the scenery, and changed the performing atmosphere in eastern Guangdong area. It's an important node in the history of Chaozhou Opera.
During the Republic of China, Chaozhou Opera Troupe had been to Shanghai for 10 times, and meanwhile Chaozhou Opera widely learned from other local operas and art forms, which brought about various morphological changes. The performances in Shanghai finally established the title"Chaozhou Opera", and quickly spread it all over the country. They promoted the expansion of the repertoire and the improvement of the scenery, and changed the performing atmosphere in eastern Guangdong area. It's an important node in the history of Chaozhou Opera.
引文
[1]会馆落成[N].申报,1778-02-28(2).
[2]上海将有潮州戏出现[N].申报,1922-06-29(16).
[3]笑舞台改演潮州戏[N].申报,1923-06-23(18).
[4]潮州市地方志办公室.新韩江闻见录[M].汕头:汕头大学出版社,1995:290-291.
[5]郭春震.潮州府志:卷四[M].嘉靖二十六年刻本.
[6]荔镜记:第六出[M].嘉靖四十五年刊本.
[7]戴璟,张岳.广东通志初稿:卷十八[M].嘉靖十四年刻本.
[8]任半塘.唐戏弄[M].上海:上海古籍出版社,1984:1111-1115.
[9]蓝鼎元.潮州风俗考[M]//蓝鼎元.鹿洲初集:卷十四.雍正十年刻本.
[10]屈大均.广东新语注[M].广州:广东人民出版社,1991:320.
[11]朱景英.海东杂记:卷三[M].乾隆三十八年刻本.
[12]张心泰.粤游小志[M]//王锡祺.小方壶斋舆地丛钞:第九帙.光绪十七年刻本.
[13]吴永章.中国南方民族史志要籍题解[M].北京:民族出版社,1991:259.
[14]林淳钧.潮剧闻见录[M].广州:中山大学出版社,1993:3.
[15]陈泽泓.潮汕文化概说[M].广州:广东人民出版社,2008:223.
[16]李钟珏.新嘉坡风土记[M].光绪二十一年刻本.
[17]马龢鸣,杜翰笙.龙岩县志:卷二十一[M].民国九年刻本.
[18]图绘伶伦[N].申报,1876-03-02(2).
[19]张福海.中国近代戏剧改良运动研究(1902-1919)[M].上海:上海古籍出版社,2015:76.
[20]严月池.评潮州戏[N].申报,1924-05-21(22).
[21]恩派亚大戏院广告[N].申报,1933-08-11(22).
[22]萧亢石.谈谈潮州戏[N].申报,1939-07-14(18).
[23]聿修.我对于潮州戏的观感[N].申报,1939-06-01(18).
[24]潮剧老一枝香班重要启事[N].潮安商报,1947-11-10(3).
[25]黄懋才.西8日记[M]//王锡祺.小方壶斋舆地丛钞:第十帙.光绪十七年刻本.
[26]潮州同乡会定期举行游艺会[N].申报,1933-07-15(17).
[27]在城镇演剧筹款购自卫分队枪弹[N].潮安商报,1948-06-11(4).
[28]红十字会演剧筹款[N].岭东民国日报(汕头版),1945-10-27(3).
[29]游艺筹款[N].澄江日报,1946-10-29(2).
(1)潮汕文剧团,全名“潮汕华南文剧团”,原为潮安县“小小国乐社”,业余剧社,详细介绍可参考《新韩江闻见录》中“小小潮剧团进入大上海”一则。[4]
(1)《春潮》改编自郑应时导演的有声电影《春潮》。
[2]上海将有潮州戏出现[N].申报,1922-06-29(16).
[3]笑舞台改演潮州戏[N].申报,1923-06-23(18).
[4]潮州市地方志办公室.新韩江闻见录[M].汕头:汕头大学出版社,1995:290-291.
[5]郭春震.潮州府志:卷四[M].嘉靖二十六年刻本.
[6]荔镜记:第六出[M].嘉靖四十五年刊本.
[7]戴璟,张岳.广东通志初稿:卷十八[M].嘉靖十四年刻本.
[8]任半塘.唐戏弄[M].上海:上海古籍出版社,1984:1111-1115.
[9]蓝鼎元.潮州风俗考[M]//蓝鼎元.鹿洲初集:卷十四.雍正十年刻本.
[10]屈大均.广东新语注[M].广州:广东人民出版社,1991:320.
[11]朱景英.海东杂记:卷三[M].乾隆三十八年刻本.
[12]张心泰.粤游小志[M]//王锡祺.小方壶斋舆地丛钞:第九帙.光绪十七年刻本.
[13]吴永章.中国南方民族史志要籍题解[M].北京:民族出版社,1991:259.
[14]林淳钧.潮剧闻见录[M].广州:中山大学出版社,1993:3.
[15]陈泽泓.潮汕文化概说[M].广州:广东人民出版社,2008:223.
[16]李钟珏.新嘉坡风土记[M].光绪二十一年刻本.
[17]马龢鸣,杜翰笙.龙岩县志:卷二十一[M].民国九年刻本.
[18]图绘伶伦[N].申报,1876-03-02(2).
[19]张福海.中国近代戏剧改良运动研究(1902-1919)[M].上海:上海古籍出版社,2015:76.
[20]严月池.评潮州戏[N].申报,1924-05-21(22).
[21]恩派亚大戏院广告[N].申报,1933-08-11(22).
[22]萧亢石.谈谈潮州戏[N].申报,1939-07-14(18).
[23]聿修.我对于潮州戏的观感[N].申报,1939-06-01(18).
[24]潮剧老一枝香班重要启事[N].潮安商报,1947-11-10(3).
[25]黄懋才.西8日记[M]//王锡祺.小方壶斋舆地丛钞:第十帙.光绪十七年刻本.
[26]潮州同乡会定期举行游艺会[N].申报,1933-07-15(17).
[27]在城镇演剧筹款购自卫分队枪弹[N].潮安商报,1948-06-11(4).
[28]红十字会演剧筹款[N].岭东民国日报(汕头版),1945-10-27(3).
[29]游艺筹款[N].澄江日报,1946-10-29(2).
(1)潮汕文剧团,全名“潮汕华南文剧团”,原为潮安县“小小国乐社”,业余剧社,详细介绍可参考《新韩江闻见录》中“小小潮剧团进入大上海”一则。[4]
(1)《春潮》改编自郑应时导演的有声电影《春潮》。