莲花纹样在龙泉青瓷中的应用以及审美意义
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摘要
佛教文化是中国传统文化的重要组成部分,对中国传统的造物观念有着重要影响。在中国造物史上,佛教文化中的许多元素被植入器物制作中,如莲花纹样即以丰富的造型和独特的形式美感被应用于龙泉青瓷制作中。龙泉青瓷莲花纹样的装饰工艺主要有刻划花、贴花、印花、镂雕等,这种结合佛教内涵的龙泉青瓷装饰体现出独特的审美特质,也诠释了以器教化、以器传形的造物观念。
Buddhist culture is an important part of Chinese traditional culture and has an important influence on Chinese traditional concept of handicraft. In the history of Chinese handicraft, many elements of Buddhist culture were implanted into the production of ceramic wares. For example, with its rich forms and unique aesthetic function, the pattern of lotus flowers has been used in the production of Longquan celadon wares. The techniques of decorating Longquan celadon wares mainly include carving, decals, imprinting, and so on. This decoration based on Buddhist culture embodies unique aesthetic characteristics, and interprets the conception of indoctrination and displaying beauty by the shapes of wares.
Buddhist culture is an important part of Chinese traditional culture and has an important influence on Chinese traditional concept of handicraft. In the history of Chinese handicraft, many elements of Buddhist culture were implanted into the production of ceramic wares. For example, with its rich forms and unique aesthetic function, the pattern of lotus flowers has been used in the production of Longquan celadon wares. The techniques of decorating Longquan celadon wares mainly include carving, decals, imprinting, and so on. This decoration based on Buddhist culture embodies unique aesthetic characteristics, and interprets the conception of indoctrination and displaying beauty by the shapes of wares.
引文
[1]冯俊晖.陶瓷装饰中莲花纹的发展与运用[J].陶瓷研究,2012(3):47.
[2]王纨.浅谈莲花纹样在陶瓷装饰中的审美意义[J].陶瓷科学与艺术,2013(2):68.
[3]施琪.陶瓷装饰中莲花纹样的发展历史[J].陶瓷艺术,2008(8):65.
[4]周公旦.冬官考工记第六·总叙[M].闻人军,译注.上海:上海古籍出版社,2008.
[5]谭天宇,龚正,刘传波.东正教的静修主义[J].文史月刊,2013(2):71.
[2]王纨.浅谈莲花纹样在陶瓷装饰中的审美意义[J].陶瓷科学与艺术,2013(2):68.
[3]施琪.陶瓷装饰中莲花纹样的发展历史[J].陶瓷艺术,2008(8):65.
[4]周公旦.冬官考工记第六·总叙[M].闻人军,译注.上海:上海古籍出版社,2008.
[5]谭天宇,龚正,刘传波.东正教的静修主义[J].文史月刊,2013(2):71.