摘要
互联网所开启的数字社会和数字传播模式,不仅仅为文艺批评提供了便利快捷的数字化方式,而且从根本上改变了文艺批评的属性。数字时代的到来,使得文艺批评的属性从立足于其批评(Criticism)一词在希腊语中的本义"判断"(Kritikos),裁决或裁定作品的行为实践,转变为糅合文化、政治、经济、市民社会、人权与民主等复杂纬度的建构公共领域的空间实践。
On the basis of clarifying the theoretical sources of public sphere and the theoretical premise of the local,this thesis focuses on the transformation from behavior practice to the spactial practice of the public sphere which is as the property of art and literary criticism. This paper expounds the substantive social function,reconstruction,and some other characteristics of the public sphere based on macro data,with a view to explain the connotation,extension,type and concrete pattern of the public sphere of art and literary criticism in the digital age.
引文
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