美国犹太文学中的空间书写与美国民族认同的建构研究
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摘要
美国犹太文学在世界文坛占据极其重要地位,已引起学界广泛关注。空间书写是美国犹太文学的一个重要特征,空间理论为剖析美国犹太文学中的空间书写提供了支撑。美国犹太文学中的地理空间书写,社会空间书写以及政治空间书写蕴含深刻的文学内涵,它们不但具有自身特征,相互之间还具有内在逻辑关系,目标都指向了美国民族认同的建构,这对美国犹太民族的发展以及整个美利坚民族的发展大有裨益。
Jewish American Literature occupies an extremely important position in the world literature,which has caused widespread academic concern. Jewish American Literature is typically featured by its spatial writing,which can be probed into with the aid of the spatial theory. The writing of geographic space,and that of social space and political space in Jewish American Literature are imbued with profound literary connotation on the one hand,they each have their own characteristics and relate to each other integrally and logically on the other hand. The writing of geographic space,and that of social space and political space in Jewish American Literature all target the construction of the American national identity,which is of great significance not only to the development of the Jewish nation,but that of the American nation.
Jewish American Literature occupies an extremely important position in the world literature,which has caused widespread academic concern. Jewish American Literature is typically featured by its spatial writing,which can be probed into with the aid of the spatial theory. The writing of geographic space,and that of social space and political space in Jewish American Literature are imbued with profound literary connotation on the one hand,they each have their own characteristics and relate to each other integrally and logically on the other hand. The writing of geographic space,and that of social space and political space in Jewish American Literature all target the construction of the American national identity,which is of great significance not only to the development of the Jewish nation,but that of the American nation.
引文
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[31]索尔·贝娄.集腋成裘集[M].李自修,等译.石家庄:河北教育出版社,2002.
[32]索尔·贝娄.偷窃真情贝拉罗莎暗道[M].段惟本,主万,译.石家庄:河北教育出版社,2002.
[33]索尔·贝娄.院长的十二月[M].陈永国,赵英男,译.石家庄:河北教育出版社,2002.
[34]王颖.“涧底松”的审美和文化意蕴[J].阅江学刊,2015(1):143-148.
[35]意娜.藏密坛城(曼荼罗)的文化符号意义[J].阅江学刊,2015(6):127-134.
[2]Bancroft,G.History of the United States of America from the Discovery of the Continent[M].Chicago:University of Chicago Press,1966.
[3]Halio,J.L.The Individual’s Struggle For Faith in the Novels of I.B.Singer[J].Studies in American Jewish Literature,1991(1):35-43.
[4]Miller,R.Saul Bellow:A Biography of the Imagination[M].New York:St.Martin Press,1991.
[5]Pinsker,S.Satan in Gory and the Grip of Ideas[J].Studies in American Jewish Literature,1981(1):14-23.
[6]Said,E.W.Orientalism[M].New York:Vintage,1979.
[7]Singer,I.B.Satan in Goray[M].New York:Avons Books,1955.
[8]Singer,I.B.The Family Moskat[M].London:Jonathan Cape,1966.
[9]Singer,I.B.The Slave[M].London:Jonathan Cape,1973.
[10]艾·巴·辛格.卢布林的魔术师[M].鹿金,吴劳,译.上海:上海译文出版社,1979.
[11]艾·巴·辛格.辛格短篇小说集[M].戴侃,译.北京:外国文学出版社,1980.
[12]艾·巴·辛格.庄园[M].陈冠商,译.济南:山东人民出版社,1981.
[13]伯纳德·马拉默德.店员[M].杨仁敬,刘海平,王希苏,译.南京:江苏人民出版社,1980.
[14]伯纳德·马拉默德.基辅怨[M].杨仁敬,译.南京:江苏人民出版社,1984.
[15]程锡麟,等.叙事理论的空间转向——叙事空间理论概述[J].江西社会科学,2007(11):25-35.
[16]菲利普·罗斯.垂死的肉身[M].吴其尧,译.上海:上海译文出版社,2010.
[17]菲利普·罗斯.美国牧歌[M].罗小云,译.南京:译林出版社,2011.
[18]菲利普·罗斯.人性的污秽[M].刘珠环,译.南京:译林出版社,2011.
[19]福柯.规训与惩罚[M].刘北成,杨远婴,译.北京:三联书店,2010.
[20]郭继民.艺术之“真”的追问[J].阅江学刊,2015(4):128-134.
[21]亨利·勒菲伏.空间与政治(第二版)[M].李春,译.上海:上海人民出版社,2008.
[22]陆扬.析索亚“第三空间”理论[J].云南社会科学,2005(2):32-37.
[23]乔国强.美国犹太文学[M].北京:商务印书馆,2008.
[24]索尔·贝娄.勿失良辰[M].王誉公,译.长沙:湖南人民出版社,1981.
[25]索尔·贝娄.更多的人死于心碎[M].李耀宗,译.北京:中国文联出版公司,1992.
[26]索尔·贝娄.晃来晃去的人受害者[M].蒲隆,译.石家庄:河北教育出版社,2002.
[27]索尔·贝娄.奥吉·马奇历险记[M].宋兆霖,译.石家庄:河北教育出版社,2002.
[28]索尔·贝娄.赫索格[M].宋兆霖,译.石家庄:河北教育出版社,2002.
[29]索尔·贝娄.雨王汉德森[M].毛敏渚,译.石家庄:河北教育出版社,2002.
[30]索尔·贝娄.赛姆勒先生的行星[M].汤永宽,主万,译.石家庄:河北教育出版社,2002.
[31]索尔·贝娄.集腋成裘集[M].李自修,等译.石家庄:河北教育出版社,2002.
[32]索尔·贝娄.偷窃真情贝拉罗莎暗道[M].段惟本,主万,译.石家庄:河北教育出版社,2002.
[33]索尔·贝娄.院长的十二月[M].陈永国,赵英男,译.石家庄:河北教育出版社,2002.
[34]王颖.“涧底松”的审美和文化意蕴[J].阅江学刊,2015(1):143-148.
[35]意娜.藏密坛城(曼荼罗)的文化符号意义[J].阅江学刊,2015(6):127-134.