《那些年,我们一起追的女孩》与校园青春的“英雄情结”——网络小说的青春主题研究之六
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摘要
在规则健全、结构稳定的现代社会,个体英雄梦想实现的机会较少。异性的崇拜可以变相满足男生的英雄期待。《那些年,我们一起追的女孩》中男主柯景腾的恋爱是确立自我信心和成就感的呈现。自由格斗赛和对沈佳仪的追求变相满足了柯景腾的英雄期待,书写了校园青春豪迈的"英雄"气概和英雄情结,增添了网络校园小说特异的亮色。网络小说较多书写了时代青春英雄逐梦的追求,但凡俗与日常亦是英雄特质的重要构成。
It hard to have the opportunity for any individuals to realize their hero dream in modern society with sound rules and stable structure.The worship from the opposite gender can cater to the hero expectations of boys in a disguised form.The love of the male protagonist Ke Jingteng in Those Year,The Girls We Chased is an expression of self-confidence and sense of achievement for the protagonist.The free fighting competition and his pursuit for Shen Jiayi satisfy Ke Jingteng's hero expectation,which not only represent heroism and hero complex prevailing among Campus youth,but also add a unique feature to the online novels about campus of university.Online novels express young men's pursuit for the dream of hero,while ordinary & vulgarity and everyday life are also important components of heroism.
It hard to have the opportunity for any individuals to realize their hero dream in modern society with sound rules and stable structure.The worship from the opposite gender can cater to the hero expectations of boys in a disguised form.The love of the male protagonist Ke Jingteng in Those Year,The Girls We Chased is an expression of self-confidence and sense of achievement for the protagonist.The free fighting competition and his pursuit for Shen Jiayi satisfy Ke Jingteng's hero expectation,which not only represent heroism and hero complex prevailing among Campus youth,but also add a unique feature to the online novels about campus of university.Online novels express young men's pursuit for the dream of hero,while ordinary & vulgarity and everyday life are also important components of heroism.
引文
[1]九把刀.那些年,我们一起追的女孩[M].北京:现代出版社,2012.
[2]白国宁.九把刀的那些年[J].中学生天地,2012(6).
[3]张悦.九把刀:那些年,我们很“热血”[N].中国艺术报,2012-01-18.
[4]壮游.国民新灵魂[C]//张枬,王忍.之辛亥革命前十年间时论选集(第一卷).北京:三联书店,1978.
[5]王一波.对“纯粹暴力”的崇尚———从《钢铁侠》《铁甲钢拳》等机械动作片浅析观众观影的心理构成[J].宁夏社会科学,2013(3).
[6]托马斯·卡莱尔.英雄和英雄崇拜———卡莱尔演讲集[M].北京:三联书店1988.
[7]王瑜.文学史传统与穿越小说的青春想象———网络小说的青春主题研究之五[J].广西师范大学学报(哲学社会科学版),2017(3).
[8]刘畅.九把刀:爱,平衡才好[J].婚姻与家庭(社会纪实),2013(1).
[9]曾于里.纯美爱情是如何“制造”的———谈小说《那些年,我们一起追的女孩》的影视改编[N].文学报,2012-09-13.
[2]白国宁.九把刀的那些年[J].中学生天地,2012(6).
[3]张悦.九把刀:那些年,我们很“热血”[N].中国艺术报,2012-01-18.
[4]壮游.国民新灵魂[C]//张枬,王忍.之辛亥革命前十年间时论选集(第一卷).北京:三联书店,1978.
[5]王一波.对“纯粹暴力”的崇尚———从《钢铁侠》《铁甲钢拳》等机械动作片浅析观众观影的心理构成[J].宁夏社会科学,2013(3).
[6]托马斯·卡莱尔.英雄和英雄崇拜———卡莱尔演讲集[M].北京:三联书店1988.
[7]王瑜.文学史传统与穿越小说的青春想象———网络小说的青春主题研究之五[J].广西师范大学学报(哲学社会科学版),2017(3).
[8]刘畅.九把刀:爱,平衡才好[J].婚姻与家庭(社会纪实),2013(1).
[9]曾于里.纯美爱情是如何“制造”的———谈小说《那些年,我们一起追的女孩》的影视改编[N].文学报,2012-09-13.