浅谈中国古典写实油画的发展与创作
摘要
本文紧紧围绕中国古典写实油画的发展与创作这一中心，阐述了“中国古典写实油画”的概念与范畴，并简要回顾欧洲古典油画在中国的早期传播、早期萌芽，分析了写实性绘画长期占主导地位的状况对中国古典写实油画产生的重要作用。通过对其最终形成的叙述，和对代表画家的专题分析研究，从而阐明这一观点：油画家侧重学习的是古典精神和古典技法材料，他们希图运用更加纯正的油画语言表达自己的艺术理解与追求。
本文通过中国古典写实油画的传承、发展、形成的分析和论述，通过对代表油画家的研究，使人们更加全面清晰的了解中国古典写实油画的重要地位和历史意义，使人们理解这些油画家的艺术追求。以达到使普通大众懂得去欣赏中国古典写实油画、为油画家建造良好创作环境、鼓舞后继者的目的。
本文主要的研究方法是引用历史资料、参考文献、列举典型人物。并采用理论联系实际的论证方法。
This article is closely focus on the development and inditement of the classical realistic oil painting in China, it expatiate the concept and category of the " classical realistic oil painting in China", and make a brief review of the spread and sprout of the earlier period European classical oil painting in China, it also analyze the status which realistic painting predominate the whole condition of painting for a long period, it had an impact on the inditement of classic realistic oil painting in China over a long period of time. According to the following description of classical realistic oil painting form in China , and the drawing skills and approach of the main representative artist of classical realistic oil painting in china ,this article indicate that the realistic artist in china who put the learning emphasis on the classical spirit and material. They hope to make use of the much more pure and unadulterated art language to expresses the their own comprehend idea .
This article dissertate the process of the spreading and development of the classical realistic oil painting in China , according to these ,classic and realistic artistic of painter oil in China skill,put the comment on artistic the purpose's analysis, and make people more and completely the classic and realistic oil painting in clear understanding China's important position in the Chinese oil painting with history meaning, make the classic and realistic art in oil painting house in China of people comprehension pursue with investigate. Then attain to make the common art enjoy know to how enjoy the classical realistic oil painting in China, construct the good artistic environment for classical realistic oil painting in China, encourage the purpose of the classical realistic oil painting successor in China.
This article use the main research ways of adduction history the data, consulting the literature , enumerate the
model artists and analysis its representative's work, this article lay on the theories argument of actual contact method.
本文通过中国古典写实油画的传承、发展、形成的分析和论述，通过对代表油画家的研究，使人们更加全面清晰的了解中国古典写实油画的重要地位和历史意义，使人们理解这些油画家的艺术追求。以达到使普通大众懂得去欣赏中国古典写实油画、为油画家建造良好创作环境、鼓舞后继者的目的。
本文主要的研究方法是引用历史资料、参考文献、列举典型人物。并采用理论联系实际的论证方法。
This article is closely focus on the development and inditement of the classical realistic oil painting in China, it expatiate the concept and category of the " classical realistic oil painting in China", and make a brief review of the spread and sprout of the earlier period European classical oil painting in China, it also analyze the status which realistic painting predominate the whole condition of painting for a long period, it had an impact on the inditement of classic realistic oil painting in China over a long period of time. According to the following description of classical realistic oil painting form in China , and the drawing skills and approach of the main representative artist of classical realistic oil painting in china ,this article indicate that the realistic artist in china who put the learning emphasis on the classical spirit and material. They hope to make use of the much more pure and unadulterated art language to expresses the their own comprehend idea .
This article dissertate the process of the spreading and development of the classical realistic oil painting in China , according to these ,classic and realistic artistic of painter oil in China skill,put the comment on artistic the purpose's analysis, and make people more and completely the classic and realistic oil painting in clear understanding China's important position in the Chinese oil painting with history meaning, make the classic and realistic art in oil painting house in China of people comprehension pursue with investigate. Then attain to make the common art enjoy know to how enjoy the classical realistic oil painting in China, construct the good artistic environment for classical realistic oil painting in China, encourage the purpose of the classical realistic oil painting successor in China.
This article use the main research ways of adduction history the data, consulting the literature , enumerate the
model artists and analysis its representative's work, this article lay on the theories argument of actual contact method.
引文
(1)《论现代中国美术》作者：郎绍君 江苏美术出版社 1996年3月第2版
(2)《新古典风艺术——世纪末的回声》作者：余丁 吉林美术出版社1999年5月第1版
(3)《绘画的故事》作者：温迪贝克特嫫嫫(英国)李尧译 生活·读书·新知三联书店 1999年6月第1版
(4)《中国美术史》作者：李福顺 高等教育出版社 2003年7月第1版
(5)《艺术发展史》作者：贡不里希 范景中译 天津美术出版社 1998年6月第3版
(6)《坦培拉绘画绘画技法》 作者：刘孔喜 西苑出版社 1999年1月第1版
(7)《刘孔喜的艺术世界》 作者：水天中 见《中国美术家全集—刘孔喜》序 辽宁美术出版社出版
(8)《精深与单纯——杨飞云的油画艺术》 作者：范迪安 见《杨飞云画集》序 辽宁美术出版社出版
(9)www.tom.com 2003年6月1日资料 作者不详
(10)《新中国美术博物馆——序》作者：栗宪庭
(2)《新古典风艺术——世纪末的回声》作者：余丁 吉林美术出版社1999年5月第1版
(3)《绘画的故事》作者：温迪贝克特嫫嫫(英国)李尧译 生活·读书·新知三联书店 1999年6月第1版
(4)《中国美术史》作者：李福顺 高等教育出版社 2003年7月第1版
(5)《艺术发展史》作者：贡不里希 范景中译 天津美术出版社 1998年6月第3版
(6)《坦培拉绘画绘画技法》 作者：刘孔喜 西苑出版社 1999年1月第1版
(7)《刘孔喜的艺术世界》 作者：水天中 见《中国美术家全集—刘孔喜》序 辽宁美术出版社出版
(8)《精深与单纯——杨飞云的油画艺术》 作者：范迪安 见《杨飞云画集》序 辽宁美术出版社出版
(9)www.tom.com 2003年6月1日资料 作者不详
(10)《新中国美术博物馆——序》作者：栗宪庭