侯方域与明末江南文化
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摘要
明朝末年,代表江南地主利益的东林党崛起,江南成为党争的重镇。江南士人结社风气盛行,形成了颇具规模的复社。复社诸多名士积极与社会底层的秦淮歌妓交往,使党争文化、结社文化与歌妓文化充分融合。他们的政治豪情、名士才情与佳人艳情相互交织点染,形成了独特的明末江南文化。作为东林后裔,侯方域兼有济世壮志与名士风度,又雅好声伎,其个性气质与明末江南文化非常契合。江南文化的熏陶使侯方域成长为明末文人的代表,他在江南的活动也为江南文化的发展作出一定的贡献。
The rise of the Donglin Party,which represents the interests of the landlords in Jiangnan,at the end of the Ming Dynasty,turned Jiangnan into a major town of party contest,meanwhile,a mass association named Fu She has formed because of the customs of association in Jiangnan. The geisha culture was integrated with the party and the association culture because many celebrities in Donglin and Fu She actively interacted with the Qinhuai geishas at the bottom of the society. The political ambition and literary talent of the scholars and their romantic love with the geisha were intertwined each other,thus forming a unique Jiangnan culture in the late Ming Dynasty. As a descendant of Donglin,Hou Fangyu has both the lofty aspirations and the reputation of celebrities. He also loves geisha. His personality and temperament coincide with the Jiangnan culture in the late Ming Dynasty. The influence of Jiangnan culture made Hou Fang a representative of the literati in the late Ming Dynasty. His activities in Jiangnan have also contributed to the development of Jiangnan culture.
The rise of the Donglin Party,which represents the interests of the landlords in Jiangnan,at the end of the Ming Dynasty,turned Jiangnan into a major town of party contest,meanwhile,a mass association named Fu She has formed because of the customs of association in Jiangnan. The geisha culture was integrated with the party and the association culture because many celebrities in Donglin and Fu She actively interacted with the Qinhuai geishas at the bottom of the society. The political ambition and literary talent of the scholars and their romantic love with the geisha were intertwined each other,thus forming a unique Jiangnan culture in the late Ming Dynasty. As a descendant of Donglin,Hou Fangyu has both the lofty aspirations and the reputation of celebrities. He also loves geisha. His personality and temperament coincide with the Jiangnan culture in the late Ming Dynasty. The influence of Jiangnan culture made Hou Fang a representative of the literati in the late Ming Dynasty. His activities in Jiangnan have also contributed to the development of Jiangnan culture.
引文
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[3]余怀.板桥杂记[M].上海:上海古籍出版社,2000.
[4]钱谦益.列朝诗集小传[M].上海:上海古籍出版社,1983:471.
[5]王树林.侯方域全集笺校[M].北京:人民文学出版社,2013.
[6]侯方域.四忆堂诗集[G]//《续修四库全书》编委会.续修四库全书.上海:上海古籍出版社,2002:122.
[7]钱谦益.牧斋初学集[M].上海:上海古籍出版社,1985:1001.
[8]吴应箕.楼山堂集[M].北京:中华书局,1985:300.
[9]侯方域.壮悔堂文集[G]//《续修四库全书》编委会.续修四库全书.上海:上海古籍出版社,2002.
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[11]何法周,王树林.侯方域集笺校[M].郑州:中州古籍出版社,1992:627.
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