“新旧”之思——广东联谊会与醉月曲艺社的比较研究
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摘要
通过运用文献研究法、访谈法、分析法以及实地调查的方法对广东联谊会与醉月曲艺社的概况、中外乐器的使用及改造、两个乐社粤曲工尺谱的保留情况等方面进行研究探寻两个不同风格的"私伙局"所带来的影响,让更多喜爱广东音乐的广东人民乃至广东地区以外的人民对"私伙局"有更深的了解,促进"私伙局"文化的传承与发展。
By using the methods of literature research,interview,analysis and field investigation,this paper studies the general situation of Guangdong Fellowship and Drunken Moon Quyi Club,the use and reform of Chinese and foreign musical instruments,and the preservation of the scale of Guangdong Opera of the two music clubs,and explores the impact of two different styles of "private partnerships",so as to make more people in Guangdong and even the Guangdong region fond of Guangdong music.Foreign people have a better understanding of the "private partnership bureau" and promote the inheritance and development of the "private partnership bureau" culture.
By using the methods of literature research,interview,analysis and field investigation,this paper studies the general situation of Guangdong Fellowship and Drunken Moon Quyi Club,the use and reform of Chinese and foreign musical instruments,and the preservation of the scale of Guangdong Opera of the two music clubs,and explores the impact of two different styles of "private partnerships",so as to make more people in Guangdong and even the Guangdong region fond of Guangdong music.Foreign people have a better understanding of the "private partnership bureau" and promote the inheritance and development of the "private partnership bureau" culture.
引文
[1]刘瑾.从感性认知到意义呈现——对民间“私伙局”粤乐演奏的美学解读[J].中央音乐学院学报,2015(04).
[2]万钟如.“私伙局”对岭南音乐文化的历史贡献[J].南国红豆,2012(04).
[3]万钟如.私伙局对岭南音乐文化的历史贡献[J].南国红豆,2012(04).
[4]侯穗光.洋为中用,丰富粤剧音乐的表现力[J].南国红豆,2013(03):18-19.
[5]潘伟文.广东音乐扬琴的的传承、发展与创新[J].音乐时空,2013(07):86.
(1)田露苗,刘瑾.民间团体在广东音乐传承与发展中的作用--以广东省广东联谊会为例.大众文艺,2016(14).
(2)该“培训班”免费,不收取任何费用。
(3)月琴的体积比阮小,所以月琴的音色会比阮更明亮一些,更能够彰显乐曲活力。
(4)胡斌.小提琴在广东音乐及粤剧演奏中的使用--小提琴“民族化”发展个案分析.星海音乐学院学报,2007(02):69-73.
[2]万钟如.“私伙局”对岭南音乐文化的历史贡献[J].南国红豆,2012(04).
[3]万钟如.私伙局对岭南音乐文化的历史贡献[J].南国红豆,2012(04).
[4]侯穗光.洋为中用,丰富粤剧音乐的表现力[J].南国红豆,2013(03):18-19.
[5]潘伟文.广东音乐扬琴的的传承、发展与创新[J].音乐时空,2013(07):86.
(1)田露苗,刘瑾.民间团体在广东音乐传承与发展中的作用--以广东省广东联谊会为例.大众文艺,2016(14).
(2)该“培训班”免费,不收取任何费用。
(3)月琴的体积比阮小,所以月琴的音色会比阮更明亮一些,更能够彰显乐曲活力。
(4)胡斌.小提琴在广东音乐及粤剧演奏中的使用--小提琴“民族化”发展个案分析.星海音乐学院学报,2007(02):69-73.