装饰性元素在当代工笔花鸟画中的作用
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摘要
当代中国工笔花鸟画相对于传统的工笔花鸟画在视觉感觉上有了很大的不同,尤其表现出强烈的装饰效果,说明装饰性元素在当代中国工笔花鸟画中起着很重要的作用。中国当代工笔花鸟画装饰性元素的创新,主要是在于表现形式的创新与拓展,和对其它画种,东西方艺术的构思、手法样式的积极吸收和借鉴。本文通过研究装饰性元素在当代工笔花鸟画中的作用,说明装饰性元素在其中的特征,应用、创新和使当代工笔花鸟画中的装饰性元素变得极为重要的原因。
当代中国工笔花鸟画注重突出形式,画家根据自己的造型法则创造出极具视觉吸引力和视觉快感的装饰画面。但是不同于西方现代艺术的纯粹视觉的形式创造,在当代工笔花鸟画的创作中,艺术家虽然很注重装饰的美感,但并不是说只是注重了视觉上的冲击力就忽略了作品的内容和意义。传统的中国画不是装饰性的绘画,包括当代的工笔花鸟画,但是绘画的装饰性在里面起到了一定的作用,但不是占主要地位的作用。它的装饰性是服从于绘画性的。超过了这个度,那么就会变成装饰性的绘画了。
Contemporary Chinese Flowers and Birds fine brushwork differs a lot with the traditional one in the visual impression. In particular, the contemporary brushwork expressed strong decorative effect, which indicates decorative elements in contemporary China Meticulous Flowers and Birds Painting plays a very important role. The innovation of contemporary decorative elements is mainly achieved by the innovation and development of performance, and absorption of other kinds of painting, the ideas from East and West, methods and styles. The paper tries to explain the characteristic, applications, innovations and the contemporary why Meticulous Flowers and Birds Painting in the decorative elements become extremely important, through the study of contemporary decorative elements in Meticulous Flowers and Birds Painting.
Chinese contemporary Meticulous Flowers and Birds Painting focuses on outstanding form, and painters create highly visual appeal and decorative screen according to their shape laws. But unlike Western modern art in the form of a purely visual creation, people pay more attention to the decorative beauty in contemporary Meticulous Flowers and Birds Painting works, which is not to say that they only focus on the visual impact and neglects the content and significance. Traditional Chinese painting is not decorative, including contemporary Meticulous Flowers and Birds Painting, but the decorative painting inside played a certain role, but not dominant. It is subordinated to the decorative paintings in nature. More than this, it will become a decorative painting.
当代中国工笔花鸟画注重突出形式,画家根据自己的造型法则创造出极具视觉吸引力和视觉快感的装饰画面。但是不同于西方现代艺术的纯粹视觉的形式创造,在当代工笔花鸟画的创作中,艺术家虽然很注重装饰的美感,但并不是说只是注重了视觉上的冲击力就忽略了作品的内容和意义。传统的中国画不是装饰性的绘画,包括当代的工笔花鸟画,但是绘画的装饰性在里面起到了一定的作用,但不是占主要地位的作用。它的装饰性是服从于绘画性的。超过了这个度,那么就会变成装饰性的绘画了。
Contemporary Chinese Flowers and Birds fine brushwork differs a lot with the traditional one in the visual impression. In particular, the contemporary brushwork expressed strong decorative effect, which indicates decorative elements in contemporary China Meticulous Flowers and Birds Painting plays a very important role. The innovation of contemporary decorative elements is mainly achieved by the innovation and development of performance, and absorption of other kinds of painting, the ideas from East and West, methods and styles. The paper tries to explain the characteristic, applications, innovations and the contemporary why Meticulous Flowers and Birds Painting in the decorative elements become extremely important, through the study of contemporary decorative elements in Meticulous Flowers and Birds Painting.
Chinese contemporary Meticulous Flowers and Birds Painting focuses on outstanding form, and painters create highly visual appeal and decorative screen according to their shape laws. But unlike Western modern art in the form of a purely visual creation, people pay more attention to the decorative beauty in contemporary Meticulous Flowers and Birds Painting works, which is not to say that they only focus on the visual impact and neglects the content and significance. Traditional Chinese painting is not decorative, including contemporary Meticulous Flowers and Birds Painting, but the decorative painting inside played a certain role, but not dominant. It is subordinated to the decorative paintings in nature. More than this, it will become a decorative painting.
引文
[1]邵洛羊 《中国美术大辞典》 上海辞书出版社 2002 p7
[1]陈传席 《中国绘画美学史》 下册 人民美术出版社
[1]贾京生 《当代亚洲色彩应用》 第四届亚洲色彩论坛论文集 2007
历代名画记 张彦远著 人民美术出版社 2004
图画见闻志 郭若虚著 人民美术出版社 2004
中国绘画美学史 陈传席著 人民美术出版社 2002
中国画研究 陈兆复著 云南人民出版社 1980
中国历代装饰画研究 庞薰琴著 上海人民美术出版社 1982
中国美术大辞典 邵洛羊著 上海辞书出版社 2002
中国画的装饰性初探 张廷禄著 国画家 1995
美的历程 李泽厚著 中国社会科学出版社 1984
中国花鸟画学 傅京生著 河南美术出版社 2005
中国镜像-90年代文化研究 王岳川著 中央编辑出版社 2001
近代中日绘画交流史比较研究 陈振濂著 安徽美术出版社 2000
日本美术史对话 刘小路著 人民美术出版社 2004
装饰绘画画理 崔彦伟著 漓江出版社 2000
现代绘画形式与技巧 鸥洋著 安徽美术出版社 1988
东方色彩研究 邓福星著 黑龙江美术出版社 1994
中国画黑白体系论 胡东放著 人民美术出版社 1991
艺术与视知觉 滕守尧编(美国 鲁道夫 阿恩海姆著)四川人民出版社 1998
[1]陈传席 《中国绘画美学史》 下册 人民美术出版社
[1]贾京生 《当代亚洲色彩应用》 第四届亚洲色彩论坛论文集 2007
历代名画记 张彦远著 人民美术出版社 2004
图画见闻志 郭若虚著 人民美术出版社 2004
中国绘画美学史 陈传席著 人民美术出版社 2002
中国画研究 陈兆复著 云南人民出版社 1980
中国历代装饰画研究 庞薰琴著 上海人民美术出版社 1982
中国美术大辞典 邵洛羊著 上海辞书出版社 2002
中国画的装饰性初探 张廷禄著 国画家 1995
美的历程 李泽厚著 中国社会科学出版社 1984
中国花鸟画学 傅京生著 河南美术出版社 2005
中国镜像-90年代文化研究 王岳川著 中央编辑出版社 2001
近代中日绘画交流史比较研究 陈振濂著 安徽美术出版社 2000
日本美术史对话 刘小路著 人民美术出版社 2004
装饰绘画画理 崔彦伟著 漓江出版社 2000
现代绘画形式与技巧 鸥洋著 安徽美术出版社 1988
东方色彩研究 邓福星著 黑龙江美术出版社 1994
中国画黑白体系论 胡东放著 人民美术出版社 1991
艺术与视知觉 滕守尧编(美国 鲁道夫 阿恩海姆著)四川人民出版社 1998