装饰材料的文化表现和运用
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摘要
随着中国经济的崛起,旅游业和相关产业得到了迅速的发展,我国的星级酒店设计范围也日渐扩展。良好的酒店室内设计对于丰富的旅游资源和酒店产业的发展都具有重要意义。它展示了酒店企业的良好社会形象,预示着酒店的发展前景;反映了酒店对旅客优越的服务质量,吸引更多旅客的入住;提升酒店的知名度,为推动酒店发展增加机会。由此可见,优秀的酒店室内设计可将环境效益、社会效益、经济效益融为一体。
在星级酒店的设计中,设计师为客人创造出一段丰富多彩又独具特色的休闲生活经历,这种经历往往依托于星级酒店所处的特殊自然和人文环境两者相协调,从而得到完美的体现和升华。没有文化品位的设计或者纯粹去照搬模仿的设计都不能成为一个成功的星级酒店设计。酒店设计的文化表现与酒店企业的发展有着紧密的联系。文化的介入可以造就出一个修养深厚、形象健康、颇有人缘的酒店精神实体。这种精神实体不仅仅只代表了一种建筑和提供食宿的服务场所,而是一种足以带动城市、激励社会,以致感动每一个客人的丰富生动的文化载体。因此,立足于设计人性化,营造星级酒店主题文化氛围是酒店室内设计的必然选择。
文章从酒店的室内设计出发,以装饰材料为切入点,通过对装饰材料和酒店室内设计的关系来分析材料在设计中的文化表现潜能,为星级酒店设计中如何使用材料找到一些可供参考的方式。首先概述了论文的主要研究课题背景,对研究对象和研究方法进行了分析,确立论述的前提。其次结合当前国内室内设计与装饰材料的发展现状和趋势,引出材料在设计表现中的重要性。同时以星级酒店为主要研究对象,分析了我国星级酒店室内设计的发展趋势和酒店文化营造的重要性。再次以西安星级酒店为例,从装饰材料的质地、肌理、色彩等三个方面着重分析它们在酒店室内设计中的具体应用,归纳出装饰材料的文化表现力。最后,从装饰材料的文化表现,以及对材料运用的方法和原则进行归纳,从而对未来材料表现的多元化趋势以及星级酒店的发展做出展望。
本文通过对酒店室内设计与装饰材料的研究,尝试找到将酒店文化主题与材料“有机结合”的想法与表现手法。力求挖掘和归纳出装饰材料自身的文化属性及文化表现力,并在我国星级酒店室内设计中对材料的选择和运用方面提供一定的理论指导和意见。希望本文中对装饰材料的理论和实例分析研究的经验总结,对于后来的设计工作起到一定的借鉴和启发作用。从而引起设计者对装饰材料在室内环境中的表现和运用的兴趣和重视,并引发更广泛、更深入的研究与探讨,使装饰材料在现代室内设计中充分发挥自己的特性和长处,使中国现代的室内空间环境更加具有文化内涵,向多元化和人性化发展。
With the development of China's economy,tour industry and its related businesses have been largely promoted. As a result, the field of the decoration design in star-rated hotels has also been expanded. A high-quality hotel interior design is of great importance to the tourism resources and growth of hotel industry because it shows an excellent social image and prospects for a hotel enterprise. Furthermore, it reflects advantage and attraction capability to their customers and visibility to increase opportunity to be advanced in today’s market competition for a hotel. Thus, a high-quality hotel design can benefit the hotel in all environmental, social and economic aspects as a whole.
An excellent designer is able to make a life experience in a hotel full of rich and color, which rally on coordination between the particular natural and the humanity environment to have perfect expression and sublimating. The design that lacks of culture connotation or simply copy other designs cannot become a successful hotel design. Cultural intervention could create a hotel which has spirit entity, such as culture deep, image health, quite popular. This spirit entity not only represents a kind of architecture and provided with accommodation service places, but a enough to promote urban, incentive society, so that touched every guest's vivid cultural carrier. So, to make a visitor feel literate is inevitable goal for a hotel interior design.
The interior design and decorative material are main points to be discussed in this paper. First, through evaluating material potential on the cultural expression by studying relationship between the interior design and decorative material, find feasible ways for how to employ decorative materials in a hotel design. Second, based on the situation and developing trend of the interior design and decorative materials, and put stress on importance of the materials. And then, the paper studies the trend of hotel interior design and the importance of building hotel culture in China. Third, the study generalizes cultural expression of the decorative material by analyzing material quality, texture and color in Xi’an star-rated hotels. Finally, the paper draws a conclusion on usage of decorative material in proper ways and made a forecast for the multiplex tendency of future material performance and development of star-rated hotel.
This paper, aiming at perfect cultural expression, makes a great effort to bridge the hotel culture and decoration materials together. The study generalizes cultural expression of the decorative material and provides the guidance on the usage and selection of materials in the Chinese hotel interior design. The author hopes the theory and example analyzed on decorative materials in this paper can help designers in the domestic hotel design, bring them more values and interests in using decorative material, and draw more attention to specialty of decorative material in modern interior design and enable the Chinese modern interior settings to have more connotation, humanization and multiplex.
在星级酒店的设计中,设计师为客人创造出一段丰富多彩又独具特色的休闲生活经历,这种经历往往依托于星级酒店所处的特殊自然和人文环境两者相协调,从而得到完美的体现和升华。没有文化品位的设计或者纯粹去照搬模仿的设计都不能成为一个成功的星级酒店设计。酒店设计的文化表现与酒店企业的发展有着紧密的联系。文化的介入可以造就出一个修养深厚、形象健康、颇有人缘的酒店精神实体。这种精神实体不仅仅只代表了一种建筑和提供食宿的服务场所,而是一种足以带动城市、激励社会,以致感动每一个客人的丰富生动的文化载体。因此,立足于设计人性化,营造星级酒店主题文化氛围是酒店室内设计的必然选择。
文章从酒店的室内设计出发,以装饰材料为切入点,通过对装饰材料和酒店室内设计的关系来分析材料在设计中的文化表现潜能,为星级酒店设计中如何使用材料找到一些可供参考的方式。首先概述了论文的主要研究课题背景,对研究对象和研究方法进行了分析,确立论述的前提。其次结合当前国内室内设计与装饰材料的发展现状和趋势,引出材料在设计表现中的重要性。同时以星级酒店为主要研究对象,分析了我国星级酒店室内设计的发展趋势和酒店文化营造的重要性。再次以西安星级酒店为例,从装饰材料的质地、肌理、色彩等三个方面着重分析它们在酒店室内设计中的具体应用,归纳出装饰材料的文化表现力。最后,从装饰材料的文化表现,以及对材料运用的方法和原则进行归纳,从而对未来材料表现的多元化趋势以及星级酒店的发展做出展望。
本文通过对酒店室内设计与装饰材料的研究,尝试找到将酒店文化主题与材料“有机结合”的想法与表现手法。力求挖掘和归纳出装饰材料自身的文化属性及文化表现力,并在我国星级酒店室内设计中对材料的选择和运用方面提供一定的理论指导和意见。希望本文中对装饰材料的理论和实例分析研究的经验总结,对于后来的设计工作起到一定的借鉴和启发作用。从而引起设计者对装饰材料在室内环境中的表现和运用的兴趣和重视,并引发更广泛、更深入的研究与探讨,使装饰材料在现代室内设计中充分发挥自己的特性和长处,使中国现代的室内空间环境更加具有文化内涵,向多元化和人性化发展。
With the development of China's economy,tour industry and its related businesses have been largely promoted. As a result, the field of the decoration design in star-rated hotels has also been expanded. A high-quality hotel interior design is of great importance to the tourism resources and growth of hotel industry because it shows an excellent social image and prospects for a hotel enterprise. Furthermore, it reflects advantage and attraction capability to their customers and visibility to increase opportunity to be advanced in today’s market competition for a hotel. Thus, a high-quality hotel design can benefit the hotel in all environmental, social and economic aspects as a whole.
An excellent designer is able to make a life experience in a hotel full of rich and color, which rally on coordination between the particular natural and the humanity environment to have perfect expression and sublimating. The design that lacks of culture connotation or simply copy other designs cannot become a successful hotel design. Cultural intervention could create a hotel which has spirit entity, such as culture deep, image health, quite popular. This spirit entity not only represents a kind of architecture and provided with accommodation service places, but a enough to promote urban, incentive society, so that touched every guest's vivid cultural carrier. So, to make a visitor feel literate is inevitable goal for a hotel interior design.
The interior design and decorative material are main points to be discussed in this paper. First, through evaluating material potential on the cultural expression by studying relationship between the interior design and decorative material, find feasible ways for how to employ decorative materials in a hotel design. Second, based on the situation and developing trend of the interior design and decorative materials, and put stress on importance of the materials. And then, the paper studies the trend of hotel interior design and the importance of building hotel culture in China. Third, the study generalizes cultural expression of the decorative material by analyzing material quality, texture and color in Xi’an star-rated hotels. Finally, the paper draws a conclusion on usage of decorative material in proper ways and made a forecast for the multiplex tendency of future material performance and development of star-rated hotel.
This paper, aiming at perfect cultural expression, makes a great effort to bridge the hotel culture and decoration materials together. The study generalizes cultural expression of the decorative material and provides the guidance on the usage and selection of materials in the Chinese hotel interior design. The author hopes the theory and example analyzed on decorative materials in this paper can help designers in the domestic hotel design, bring them more values and interests in using decorative material, and draw more attention to specialty of decorative material in modern interior design and enable the Chinese modern interior settings to have more connotation, humanization and multiplex.
引文
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[02]王受之.骨子里的中国情节[M].黑龙江.美术出版社.2004.
[03]向仕龙.李赐生,张秋梅.装饰材料的环境设计与应用[M].中国建筑工业出版社.2005.
[04]清华大学美术学院装饰应用材料与信息研究所.装饰材料应用与表现力的挖掘[M].中国建筑工业出版社,2007.09.
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[07]胡小惟,朱林,张佳.材料改变生活[J].产品设计.2006.
[08]奥托.李瓦尔特.新酒店设计.辽宁科学技术出版社2003.
[09]安德鲁.谭特,李伟译.材料的力量[J].产品设计.2006.
[10]李朝阳.室内空间设计[M].中国建筑工业出版社,1999.
[11]吴风.艺术符号美学[M].北京广播学院出版社,2002.
[12]魏小安,赵准旺,广一东[M].主题酒店.旅游出版社2005
[13]马小川,杨茂川.室内设计与地域性材料[J].艺术与设计(理论),2010.
[14]陈晋略.大师酒店系列:梦想的实践[M].山东科学技术出版社2003.
[15]黑川纪章.中国建筑应该有更多精神性的东西[J].南方周末.2004.
[16]郑洪.文化的内在精神—探求居室室内设计的精神空间[J],室内设计与装修,2000.
[17]邱晓葵.建筑装饰材料—从物质到精神的蜕变[M].中国建筑工业出版社,2009.
[18]宗白华.美学散步[M].上海人民出版社,1981.
[19]洪忠轩.酒店文化与设计营销[M].福建科学技术出版社.,2004.
[20]阿洛瓦.里格尔.风格问题—装饰艺术史的基础[M].湖南科学技术出版社1999.
[21]杨茂川,王一斐.意境营造——中国地域文化在当代酒店设计中的运用[J].家具与室内装饰,2006.
[22]黄建敏.贝聿铭的艺术世界[M].中国计划出版社,1996.
[23]张书鸿.文化传统在室内设计中的扬弃[J].沈阳建筑工程学院学报,1999.
[24]崔世昌.现代建筑与民族文化[M].天津大学出版社,2000.
[25]张红军.张炜.简论室内设计中文化内涵的传达[J],西北建筑工程学院学报(自然科学版).2002.
[26] GrahamVicker. 21世纪酒店[M].大连理工大学出版社,2005.
[27]薛建.酒店旅馆设计[M].江苏科技技术出版社,2004 .
[28]陈晋略.大师酒店系列一创意的渴求[M].山东科学技术出版社2003.
[29]北京润寰文化有限公司编著.空间与星级酒店[M].天津大学出版社2005.
[30]林梅.吴剑锋.中国古代室内设计的文化底蕴与艺术传统[J] ,家具与室内装饰,2001.
[31]陈望衡.艺术设计美学[M].武汉大学出版社,2000.
[32]乔弗莱·司谷特著,张钦楠译.人文主义建筑学一情趣史的研究[M].中国建筑工业出版社,1989.
[33]林保莞.公共艺术的文化观[M].艺术家出版社,1998.
[34]阿洛瓦.里格尔.风格问题—装饰艺术史的基础[M].湖南科学技术出版社,2000.
[35] [英国]大卫·布莱特.装饰新思维[M].江苏美术出版社,2006.
[36] U·艾柯.符号学理论[M].中国人民大学出版社,1990.
[37] Ronald L.Mass Customization: The Next Industrial Revolution [J]. Industrial Management,1995.
[38] Carson C.Intelligent Sales Configuration [J].PC AI Intelligent solution for today’s computer,1997.
[39] Martin Nicholas Kunz. Best Designed Wellness Hotels: Indi (Best Designed) [M]. Birkhauser,2004.
[40] Riewoldt Bangert. New Hotel Design[M]. Thames & Hudson,1993.
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[45]向阳.现代材料在室内设计中的运用与文化传承[D].中央美术学院硕士论文.2008.
[46]唐英.地域性文化在现代酒店室内设计中的应用研究——以西安市星级酒店为例[D].西安建筑科技大学硕士论文.2010.
[47]刘亚东.材料的西安地域文化性初探[D].西安建筑科技大学硕士论文.2007.
[48]房华.中国“气质”的流动空间在现代室内设计中的运用[D].南京林业大学硕士论文.2006.
[49]刘石磊.风景旅游区度假酒店设计的地域性表达[D].大连理工大学硕士论文.2008.
[02]王受之.骨子里的中国情节[M].黑龙江.美术出版社.2004.
[03]向仕龙.李赐生,张秋梅.装饰材料的环境设计与应用[M].中国建筑工业出版社.2005.
[04]清华大学美术学院装饰应用材料与信息研究所.装饰材料应用与表现力的挖掘[M].中国建筑工业出版社,2007.09.
[05]梁从诚.林徽因文集[M].天津百花文艺出版社.2008.
[06]胡蓉,赵钢.符号与文化二则[J].室内设计.2003.
[07]胡小惟,朱林,张佳.材料改变生活[J].产品设计.2006.
[08]奥托.李瓦尔特.新酒店设计.辽宁科学技术出版社2003.
[09]安德鲁.谭特,李伟译.材料的力量[J].产品设计.2006.
[10]李朝阳.室内空间设计[M].中国建筑工业出版社,1999.
[11]吴风.艺术符号美学[M].北京广播学院出版社,2002.
[12]魏小安,赵准旺,广一东[M].主题酒店.旅游出版社2005
[13]马小川,杨茂川.室内设计与地域性材料[J].艺术与设计(理论),2010.
[14]陈晋略.大师酒店系列:梦想的实践[M].山东科学技术出版社2003.
[15]黑川纪章.中国建筑应该有更多精神性的东西[J].南方周末.2004.
[16]郑洪.文化的内在精神—探求居室室内设计的精神空间[J],室内设计与装修,2000.
[17]邱晓葵.建筑装饰材料—从物质到精神的蜕变[M].中国建筑工业出版社,2009.
[18]宗白华.美学散步[M].上海人民出版社,1981.
[19]洪忠轩.酒店文化与设计营销[M].福建科学技术出版社.,2004.
[20]阿洛瓦.里格尔.风格问题—装饰艺术史的基础[M].湖南科学技术出版社1999.
[21]杨茂川,王一斐.意境营造——中国地域文化在当代酒店设计中的运用[J].家具与室内装饰,2006.
[22]黄建敏.贝聿铭的艺术世界[M].中国计划出版社,1996.
[23]张书鸿.文化传统在室内设计中的扬弃[J].沈阳建筑工程学院学报,1999.
[24]崔世昌.现代建筑与民族文化[M].天津大学出版社,2000.
[25]张红军.张炜.简论室内设计中文化内涵的传达[J],西北建筑工程学院学报(自然科学版).2002.
[26] GrahamVicker. 21世纪酒店[M].大连理工大学出版社,2005.
[27]薛建.酒店旅馆设计[M].江苏科技技术出版社,2004 .
[28]陈晋略.大师酒店系列一创意的渴求[M].山东科学技术出版社2003.
[29]北京润寰文化有限公司编著.空间与星级酒店[M].天津大学出版社2005.
[30]林梅.吴剑锋.中国古代室内设计的文化底蕴与艺术传统[J] ,家具与室内装饰,2001.
[31]陈望衡.艺术设计美学[M].武汉大学出版社,2000.
[32]乔弗莱·司谷特著,张钦楠译.人文主义建筑学一情趣史的研究[M].中国建筑工业出版社,1989.
[33]林保莞.公共艺术的文化观[M].艺术家出版社,1998.
[34]阿洛瓦.里格尔.风格问题—装饰艺术史的基础[M].湖南科学技术出版社,2000.
[35] [英国]大卫·布莱特.装饰新思维[M].江苏美术出版社,2006.
[36] U·艾柯.符号学理论[M].中国人民大学出版社,1990.
[37] Ronald L.Mass Customization: The Next Industrial Revolution [J]. Industrial Management,1995.
[38] Carson C.Intelligent Sales Configuration [J].PC AI Intelligent solution for today’s computer,1997.
[39] Martin Nicholas Kunz. Best Designed Wellness Hotels: Indi (Best Designed) [M]. Birkhauser,2004.
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