福克纳“约克纳帕塔法”文学王国的基督教图景
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- 英文论文题名：The Christian Vision of William Faulkner's Yoknapatawpha Novels
- 论文作者：杨彩霞
- 英文论文作者：Yang Caixia
- 年：2013
- 作者机构：中国人民大学外国语学院;
- 会议召开时间：2013-02-01
- 会议录名称：基督教思想评论第十六辑
- 英文会议录名称：Regent Review of Christian Thoughts
- 语种：中文
- 分类号：I712.074
- 学会代码：RUBC
- 学会名称：Regent College.UBC
- 页数：15
- 文件大小：626k
- 原文格式：O
摘要
<正>在美国"南方文学"流派最重要的代表人物福克纳的作品中,基督教元素和《圣经》文学痕迹,构成其文学创作艺术性的重要维度。这种创作态势在福克纳小说尤其在"约克纳帕塔法"世系小说中表现出一脉相承的连续性。本文以福克纳"约克纳帕塔法"世系小说的基督教语境及其创作模式与《圣经》文本的同构关系为切入点,以《喧哗与骚动》作为案例分析文本,表明"神性"与"人性"的张力、诗意与神性的对峙和交融在福克纳文学想像王国里营造出独特的宗教氛围,其神话诗学历程通过文学想像与基督教文化传统内在精神的同构而得到最为集中的展现。
Christian elements and Biblical influence are manifested in the literary imagination of William Faulkner,one of the most important figures in the Literature of the American South.They can be found consistently in his literary creation,particularly in the Yoknapatawpha novels.Based on the Christian context in the Yoknapatawpha novels and their co-structural relevance to the Bible,taking The Sound and the Fury as a case study,this paper argues that the tension between "divinity" and "humanity",and the confrontation and blend of poetics and religion have created a peculiar religious flavor in Faulkner's literary imagination.His literary world is therefore most conspicuously manifested through the inherent co-structural relationship between his literary imagination and the Christian cultural tradition.
Christian elements and Biblical influence are manifested in the literary imagination of William Faulkner,one of the most important figures in the Literature of the American South.They can be found consistently in his literary creation,particularly in the Yoknapatawpha novels.Based on the Christian context in the Yoknapatawpha novels and their co-structural relevance to the Bible,taking The Sound and the Fury as a case study,this paper argues that the tension between "divinity" and "humanity",and the confrontation and blend of poetics and religion have created a peculiar religious flavor in Faulkner's literary imagination.His literary world is therefore most conspicuously manifested through the inherent co-structural relationship between his literary imagination and the Christian cultural tradition.
引文
[1]李文俊编选:《福克纳评论集》,北京:中国社会科学出版社,1980,第267-268页。
[2]Leland H.Cox(Ed.),William Faulkner,Critical Collection,Detroit,Michigan:Gale Research Company,1982,p.20.
[3]肖明翰:“福克纳与基督教文化传统”,载《国外文学》,1994年第1期,第73页。其中引文部分转引自F.Gwynn and J.Blotner(Eds.),Faulkner in the University,Virginia:University of VA,1959,p.86。
[4]根据福克纳本人对威尔逊大学学生的解释,“约克纳帕塔法”是一个印第安词,意思是“河水静静地流过平原”。参阅Frederick John Hoffman,Willian Faulkner,Boston:Twayne Publishers, 1961,p.119。
[5]梁工主编:《基督教文学》,北京:宗教文化出版社,2001,第376页。
[6]肖明翰:“福克纳与基督教文化传统”。
[7]J.Robert Barth(Ed.),Religious Perspectives in Faulkner's Fiction:Yokna patawpha and Beyond,Notre Dame,London:University of Notre Dame Press,1972,p.11.
[8]肖明翰,“福克纳与基督教文化传统”。引文转引自F.Gwynn and J.Blotner(Eds.), Faulkner in the University,p.19。
[9]F.Gwynn and Blotner(Eds.),Faulkner in the University,pp.51-52.
[10]Jean Stein,"William Faulkner:An Interview",Three Decades of Criticism,East Lansing:Michigan State University Press,1960,p.75.
[11]李文俊编选:《福克纳评论集》,第264页。
[12]赵秀明、赵张进:《英美散文研究与翻译》,长春:吉林大学出版社,2010,第118页。
[13]Richard Chase,The American Novel and Its Tradition,London:G.Bell and Sons Ltd, 1958,p.91.
[14][美]埃尔斯·杜斯瓦·林德:“《押沙龙,押沙龙!》的构思及意义”,载李文俊编选:《福克纳评论集》,第187页。
[15]朱炎:《美国文学评论集》,台北:联经出版事业公司,1977,第110页。
[16]J.Robert Barth(EA),Religious Perspectives in Faulkner's Fiction:Yoknapatawpha and Beyond,p.203.
[17]Ibid.
[18]Viola Sachs Mouton,The Myth of America,Essays in the Structures of Literary Imagination,The Hague:Mouton,1973,p.103.
[19]Jessie McGuire Coffee,Faulkner's Un-Christlike Christians:Biblical Allusions in the Novels,Ann Arbor,Michigan:UMI Research Press,1983,p.2.
[20]Jessie McGuire Coffee,Faulkner's Un-Christlike Christians:Biblical Allusions in the Novels,pp.129-130.
[2]Leland H.Cox(Ed.),William Faulkner,Critical Collection,Detroit,Michigan:Gale Research Company,1982,p.20.
[3]肖明翰:“福克纳与基督教文化传统”,载《国外文学》,1994年第1期,第73页。其中引文部分转引自F.Gwynn and J.Blotner(Eds.),Faulkner in the University,Virginia:University of VA,1959,p.86。
[4]根据福克纳本人对威尔逊大学学生的解释,“约克纳帕塔法”是一个印第安词,意思是“河水静静地流过平原”。参阅Frederick John Hoffman,Willian Faulkner,Boston:Twayne Publishers, 1961,p.119。
[5]梁工主编:《基督教文学》,北京:宗教文化出版社,2001,第376页。
[6]肖明翰:“福克纳与基督教文化传统”。
[7]J.Robert Barth(Ed.),Religious Perspectives in Faulkner's Fiction:Yokna patawpha and Beyond,Notre Dame,London:University of Notre Dame Press,1972,p.11.
[8]肖明翰,“福克纳与基督教文化传统”。引文转引自F.Gwynn and J.Blotner(Eds.), Faulkner in the University,p.19。
[9]F.Gwynn and Blotner(Eds.),Faulkner in the University,pp.51-52.
[10]Jean Stein,"William Faulkner:An Interview",Three Decades of Criticism,East Lansing:Michigan State University Press,1960,p.75.
[11]李文俊编选:《福克纳评论集》,第264页。
[12]赵秀明、赵张进:《英美散文研究与翻译》,长春:吉林大学出版社,2010,第118页。
[13]Richard Chase,The American Novel and Its Tradition,London:G.Bell and Sons Ltd, 1958,p.91.
[14][美]埃尔斯·杜斯瓦·林德:“《押沙龙,押沙龙!》的构思及意义”,载李文俊编选:《福克纳评论集》,第187页。
[15]朱炎:《美国文学评论集》,台北:联经出版事业公司,1977,第110页。
[16]J.Robert Barth(EA),Religious Perspectives in Faulkner's Fiction:Yoknapatawpha and Beyond,p.203.
[17]Ibid.
[18]Viola Sachs Mouton,The Myth of America,Essays in the Structures of Literary Imagination,The Hague:Mouton,1973,p.103.
[19]Jessie McGuire Coffee,Faulkner's Un-Christlike Christians:Biblical Allusions in the Novels,Ann Arbor,Michigan:UMI Research Press,1983,p.2.
[20]Jessie McGuire Coffee,Faulkner's Un-Christlike Christians:Biblical Allusions in the Novels,pp.129-130.