陶晶孙文学创作中的日本情结
摘要
作为前期创造社的重要成员,陶晶孙一生的文学创作表现出了丰富的个性。“日本情结”是陶晶孙对日情感的基调,它并不是简单地指其文学作品中大量表现出来的“亲日”态度、对日本的好感倾向,而是在中日关系不断变化的历史情境下,这种情感因个人经验与生存环境的改变而发生的变化。它反映在文学创作中是多层次的,这包括对中日文学的接受、对中日情感的平衡以及情感在文学中的具体表现等。本文试图解决以下三个方面的问题:一是陶晶孙的创作和日本文学的关系;二是陶晶孙对日本的情感经历了怎样的变化;三是文学创作中是如何体现对日本、对中国情感的。通过对“日本情结”的深层解读以了解在特定的时代背景下,面对社会责任与文化身份认同之间的矛盾,陶晶孙是如何进行个人的认知与文化的选择,从而挖掘出其文学创作的特殊性与合理性。
As Tao Jingsun has been seen as one of letters working for Japan by mistake and wrote mostly in Japanese, He was less concerned in the Chinese literary world. The one hand, Japanese scholars have noticed the maturity and change in Tao Jingsun's literary creation, spoke highly of his later works in the Sino-Japanese relations have a profound enlightenment.On the other hand, the current study also focused on his creation during the Creative Literature Society,and followed the the evaluation of orientation "pro-Japanese", lack of the research on ralation between emotions and literature.
The object of this paper is to study the Tao Jingsun "Japan complex" in the literature."Japan complex " is the emotional tone, it isn't simply refer to a large number of his works shown in the "pro-Japanese"attitude, a good impression on the Japanese tendency, because of the changeof Sino-Japanese relations in the history of situation, this feeling of personal experiences and changes in living environment changes. It is reflected in literature including the acceptance of the Sino-Japanese literature, the balance of the Sino-Japanese feelings and emotions in the literature of specific performance. This article attempts to address three issues: First, the relationship between Tao Jingsun's literary creation and Japan; Second, a kind of emotional changes in his Japan experienced ; third,how literature reflects on the motion of Japan and China. Through the "Japan complex " to understand the underlying interpretation of a particular background, the face of social responsibility and the conflict between cultural identity, Tao Jingsun is how personal choices and cultural knowledge to dig out its The particularity of literary creation and reasonable.
Limit the scope of this paper will study the Tao Jingsun three times greater concentration of creative representative novels, essays and other works, not included in the scope of the translation work. In addition to introduction and conclusion, the creation of community is divided into three parts:periods of Creative Literature Society, Left League, and went to Taiwan to Japan before the death, these three components are surrounded by the emotional changes in China and Japan.
The first part is from the Japanese society, the acceptance of Japanese literature to explain the characteristics of the feelings toward Japan and the "marginal"tendency. Tao Jingsun love the Japanese society, and one hand, a large number of novels about lifestyle of Japan and modern civilization, on the other hand the local customs and traditions of the Japanese taste has detailed performance. Japan is the Western literary theory and the recipient of the media, Tao Jingsun received the new Romanticism as the mainstream of Japanese literature, the "two scenarios"and"precipice"as the representative of the works reflect a significant new Roman Style and New Sensation. The creation of this period in his country differences in overall performance is not obvious, it is a Chinese identity is concerned with the alienation of Chinese society and the heart of Japan's identity, a large number of reference works on "Chinese identity", Chinese people in China and Japan on the living conditions of the performance of the dislocation of the scene is also increased. Tao Jingsun of China showed a clear emotional changes in context, through the "exclusion " - "abandon myself"- "face"- "Drifting" changes in these complex psychological stage.
The second part of the Tao Jingsun after his return, summed up his feelings of literature during the Japanese position changes on Left League. Tao Jingsun returned to Shanghai can not find a sense of belonging, but also cut off the memory of Japan, the Japanese became his escape from real life, the spirit of the "hometown. " This includes the Japanese woman to his rescue, modern Japanese thought and culture identity, way of life of Japanese capitalism and the material of the attachment. Tao Jingsun in Chinese society without the sense of belonging to simplify the role of bourgeois ideology, was keen to give up the new Roman doctrine, began to "mass art" changes in the general literature, with a clear political orientation. Japanese invasion started, during the fall of Shanghai, Tao Jingsun use humor and self-deprecating prose, using arcane language to accuse the atrocities of Japanese invaders. Tao Jingsun noted the issue of nationality of Su Mansu. Because of Japan's disappointment, Tao Jingsun chose to say goodbye to the literary world to "give up " Japan.
The third part is about the maturity changes of the thought after his return to Japan. In this period he distincted between the culture and national consciousness,and no longer focused on the situation of individual survival and self-expression of emotion. He was a critical national character of Japan that the Japanese "serious" and "imitation" of the relationship; use ahead of its time and political vision to look at the relationship between China and Japan, Asia's point of view standing in the international arena between the two countries development; he wanted to make an objective look at the Japanese in China, would also like to convey to the Japanese really think of China and Japan, the Sino-Japanese cultural exchanges and communication between peoples as "friendly" efforts.
Tao Jingsun is committed to this "Japan complex" comb to explore the historical context of changes in cognition and personal experiences under selection, but also trying to restore Tao Jingsun true character, exploring its specific impact.
As Tao Jingsun has been seen as one of letters working for Japan by mistake and wrote mostly in Japanese, He was less concerned in the Chinese literary world. The one hand, Japanese scholars have noticed the maturity and change in Tao Jingsun's literary creation, spoke highly of his later works in the Sino-Japanese relations have a profound enlightenment.On the other hand, the current study also focused on his creation during the Creative Literature Society,and followed the the evaluation of orientation "pro-Japanese", lack of the research on ralation between emotions and literature.
The object of this paper is to study the Tao Jingsun "Japan complex" in the literature."Japan complex " is the emotional tone, it isn't simply refer to a large number of his works shown in the "pro-Japanese"attitude, a good impression on the Japanese tendency, because of the changeof Sino-Japanese relations in the history of situation, this feeling of personal experiences and changes in living environment changes. It is reflected in literature including the acceptance of the Sino-Japanese literature, the balance of the Sino-Japanese feelings and emotions in the literature of specific performance. This article attempts to address three issues: First, the relationship between Tao Jingsun's literary creation and Japan; Second, a kind of emotional changes in his Japan experienced ; third,how literature reflects on the motion of Japan and China. Through the "Japan complex " to understand the underlying interpretation of a particular background, the face of social responsibility and the conflict between cultural identity, Tao Jingsun is how personal choices and cultural knowledge to dig out its The particularity of literary creation and reasonable.
Limit the scope of this paper will study the Tao Jingsun three times greater concentration of creative representative novels, essays and other works, not included in the scope of the translation work. In addition to introduction and conclusion, the creation of community is divided into three parts:periods of Creative Literature Society, Left League, and went to Taiwan to Japan before the death, these three components are surrounded by the emotional changes in China and Japan.
The first part is from the Japanese society, the acceptance of Japanese literature to explain the characteristics of the feelings toward Japan and the "marginal"tendency. Tao Jingsun love the Japanese society, and one hand, a large number of novels about lifestyle of Japan and modern civilization, on the other hand the local customs and traditions of the Japanese taste has detailed performance. Japan is the Western literary theory and the recipient of the media, Tao Jingsun received the new Romanticism as the mainstream of Japanese literature, the "two scenarios"and"precipice"as the representative of the works reflect a significant new Roman Style and New Sensation. The creation of this period in his country differences in overall performance is not obvious, it is a Chinese identity is concerned with the alienation of Chinese society and the heart of Japan's identity, a large number of reference works on "Chinese identity", Chinese people in China and Japan on the living conditions of the performance of the dislocation of the scene is also increased. Tao Jingsun of China showed a clear emotional changes in context, through the "exclusion " - "abandon myself"- "face"- "Drifting" changes in these complex psychological stage.
The second part of the Tao Jingsun after his return, summed up his feelings of literature during the Japanese position changes on Left League. Tao Jingsun returned to Shanghai can not find a sense of belonging, but also cut off the memory of Japan, the Japanese became his escape from real life, the spirit of the "hometown. " This includes the Japanese woman to his rescue, modern Japanese thought and culture identity, way of life of Japanese capitalism and the material of the attachment. Tao Jingsun in Chinese society without the sense of belonging to simplify the role of bourgeois ideology, was keen to give up the new Roman doctrine, began to "mass art" changes in the general literature, with a clear political orientation. Japanese invasion started, during the fall of Shanghai, Tao Jingsun use humor and self-deprecating prose, using arcane language to accuse the atrocities of Japanese invaders. Tao Jingsun noted the issue of nationality of Su Mansu. Because of Japan's disappointment, Tao Jingsun chose to say goodbye to the literary world to "give up " Japan.
The third part is about the maturity changes of the thought after his return to Japan. In this period he distincted between the culture and national consciousness,and no longer focused on the situation of individual survival and self-expression of emotion. He was a critical national character of Japan that the Japanese "serious" and "imitation" of the relationship; use ahead of its time and political vision to look at the relationship between China and Japan, Asia's point of view standing in the international arena between the two countries development; he wanted to make an objective look at the Japanese in China, would also like to convey to the Japanese really think of China and Japan, the Sino-Japanese cultural exchanges and communication between peoples as "friendly" efforts.
Tao Jingsun is committed to this "Japan complex" comb to explore the historical context of changes in cognition and personal experiences under selection, but also trying to restore Tao Jingsun true character, exploring its specific impact.
引文
1郑伯奇.中国新文学大系·小说三集导言.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:54.
2 [日]须田祯一.陶晶孙其人及作品—“创造社”群像之一.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:164.
3郑伯奇.中国新文学大系·小说三集导言.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:54.
4 [日]草野心平.流入近代东洋文化的激情.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:222.
5 [日]伊藤虎丸.至夏衍的信.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12,:143.
6 [日]奥野信太郎.《群象》1953年2月号.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12,:85.
1沈庆利.陶醉在"东洋的趣味"中——论陶晶孙早期以日本为背景的域外题材小说.现代中国异域小说研究.北京:北京大学出版社,2009:73.
2杨剑龙.陶晶孙的《给日本的遗书》.上海师范大学学报(哲学社会科学版),2009,3:38.
1陶晶孙.两情景.陶晶孙选集.北京:人民文学出版社,1995,5:19-20.
2陶晶孙.亡弟陶烈的略传.陶晶孙选集.北京:人民文学出版社,1995,5:306.
3陶晶孙.两姑娘.陶晶孙选集.北京:人民文学出版社,1995,5:103-104.
1陶晶孙.木犀.陶晶孙选集.北京:人民文学出版社,1995,5:21.
2陶晶孙.水葬.陶晶孙选集.北京:人民文学出版社,1995,5:50.
3陶晶孙.海岸烦话.陶晶孙选集.北京:人民文学出版社,1995,5:91.
1陶晶孙.两情景.陶晶孙选集.北京:人民文学出版社,1995,5:18.
2陶晶孙.日本趣味.陶晶孙选集.北京:人民文学出版社,1995,5:268.
1丁景唐.纪念陶晶孙先生百年诞辰.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:30.
2陶晶孙.悼岛崎藤村.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:262.
1郑伯奇.中国新文学大系小说三集导言.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:23.
2应锦襄.一位不应被文坛忘却的人.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:94.
3陶晶孙.晶孙全集序.陶晶孙选集.北京:人民文学出版社,1995,5:4.
4应锦襄.一位不应被文坛忘却的人.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:94.
1郑伯奇.中国新文学大系小说三集导言.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:23.
2陶晶孙.记创造社.陶晶孙选集.北京:人民文学出版社,1995,5:242.
3徐冰.郁达夫的日本观.日本学刊,1994,3:151.
4李兆忠.陶晶孙的“东瀛女儿国”.文学评论,2003,6:138.
5陶晶孙.独步.陶晶孙选集.北京:人民文学出版社,1995,5:87.
6陶晶孙.菜花的女子.陶晶孙选集.北京:人民文学出版社,1995,5:116.
7陶晶孙.音乐会小曲.陶晶孙选集.北京:人民文学出版社,1995,5:8.
1邱志武.陶晶孙“自我小说”主人公的爱国情怀.沈阳师范大学学报(社会科学版),2005,2:133.
1陶晶孙.晶孙自传.陶晶孙选集.北京:人民文学出版社,1995,5:234.
2陶晶孙.独步.陶晶孙选集.北京:人民文学出版社,1995,5:88.
3陶晶孙.亡弟陶烈的略传.陶晶孙选集.北京:人民文学出版社,1995,5:305.
1陶晶孙.短篇三章一绝壁.陶晶孙选集.北京:人民文学出版社,1995,5:67-68.
1陶晶孙.理学士.陶晶孙选集.北京:人民文学出版社,1995,5:52-54.
2陶晶孙.亡弟陶烈的略传.陶晶孙选集.北京:人民文学出版社,1995,5:308.
3陶晶孙.晶孙自传.陶晶孙选集.北京:人民文学出版社,1995,5:236.
1陶晶孙.暑假.陶晶孙选集.北京:人民文学出版社,1995,5:79.
2陶乃煌.陶晶孙二三事.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:8-9.
3 [日]须田祯一.陶晶孙其人及作品—“创造社”群像之一.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998.12:160.
1陶晶孙.音乐会小曲.陶晶孙选集.北京:人民文学出版社,1995,5:6.
2陶晶孙.Cafe Pipeau的广告.陶晶孙选集.北京:人民文学出版社,1995,5:76.
1陶晶孙.从编辑谈到投稿.陶晶孙选集.北京:人民文学出版社,1995,5:326.
1陶晶孙.焚傀儡记.陶晶孙选集.北京:人民文学出版社,1995,5:356.
2陶坊资.回忆父亲.陶晶孙选集.北京:人民文学出版社,1995,5:413.
1陶晶孙.留守日记.陶晶孙选集.北京:人民文学出版社,1995,5:372.
2陶晶孙.急忙谈三句曼殊.陶晶孙选集.北京:人民文学出版社,1995,5:222.
3陶坊资.回忆父亲.陶晶孙选集.北京:人民文学出版社,1995,5:412.
4陶晶孙.在炸弹下三日间.陶晶孙选集.北京:人民文学出版社,1995,5:301.
5陶坊资.回忆父亲.陶晶孙选集.北京:人民文学出版社,1995,5:412.
1陶晶孙.烹斋杂记.陶晶孙选集.北京:人民文学出版社,1995,5:299.
1 [日]中村惇二.日中的纽带:追忆陶晶孙的事绩.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:219.
2潘世圣.鲁迅的日本观——鲁迅体验和理解日本的主要内容及特征.浙江学刊,2004,3:155-156.
3陶晶孙.居住在日本的快乐——收音机·音乐·模仿.给日本的遗书.上海:上海文艺出版社,2008,8:10.
1陶晶孙.日本见闻录.陶晶孙选集.北京:人民文学出版社,1995,5:385.
2陶晶孙.近来的日本.给日本的遗书.上海:上海文艺出版社,2008,8:14.
3陶晶孙.落第秀才——日本.给日本的遗书.上海:上海文艺出版社,2008,8:25.
4陶晶孙.箱根游记——访吴清源.给日本的遗书.上海文艺出版社,2008,8:47.
1伊藤虎丸.至夏衍的信.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:143.
[1]张小红编.陶晶孙百岁诞辰纪念集[M].上海:百家出版社,1998,12.
[2]丁景唐编选.陶晶孙选集[M].北京:人民文学出版社,1995.
[3]陶晶孙.给日本的遗书[M].上海:上海文艺出版社,2008,8.
[4]王富仁.灵魂的挣扎文化的变迁与文学的变迁[M].长春:时代文艺出版社,1993,6.
[5]王向远.中日现代文学比较论[M].银川:宁夏人民出版社,2007.
[6]张福贵,靳丛林.中日近现代文学关系比较研究[M].长春:吉林大学出版社,1999.
[7]蔡震.文化越境的行旅郭沫若在日本二十年[M].北京:文化艺术出版社,2005.
[8] [日]伊藤虎丸.鲁迅、创造社与日本文学中日近现代比较文学初探[M].北京:北京大学出版社,1995.
[1]沈庆利.现代中国异域小说研究[D].北京:北京大学出版社,2009.
[2]杨剑龙.陶晶孙的《给日本的遗书》[J].上海师范大学学报(哲学社会科学版),2009,3.
[3]徐冰.郁达夫的日本观[J].日本学刊,1994,3.
[4]李兆忠.陶晶孙的“东瀛女儿国”[J].文学评论,2003,6.
[5]邱志武.陶晶孙“自我小说”主人公的爱国情怀[J].沈阳师范大学学报(社会科学版),2005,2.
[6]潘世圣.鲁迅的日本观——鲁迅体验和理解日本的主要内容及特征[J].浙江学刊,2004,3.
[7]李怡.日本体验与中国现代文学的发生[D].北京:北京大学出版社,2009.
[8]张志彪.比较文学形象学理论与实践——以中国文学中的日本形象为例[D].北京:民族出版社,2007.
[9][日]滨田麻失.文化的“混血儿”——陶晶孙与日本[J].中国现代文学研究丛刊,1996,3.
[10]朱利民.“中日文化交流与中国现代文学”国际学术会议综述[J].文学评论,2009,2.
[11]刘平.陶晶孙与“大东亚文学者大会”[J].新文学史料,1992,4.
[12]刘平.创造社的多面手──陶晶孙评传[J].郭沫若学刊,1996,1.
[13][日]小崎太一.郭沫若、陶晶孙为什么来福冈?:论福冈在中国现代文学上的意义.http://www.toragau.net/taichi/yanjiu/2005年7月20日版
[14][日]小崎太一.陶晶孙与关东大地震. http://www.toragau.net/taichi/yanjiu/ 2006年7月19日版
2 [日]须田祯一.陶晶孙其人及作品—“创造社”群像之一.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:164.
3郑伯奇.中国新文学大系·小说三集导言.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:54.
4 [日]草野心平.流入近代东洋文化的激情.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:222.
5 [日]伊藤虎丸.至夏衍的信.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12,:143.
6 [日]奥野信太郎.《群象》1953年2月号.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12,:85.
1沈庆利.陶醉在"东洋的趣味"中——论陶晶孙早期以日本为背景的域外题材小说.现代中国异域小说研究.北京:北京大学出版社,2009:73.
2杨剑龙.陶晶孙的《给日本的遗书》.上海师范大学学报(哲学社会科学版),2009,3:38.
1陶晶孙.两情景.陶晶孙选集.北京:人民文学出版社,1995,5:19-20.
2陶晶孙.亡弟陶烈的略传.陶晶孙选集.北京:人民文学出版社,1995,5:306.
3陶晶孙.两姑娘.陶晶孙选集.北京:人民文学出版社,1995,5:103-104.
1陶晶孙.木犀.陶晶孙选集.北京:人民文学出版社,1995,5:21.
2陶晶孙.水葬.陶晶孙选集.北京:人民文学出版社,1995,5:50.
3陶晶孙.海岸烦话.陶晶孙选集.北京:人民文学出版社,1995,5:91.
1陶晶孙.两情景.陶晶孙选集.北京:人民文学出版社,1995,5:18.
2陶晶孙.日本趣味.陶晶孙选集.北京:人民文学出版社,1995,5:268.
1丁景唐.纪念陶晶孙先生百年诞辰.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:30.
2陶晶孙.悼岛崎藤村.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:262.
1郑伯奇.中国新文学大系小说三集导言.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:23.
2应锦襄.一位不应被文坛忘却的人.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:94.
3陶晶孙.晶孙全集序.陶晶孙选集.北京:人民文学出版社,1995,5:4.
4应锦襄.一位不应被文坛忘却的人.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:94.
1郑伯奇.中国新文学大系小说三集导言.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:23.
2陶晶孙.记创造社.陶晶孙选集.北京:人民文学出版社,1995,5:242.
3徐冰.郁达夫的日本观.日本学刊,1994,3:151.
4李兆忠.陶晶孙的“东瀛女儿国”.文学评论,2003,6:138.
5陶晶孙.独步.陶晶孙选集.北京:人民文学出版社,1995,5:87.
6陶晶孙.菜花的女子.陶晶孙选集.北京:人民文学出版社,1995,5:116.
7陶晶孙.音乐会小曲.陶晶孙选集.北京:人民文学出版社,1995,5:8.
1邱志武.陶晶孙“自我小说”主人公的爱国情怀.沈阳师范大学学报(社会科学版),2005,2:133.
1陶晶孙.晶孙自传.陶晶孙选集.北京:人民文学出版社,1995,5:234.
2陶晶孙.独步.陶晶孙选集.北京:人民文学出版社,1995,5:88.
3陶晶孙.亡弟陶烈的略传.陶晶孙选集.北京:人民文学出版社,1995,5:305.
1陶晶孙.短篇三章一绝壁.陶晶孙选集.北京:人民文学出版社,1995,5:67-68.
1陶晶孙.理学士.陶晶孙选集.北京:人民文学出版社,1995,5:52-54.
2陶晶孙.亡弟陶烈的略传.陶晶孙选集.北京:人民文学出版社,1995,5:308.
3陶晶孙.晶孙自传.陶晶孙选集.北京:人民文学出版社,1995,5:236.
1陶晶孙.暑假.陶晶孙选集.北京:人民文学出版社,1995,5:79.
2陶乃煌.陶晶孙二三事.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:8-9.
3 [日]须田祯一.陶晶孙其人及作品—“创造社”群像之一.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998.12:160.
1陶晶孙.音乐会小曲.陶晶孙选集.北京:人民文学出版社,1995,5:6.
2陶晶孙.Cafe Pipeau的广告.陶晶孙选集.北京:人民文学出版社,1995,5:76.
1陶晶孙.从编辑谈到投稿.陶晶孙选集.北京:人民文学出版社,1995,5:326.
1陶晶孙.焚傀儡记.陶晶孙选集.北京:人民文学出版社,1995,5:356.
2陶坊资.回忆父亲.陶晶孙选集.北京:人民文学出版社,1995,5:413.
1陶晶孙.留守日记.陶晶孙选集.北京:人民文学出版社,1995,5:372.
2陶晶孙.急忙谈三句曼殊.陶晶孙选集.北京:人民文学出版社,1995,5:222.
3陶坊资.回忆父亲.陶晶孙选集.北京:人民文学出版社,1995,5:412.
4陶晶孙.在炸弹下三日间.陶晶孙选集.北京:人民文学出版社,1995,5:301.
5陶坊资.回忆父亲.陶晶孙选集.北京:人民文学出版社,1995,5:412.
1陶晶孙.烹斋杂记.陶晶孙选集.北京:人民文学出版社,1995,5:299.
1 [日]中村惇二.日中的纽带:追忆陶晶孙的事绩.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:219.
2潘世圣.鲁迅的日本观——鲁迅体验和理解日本的主要内容及特征.浙江学刊,2004,3:155-156.
3陶晶孙.居住在日本的快乐——收音机·音乐·模仿.给日本的遗书.上海:上海文艺出版社,2008,8:10.
1陶晶孙.日本见闻录.陶晶孙选集.北京:人民文学出版社,1995,5:385.
2陶晶孙.近来的日本.给日本的遗书.上海:上海文艺出版社,2008,8:14.
3陶晶孙.落第秀才——日本.给日本的遗书.上海:上海文艺出版社,2008,8:25.
4陶晶孙.箱根游记——访吴清源.给日本的遗书.上海文艺出版社,2008,8:47.
1伊藤虎丸.至夏衍的信.陶晶孙百岁诞辰纪念集.上海:百家出版社,1998,12:143.
[1]张小红编.陶晶孙百岁诞辰纪念集[M].上海:百家出版社,1998,12.
[2]丁景唐编选.陶晶孙选集[M].北京:人民文学出版社,1995.
[3]陶晶孙.给日本的遗书[M].上海:上海文艺出版社,2008,8.
[4]王富仁.灵魂的挣扎文化的变迁与文学的变迁[M].长春:时代文艺出版社,1993,6.
[5]王向远.中日现代文学比较论[M].银川:宁夏人民出版社,2007.
[6]张福贵,靳丛林.中日近现代文学关系比较研究[M].长春:吉林大学出版社,1999.
[7]蔡震.文化越境的行旅郭沫若在日本二十年[M].北京:文化艺术出版社,2005.
[8] [日]伊藤虎丸.鲁迅、创造社与日本文学中日近现代比较文学初探[M].北京:北京大学出版社,1995.
[1]沈庆利.现代中国异域小说研究[D].北京:北京大学出版社,2009.
[2]杨剑龙.陶晶孙的《给日本的遗书》[J].上海师范大学学报(哲学社会科学版),2009,3.
[3]徐冰.郁达夫的日本观[J].日本学刊,1994,3.
[4]李兆忠.陶晶孙的“东瀛女儿国”[J].文学评论,2003,6.
[5]邱志武.陶晶孙“自我小说”主人公的爱国情怀[J].沈阳师范大学学报(社会科学版),2005,2.
[6]潘世圣.鲁迅的日本观——鲁迅体验和理解日本的主要内容及特征[J].浙江学刊,2004,3.
[7]李怡.日本体验与中国现代文学的发生[D].北京:北京大学出版社,2009.
[8]张志彪.比较文学形象学理论与实践——以中国文学中的日本形象为例[D].北京:民族出版社,2007.
[9][日]滨田麻失.文化的“混血儿”——陶晶孙与日本[J].中国现代文学研究丛刊,1996,3.
[10]朱利民.“中日文化交流与中国现代文学”国际学术会议综述[J].文学评论,2009,2.
[11]刘平.陶晶孙与“大东亚文学者大会”[J].新文学史料,1992,4.
[12]刘平.创造社的多面手──陶晶孙评传[J].郭沫若学刊,1996,1.
[13][日]小崎太一.郭沫若、陶晶孙为什么来福冈?:论福冈在中国现代文学上的意义.http://www.toragau.net/taichi/yanjiu/2005年7月20日版
[14][日]小崎太一.陶晶孙与关东大地震. http://www.toragau.net/taichi/yanjiu/ 2006年7月19日版