张佳胤诗及诗论研究
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摘要
本文主要以《居来先生集》为研究文本,考察明中后期诗文背景下的张佳胤诗及诗论。论文以“知人论世”为指针,深入剖析张佳胤诗歌理论和创作的特点。绪论部分为张佳胤诗及诗论的选题意义和研究现状综述,指出张佳胤研究中值得关注的问题。第一章探讨张佳胤的生平和交游,通过对其交游的考证从侧面了解张佳胤的诗文创作倾向。第二章主要论述张佳胤的诗歌理论。首先揭示其思想的主导方面,张佳胤一生文武全才,其思想主要体现为积极入世,文章事业并举;儒释道兼备,不以物喜,不以己悲。其次为张佳胤的诗歌理论:以情为本,以自然为宗;诗在山林鸟迹间,言及性灵;对穷而后工的困惑,提倡文武并举;最后论述了张佳胤诗论的形成主要为外在与内在的两方面因素,即明中后期的诗文背景与张佳胤自身的宦游经历。第三章为张佳胤诗歌创作,首先将张佳胤诗歌分为游记诗、边塞诗、交友赠答诗三类,再从体裁和语言方面论述张佳胤诗歌的艺术特征。
张佳胤虽然为复古派成员,但是却并非彻底的复古拟古主义者,我们将张佳胤放入整个明中后期的历史文化中去,还原其本来的历史面貌,会发现张佳胤的诗歌理论在一定程度上修正了“七子派”的复古论调,有自己的新见。张佳胤的诗论是他诗歌实践的上升,而其诗论亦影响了他的诗歌创作,其诗歌理论与诗歌创作中有不少性情之作,这对随之而后的公安派、竟陵派有一定的影响。而作为明代巴蜀地区少有的诗人代表,张佳胤的贡献亦是不可忽视的。
Centring around“Mr Julai’s corpus”, This paper mainly research Zhang Jiayin’s Poetry and Poetics in the context of the Middle and Late Ming dynasty. On the basis of over-reading the corpus and guiding with the theory of appreciating a poet's character and commenting on his poetry in the social setting, this paper also deeply analyse the characteristics of poetry and creation of Zhang Jiayin . Its introduction introduce the significance of this topics as well as the present research of this topics, while point out some issues of concern of the research about Zhang Jiayin. The first chapter introduces Zhang Jiayin’s life and friendship, while the later can help us indirectly understand ZhangJiayin’s writing trend. The second chapter discusses Zhang Jiayin’s theory of poetry. The first is revealing the dominant aspect of his thought .zhang Jiayin is an all-rounder, whose thought mainly embodied in his positive attitude to soecity ,his emphasis both in articles and career simultaneously, both Buddhism and Taoism, especially not disturbing by out-world. The second is Zhang Jiayin’s theory of poetry, which is basing to emotion and nature. Zhang Jiayin thought the Wen and Wu both are important and his poem is free like a bird which is flying in the mountain. Finally discusses the formation of Zhang Jiayin’s Poetry mainly two aspects of external and internal factors, namely the poetry context of the late Ming dynasty and Zhang Jiayin’s own official travel experience. The third chapter is Zhang Jiayin’s poetry creation. In this paper, it first divided Zhang Jiayin’s poetry into three types- Travels poems, Frontier poems and Friends Poems, And then analysed the art characteristics of Zhang Jiayin’s poetry from style and language two aspects.
Although Zhang Jiayin is a member of Restoration, he is not a completely retro archaism. Putting Zhang Jiayin into the historical culture of late Ming dynasty and restoring his historic features, we will find that Zhang Jiayin theory correct to some extent the "Seven Poets”and have his own new view. Zhang Jiayin's poetics is a result of his practice, which is also affected his poetry. The masterpiece of Zhang Jiayin’s poetic theory and poetry practice have deep affection to later Gong’an school and Jingling school. As a poet representatives of Ming dynasty in the Bashu area, the contribution of Zhang Jiayin should not to be ignored.
张佳胤虽然为复古派成员,但是却并非彻底的复古拟古主义者,我们将张佳胤放入整个明中后期的历史文化中去,还原其本来的历史面貌,会发现张佳胤的诗歌理论在一定程度上修正了“七子派”的复古论调,有自己的新见。张佳胤的诗论是他诗歌实践的上升,而其诗论亦影响了他的诗歌创作,其诗歌理论与诗歌创作中有不少性情之作,这对随之而后的公安派、竟陵派有一定的影响。而作为明代巴蜀地区少有的诗人代表,张佳胤的贡献亦是不可忽视的。
Centring around“Mr Julai’s corpus”, This paper mainly research Zhang Jiayin’s Poetry and Poetics in the context of the Middle and Late Ming dynasty. On the basis of over-reading the corpus and guiding with the theory of appreciating a poet's character and commenting on his poetry in the social setting, this paper also deeply analyse the characteristics of poetry and creation of Zhang Jiayin . Its introduction introduce the significance of this topics as well as the present research of this topics, while point out some issues of concern of the research about Zhang Jiayin. The first chapter introduces Zhang Jiayin’s life and friendship, while the later can help us indirectly understand ZhangJiayin’s writing trend. The second chapter discusses Zhang Jiayin’s theory of poetry. The first is revealing the dominant aspect of his thought .zhang Jiayin is an all-rounder, whose thought mainly embodied in his positive attitude to soecity ,his emphasis both in articles and career simultaneously, both Buddhism and Taoism, especially not disturbing by out-world. The second is Zhang Jiayin’s theory of poetry, which is basing to emotion and nature. Zhang Jiayin thought the Wen and Wu both are important and his poem is free like a bird which is flying in the mountain. Finally discusses the formation of Zhang Jiayin’s Poetry mainly two aspects of external and internal factors, namely the poetry context of the late Ming dynasty and Zhang Jiayin’s own official travel experience. The third chapter is Zhang Jiayin’s poetry creation. In this paper, it first divided Zhang Jiayin’s poetry into three types- Travels poems, Frontier poems and Friends Poems, And then analysed the art characteristics of Zhang Jiayin’s poetry from style and language two aspects.
Although Zhang Jiayin is a member of Restoration, he is not a completely retro archaism. Putting Zhang Jiayin into the historical culture of late Ming dynasty and restoring his historic features, we will find that Zhang Jiayin theory correct to some extent the "Seven Poets”and have his own new view. Zhang Jiayin's poetics is a result of his practice, which is also affected his poetry. The masterpiece of Zhang Jiayin’s poetic theory and poetry practice have deep affection to later Gong’an school and Jingling school. As a poet representatives of Ming dynasty in the Bashu area, the contribution of Zhang Jiayin should not to be ignored.
引文
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[11]清·张廷玉.明史·列传第一百十.北京:中华书局,2000,195
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[15]明·王世贞.弇州四部稿·文渊阁四库全书·一百七十四巻.台湾:台湾商务印书馆,2005,61-77
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[17]张国浩.神州百景诗中游.北京:军事科学出版社,2000,48
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[20]闫凯.中国诗词名句鉴赏辞典.呼和浩特:内蒙古人民出版社,1994,731
[21]余恕诚.唐诗风貌.安徽:安徽大学出版社,1997, 223
[22]明·胡应麟.少室山房集.上海:上海古籍出版社,1993,876
[23]胡光舟,周满红,张明非.古诗类编.广西:广西人民出版社,1990,53
[24]明·刘文征撰,古永继校点.滇志.云南:云南教育出版社,1991,889
[25]古道漾濞编委会.古道漾濞.云南:云南民族出版社,2008,3
[26]杨境.大理古今诗人要事录(上).云南:云南民族出版社,2007,643
[27]张钱松.青田古诗词选注.哈尔滨:北方文艺出版社,2006,149
[28]廖永祥.蜀诗总集.成都:天地出版社,2002,278
[29]山东省济宁市政协文史资料委员会编.济宁运河诗文集粹.济宁:济宁市新闻出版局,2001,123
[30]宫晓卫,朋星.中国历代诗歌精选·明清诗词卷.济南:济南出版社,1999,111
[31]铜梁文史资料编辑委员会.铜梁文史资料·第9辑·诗歌专集.铜梁:铜梁文史资料编辑委员,1999,98
[32]北京什刹海研究会,什刹海风景区管理处.诗文荟萃什刹海.北京:北京出版社,1998,74
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[34]铜梁文史资料编辑委员会.铜梁文史资料·第8辑·诗歌专集.铜梁:铜梁文史资料编辑委员,1998,148
[35]铜梁文史资料编辑委员会.铜梁文史资料·第6辑·诗歌专集.铜梁:铜梁文史资料编辑委员,1994,121
[36]赵来坤.老子与函谷关.河南:中州古籍出版社,1993,246
[37]舒绍昌,马自立.三门峡名胜诗选.河南:中州古籍出版社,1992,116
[38]中国人民政治协商会议陕西省潼关县委员会文史资料委员会.潼关文史资料·第5辑.陕西:潼关县委员会文史资料委员会,1992,103
[39]张盛荣,王晓祥.古今怀乡思亲诗词选.北京:中国人民大学出版社,1989,216
[40]宋文熙,张楠.历代诗人咏大理.云南:云南人民出版社,1990,55
[41]杨健灵.西山金田诗词选.广西:广西人民出版社,1989,8
[42]李昌宗,黄蓉.中国古代山水诗选读.成都:四川少年儿童出版社,1989,91
[43]秦立.钓鱼城诗选.成都:四川人民出版社,1988,42-43
[44]熊笃.巴渝古代近代文学史.成都:四川民族出版社,2010,378-385
[45]蔡镇楚.中国诗话史.湖南:湖南文艺出版社,1988,87-121
[46]宋克夫,韩晓.心学与文学论稿——明代嘉靖万历时期文学概观.北京:中国社会科学出版社,2002,56-89
[47]冯小禄.明代诗文论争研究.云南:云南人民出版社,2006,93-130,255-321
[48]左东岭.王学与中晚明士人心态.北京:人民文学出版社,2000,96-125
[49]左东岭.明代心学与诗学.北京:学苑出版社,2002,43-68
[50]黄仁宇.万历十五年.北京:中华书局,1982,65-89
[51]冯雁雯.张佳胤年谱:[兰州大学硕士学位论文].兰州:兰州大学中国古典文献学,2004
[52]杨钊.张佳胤刘绘交游考.重庆文理学院学报(社会科学版). 2009(3),103-107
[53]郑家治,李咏梅.明清巴蜀诗学研究.成都:巴蜀书社,2008,
[2]胡昌健.恭州集.重庆:重庆出版社,2008,131
[3]朱培高.中国古代文学流派辞典.湖南:湖南出版社,1991,261
[4]朱彝尊.静志居诗话.北京:人民文学出版社,1990,13卷,44页上半部,扶荔山房刻本
[5]钱谦益.列朝诗集小传.上海:上海古籍出版社,1983,丁部上卷,第63页下半部,清康熙刻本
[6]引得编撰处.八十九种明代传记综合引得.北京:中华书局,1987,187
[7]乐万里.明代四川作家研究:[上海师范大学硕士学位论文].上海:上海师范大学人文与传播学院,2007,82-93
[8]廖可斌.复古派与明代文学思潮.北京:文津出版社,1994, 2-3,200-239
[9]陈书录.明代诗文创作与理论批评的交叉演进.文学遗产,1994(3):118
[10]孔潮丽.江苏、安徽巡抚.北京:农村读物出版社, 2004,40-44,45
[11]清·张廷玉.明史·列传第一百十.北京:中华书局,2000,195
[12]王兆云.皇明词林人物考.台湾:明文书局,1991,卷10,第19页上半部,明万历刻本
[13]杨钊.杨慎张佳胤交游考.北方论丛,2008(2):21
[14]吴文治.明诗话全编.江苏:江苏古籍出版社,1997,4618-4632
[15]明·王世贞.弇州四部稿·文渊阁四库全书·一百七十四巻.台湾:台湾商务印书馆,2005,61-77
[16]宋·欧阳修.四部丛刊·卷112欧阳文忠公集.上海:上海商务印书馆,2000
[17]张国浩.神州百景诗中游.北京:军事科学出版社,2000,48
[18]陈田.明诗纪事.北京:商务印书局,1936,己本3卷,第4页下半部,光绪己亥陈氏刻本
[19]清·沈德潜选编,李索,王萍点校.明诗别裁集.河北:河北人民出版社,1997,112
[20]闫凯.中国诗词名句鉴赏辞典.呼和浩特:内蒙古人民出版社,1994,731
[21]余恕诚.唐诗风貌.安徽:安徽大学出版社,1997, 223
[22]明·胡应麟.少室山房集.上海:上海古籍出版社,1993,876
[23]胡光舟,周满红,张明非.古诗类编.广西:广西人民出版社,1990,53
[24]明·刘文征撰,古永继校点.滇志.云南:云南教育出版社,1991,889
[25]古道漾濞编委会.古道漾濞.云南:云南民族出版社,2008,3
[26]杨境.大理古今诗人要事录(上).云南:云南民族出版社,2007,643
[27]张钱松.青田古诗词选注.哈尔滨:北方文艺出版社,2006,149
[28]廖永祥.蜀诗总集.成都:天地出版社,2002,278
[29]山东省济宁市政协文史资料委员会编.济宁运河诗文集粹.济宁:济宁市新闻出版局,2001,123
[30]宫晓卫,朋星.中国历代诗歌精选·明清诗词卷.济南:济南出版社,1999,111
[31]铜梁文史资料编辑委员会.铜梁文史资料·第9辑·诗歌专集.铜梁:铜梁文史资料编辑委员,1999,98
[32]北京什刹海研究会,什刹海风景区管理处.诗文荟萃什刹海.北京:北京出版社,1998,74
[33]张玉胜.岱庙碑刻.山东:山东画报出版社,1998,30
[34]铜梁文史资料编辑委员会.铜梁文史资料·第8辑·诗歌专集.铜梁:铜梁文史资料编辑委员,1998,148
[35]铜梁文史资料编辑委员会.铜梁文史资料·第6辑·诗歌专集.铜梁:铜梁文史资料编辑委员,1994,121
[36]赵来坤.老子与函谷关.河南:中州古籍出版社,1993,246
[37]舒绍昌,马自立.三门峡名胜诗选.河南:中州古籍出版社,1992,116
[38]中国人民政治协商会议陕西省潼关县委员会文史资料委员会.潼关文史资料·第5辑.陕西:潼关县委员会文史资料委员会,1992,103
[39]张盛荣,王晓祥.古今怀乡思亲诗词选.北京:中国人民大学出版社,1989,216
[40]宋文熙,张楠.历代诗人咏大理.云南:云南人民出版社,1990,55
[41]杨健灵.西山金田诗词选.广西:广西人民出版社,1989,8
[42]李昌宗,黄蓉.中国古代山水诗选读.成都:四川少年儿童出版社,1989,91
[43]秦立.钓鱼城诗选.成都:四川人民出版社,1988,42-43
[44]熊笃.巴渝古代近代文学史.成都:四川民族出版社,2010,378-385
[45]蔡镇楚.中国诗话史.湖南:湖南文艺出版社,1988,87-121
[46]宋克夫,韩晓.心学与文学论稿——明代嘉靖万历时期文学概观.北京:中国社会科学出版社,2002,56-89
[47]冯小禄.明代诗文论争研究.云南:云南人民出版社,2006,93-130,255-321
[48]左东岭.王学与中晚明士人心态.北京:人民文学出版社,2000,96-125
[49]左东岭.明代心学与诗学.北京:学苑出版社,2002,43-68
[50]黄仁宇.万历十五年.北京:中华书局,1982,65-89
[51]冯雁雯.张佳胤年谱:[兰州大学硕士学位论文].兰州:兰州大学中国古典文献学,2004
[52]杨钊.张佳胤刘绘交游考.重庆文理学院学报(社会科学版). 2009(3),103-107
[53]郑家治,李咏梅.明清巴蜀诗学研究.成都:巴蜀书社,2008,