摘要
《抹大拉马利亚》是现存最完整的中世纪圣徒剧之一,该剧叙述了抹大拉马利亚一生的经历。抹大拉马利亚故事不仅是作者的创造,也深深根植于中世纪文学文化传统之中。圣经和典外文献中马利亚的故事是构成中世纪戏剧抹大拉玛利亚故事的前提和基础。同时,中世纪大量的抹大拉马利亚传说也不断丰富和补充了故事的内容,形成了该剧的多源性特征。因此,探索戏剧《抹大拉马利亚》的故事来源对于理解文学的再创造性有重要的意义。
Mary Magdalene is the complete play,as one of the few extant English saint plays. The play is about the whole life of Mary Magdalene. The story of Mary Magdalene is partly the writer's creation,and is also rooted in the cultural tradition of the middle ages. The Bible and Extracanonical Literature is the prototype of her. The life of Mary Magdalene is from legendary sources and other plays. So exploring the sources of Mary Magdalene is benefit for recreation of literature.
引文
[1] ELISABETH MOLTMANN-WENDEL. The Women Around Jesus[M]. John Bowden, Trans. New York:Crossroad,1982:81.
[2]褚潇白,成功.金色传奇[M].杭州:浙江大学出版社,2016.
[3] SHEILA DELANY. Impolitic Bodies:Poetry,Saints,and Society in Fifteenth-Century England[M]. New York and Oxford:Oxford University Press,1998:54。
[4] SUSAN HASKINS. Mary Magdalene:Myth and Metaphor[M]. London:Harper Collins,1993:32.
[5] JANE SCHABERG. The Resurrection of the Mary Magdalene:Legends,Apocrypha and the Christian Testament[M].New York:Continuum International Publishing Group,2004:96.
[6]肖明翰:中世纪英语道德剧的成就[J].解放军外国语学院学报,2011(1):84-90.
(1)本文中的经文均出自《圣经》,中国基督教协会,2014年版。