柯达伊同声合唱作品的艺术诠释
|
摘要
本文是对如何通过指挥术诠释匈牙利作曲家柯达伊的同声合唱作品,共分为三部分内容。在第一部分中,通过介绍柯达伊的三个不同身份了解其同声合唱作品的创作背景。在第二部分中,用归类和例证,从作品题材、体裁和技法等方面介绍柯达伊同声合唱作品的创作特征。在第三部分中,重点阐述如何把握柯达伊同声合唱作品的风格。笔者通过介绍匈牙利历史和民族性格以及语言特点来透析匈牙利民族文化背景,以指挥者的角度从音准、音色、节奏、咬字吐字、声部的安排及二度创作等方面概述如何把握柯达伊同声合唱作品的风格,并以三个不同风格的具体作品为例具体阐述。
The purpose of this thesis is to explore and analyze Hungarian composer Zoltán Kodály's equal voice choir pieces using a conductor's methodology. The content consists of 3 parts. The first part examines the compositional background to his equal voice pieces by introducing his 3 different career strands. In the second part, the author expatiates on the compositional character of these pieces through themes, forms and techniques, by means of classification and illustration. The third part examines in detail the issue of performing style in relation to Kodály's equal voice pieces. Here the author analyzes the Hungarian history and folk character, and expounds the expression of the Kodály style through intonation, resonance, pronunciation, arrangement of voice parts, and performance interpretation, and presents three pieces of differing styles as examples.
The purpose of this thesis is to explore and analyze Hungarian composer Zoltán Kodály's equal voice choir pieces using a conductor's methodology. The content consists of 3 parts. The first part examines the compositional background to his equal voice pieces by introducing his 3 different career strands. In the second part, the author expatiates on the compositional character of these pieces through themes, forms and techniques, by means of classification and illustration. The third part examines in detail the issue of performing style in relation to Kodály's equal voice pieces. Here the author analyzes the Hungarian history and folk character, and expounds the expression of the Kodály style through intonation, resonance, pronunciation, arrangement of voice parts, and performance interpretation, and presents three pieces of differing styles as examples.
引文
马革顺:《合唱学新编》,上海音乐出版社,2002。
韩斌:《西方合唱音乐纵览》,世界图书出版公司,2000。
杨立梅:《音乐教育思想与匈牙利音乐教育》,上海教育出版社,2000。
钱仁康:“《士兵舞曲》源流考”,上海:音乐艺术,2007年(2)
杨鸿年:《同声合唱训练学》,人民音乐出版社,2002。
黄阳:“佐尔坦·柯达伊半音化和声风格探微”,广州:星海音乐学院学报,2007年6月(2)。
阎宝林:“关于无伴奏合唱的风格与音律选择的研究”,交响,1997(1)
杨春发:“哲理的思维+艺术的想象——合唱指挥的二度创作”,音乐学习与研究,1996(3),1996(4)
陈其射:“影响合唱音准的两大要素”,乐府新声,1998(2)
田春生:“如何在合唱中正确掌握呼与吸”,交响,1999(2)
Mihaly Ittzes,Zotan Kodaly,In Retrospect,Zolton Kodoly Pedagogical Institute of Music,Kecskemet,2002
Judit Hartyanyi,An Ode For Music-11 Analyses of Choral Compositions of Zoltan Kodaly,Budapest:Executive Office of the IKS,2002
Pal Kardos,Intonation and Vocal Training in Choir,AdtiaPrint Nyomdai Kft,Kecskemet,2005
Zsuzsanna Kontra,A guide to Teaching Musical Style,Hungary:Zoltan Koldaly Pedagogical Institute o Music,2005
Ildiko Herboly Kocsar,Zoltan Kodaly,Music Should Belong to Everyone,120 quotations from his writings and speeches,Hungary:Executive Office of the IKS,2002
Lajos Bardos,"On Kodaly's Children's Choruses",Bulletin of the International Kodaly Society,Budapest:IKS,1979-1982
Miklos Szabo,"Problems of Interpretation in Kodaly's Music",Bulletin of the International Kodaly Society,Budapest:IKS,1983
Kodaly Zoltan,"The Role of the Authentic Folksong in Music Education,1985Janos Brevet,A guide to Kodaly,Budapest:Corvina,1990
Laszlo E(o|¨)sze,Zoltan Kodaly:His life and work,Lodon:Celletts,1962
Halsey Stevens,"The Choral Music of Zoltan Kodaly",Music Quarterly,Oxford University Press,2003
Zoltan Kodaly,"Folk Music and Art Music in Hungary",Tempo,New ser.1962-1963
Peter J.Pirie,"Choral,New and Old",Musical Times,Vol.124,1983
L.Dobszay,"The Kodaly Method and Its Musical Basis",Studia Musicologica Academic Scientiarum Hungarica,Fasc,1972
韩斌:《西方合唱音乐纵览》,世界图书出版公司,2000。
杨立梅:《音乐教育思想与匈牙利音乐教育》,上海教育出版社,2000。
钱仁康:“《士兵舞曲》源流考”,上海:音乐艺术,2007年(2)
杨鸿年:《同声合唱训练学》,人民音乐出版社,2002。
黄阳:“佐尔坦·柯达伊半音化和声风格探微”,广州:星海音乐学院学报,2007年6月(2)。
阎宝林:“关于无伴奏合唱的风格与音律选择的研究”,交响,1997(1)
杨春发:“哲理的思维+艺术的想象——合唱指挥的二度创作”,音乐学习与研究,1996(3),1996(4)
陈其射:“影响合唱音准的两大要素”,乐府新声,1998(2)
田春生:“如何在合唱中正确掌握呼与吸”,交响,1999(2)
Mihaly Ittzes,Zotan Kodaly,In Retrospect,Zolton Kodoly Pedagogical Institute of Music,Kecskemet,2002
Judit Hartyanyi,An Ode For Music-11 Analyses of Choral Compositions of Zoltan Kodaly,Budapest:Executive Office of the IKS,2002
Pal Kardos,Intonation and Vocal Training in Choir,AdtiaPrint Nyomdai Kft,Kecskemet,2005
Zsuzsanna Kontra,A guide to Teaching Musical Style,Hungary:Zoltan Koldaly Pedagogical Institute o Music,2005
Ildiko Herboly Kocsar,Zoltan Kodaly,Music Should Belong to Everyone,120 quotations from his writings and speeches,Hungary:Executive Office of the IKS,2002
Lajos Bardos,"On Kodaly's Children's Choruses",Bulletin of the International Kodaly Society,Budapest:IKS,1979-1982
Miklos Szabo,"Problems of Interpretation in Kodaly's Music",Bulletin of the International Kodaly Society,Budapest:IKS,1983
Kodaly Zoltan,"The Role of the Authentic Folksong in Music Education,1985Janos Brevet,A guide to Kodaly,Budapest:Corvina,1990
Laszlo E(o|¨)sze,Zoltan Kodaly:His life and work,Lodon:Celletts,1962
Halsey Stevens,"The Choral Music of Zoltan Kodaly",Music Quarterly,Oxford University Press,2003
Zoltan Kodaly,"Folk Music and Art Music in Hungary",Tempo,New ser.1962-1963
Peter J.Pirie,"Choral,New and Old",Musical Times,Vol.124,1983
L.Dobszay,"The Kodaly Method and Its Musical Basis",Studia Musicologica Academic Scientiarum Hungarica,Fasc,1972