莲花纹在陶瓷装饰中的运用
|
摘要
古语"出淤泥而不染,濯清涟而不妖"形容的就是莲花,莲花寓意为洁净美好,而莲花作为一种装饰性的植物纹在陶瓷装饰上的运用十分丰富,形式多样,人们在采用莲花纹饰时,原因之一与它的寓意相关,其二与其本身的美感相联系,莲花既可以最为一种纹饰来装饰陶瓷,亦可以作为一种特殊造型来使用,我们在研究莲花纹饰在陶瓷的运用时,自然也需要把莲花纹与其他纹饰结合起来使用的装饰风格加以分析与研究。同样的莲花纹作为一个纹饰符号已经广泛的使用在各个装饰领域,在现代陶艺中,莲花纹在陶艺作品的使用十分丰富,因而希望能对莲花纹在陶瓷装饰上的运用获得新的启发。
the ancient saying, "out of the mud but not stained, clean but not demon" describes the lotus flower, which means clean and beautiful, and the lotus flower, as a decorative plant pattern, is very rich in the use of ceramic decoration, and the forms are diverse, and the lotus flower is very rich in the use of ceramic decoration as a decorative plant pattern, and the lotus flower has a variety of forms. When people adopt lotus decoration, one of the reasons is related to its meaning, and the other is related to its own aesthetic sense. The lotus flower can be used as a special shape as well as the most decorative ceramic. When we study the application of lotus pattern in ceramics, we also need to analyze and study the decorative style of lotus pattern combined with other ornaments. The same lotus pattern as a Decorative symbols have been widely used in various decorative fields, in modern ceramic art, lotus pattern is very rich in the use of ceramic works, so we hope to obtain new inspiration for the application of lotus pattern in ceramic decoration.
the ancient saying, "out of the mud but not stained, clean but not demon" describes the lotus flower, which means clean and beautiful, and the lotus flower, as a decorative plant pattern, is very rich in the use of ceramic decoration, and the forms are diverse, and the lotus flower is very rich in the use of ceramic decoration as a decorative plant pattern, and the lotus flower has a variety of forms. When people adopt lotus decoration, one of the reasons is related to its meaning, and the other is related to its own aesthetic sense. The lotus flower can be used as a special shape as well as the most decorative ceramic. When we study the application of lotus pattern in ceramics, we also need to analyze and study the decorative style of lotus pattern combined with other ornaments. The same lotus pattern as a Decorative symbols have been widely used in various decorative fields, in modern ceramic art, lotus pattern is very rich in the use of ceramic works, so we hope to obtain new inspiration for the application of lotus pattern in ceramic decoration.
引文
[1]陈川《中国传统莲花纹在现代陶瓷装饰中的应用》
[2]蒋赏《中国传统莲花纹饰—审美特征及设计思想》
[3]刘熙霞《中国陶瓷装饰莲花纹样研究》
[4]许丽娟《中国传统莲花图案演变及在现代设计中应用研究》
(1)浙江余姚河姆渡遗址出土线刻似莲瓣纹,图片来源:根据浙江省文物管理委员会、浙江省博物馆:《河姆渡遗址第↑期发掘报告》,《考古学报》年1978年期绘,
(2)山西侯马地区的东周墓中发掘的陶壶莲瓣纹,图片来源:根据浙江省文物管理委员会、浙江省博物馆:《河姆渡遗址第↑期发掘报告》,《考古学报》年1978年期绘
(3)612号战国慕中出土的彩绘陶豆莲花图片来源:根据西北大学历史系考古教研室编:《战国秦汉考古》史料绘
(4)南京麒麟门外灵山南朝梁代大墓中出土的南朝青瓷大莲尊图片来源《中国传统莲花纹在现代陶瓷装饰中的应用》陈川
(5)唐代宝相纹三彩瓶图片来源《中国传统莲花纹在现代陶瓷装饰中的应用》陈川
(6)元代青花莲纹碗图片来源《中国传统莲花纹在现代陶瓷装饰中的应用》陈川
(7)乾隆青花缠枝莲花纹赏瓶图片来源《莲花纹在康雍乾时期瓷器装饰中的探究》薛媛
(8)图片来源:《莲花纹在康雍乾时期瓷器装饰中的探究》薛媛
[2]蒋赏《中国传统莲花纹饰—审美特征及设计思想》
[3]刘熙霞《中国陶瓷装饰莲花纹样研究》
[4]许丽娟《中国传统莲花图案演变及在现代设计中应用研究》
(1)浙江余姚河姆渡遗址出土线刻似莲瓣纹,图片来源:根据浙江省文物管理委员会、浙江省博物馆:《河姆渡遗址第↑期发掘报告》,《考古学报》年1978年期绘,
(2)山西侯马地区的东周墓中发掘的陶壶莲瓣纹,图片来源:根据浙江省文物管理委员会、浙江省博物馆:《河姆渡遗址第↑期发掘报告》,《考古学报》年1978年期绘
(3)612号战国慕中出土的彩绘陶豆莲花图片来源:根据西北大学历史系考古教研室编:《战国秦汉考古》史料绘
(4)南京麒麟门外灵山南朝梁代大墓中出土的南朝青瓷大莲尊图片来源《中国传统莲花纹在现代陶瓷装饰中的应用》陈川
(5)唐代宝相纹三彩瓶图片来源《中国传统莲花纹在现代陶瓷装饰中的应用》陈川
(6)元代青花莲纹碗图片来源《中国传统莲花纹在现代陶瓷装饰中的应用》陈川
(7)乾隆青花缠枝莲花纹赏瓶图片来源《莲花纹在康雍乾时期瓷器装饰中的探究》薛媛
(8)图片来源:《莲花纹在康雍乾时期瓷器装饰中的探究》薛媛