谈西画技法因素对现代工笔人物画的影响
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摘要
上世纪西学东渐的潮流对现代中国画有着深远和广泛的影响。现代工笔人物画融合西法，结合社会现实和社会革命的需要，迎合时尚审美的需求，有了很大的发展。
本文试图就西方绘画对现代工笔人物画在造型、色彩、构图、材料四个方面的影响作具体、细致的梳理和分析，同时结合东西传统的不同点的对照，更加深刻和明确的认识现代工笔人物画的整体状况和发展趋势。
通过本文我们发现对西方绘画的学习和借鉴是一个不断深入发展、不断调整的过程。同时在这个过程中参照西方艺术，我们对传统有了更深的渴望和更广的挖掘。我们对写实造型的逐渐深入的研究，我们对材料探索的兴趣等，都预示了工笔人物画发展的希望。
对过去的总结和现象的归纳也即本文的意义和价值所在。
The introduction of Western learning into China has a profound and pervasive influence on Chinese modern paintings.
Learning from skills of Western paintings, fitting the need of social fact and social revolution and catering to faddish taste, modern Meticulous Painting develops well and greatly.
The paper, through analyzing the influence of Western paintings toward modern Meticulous Painting on sculpt, color, composition of picture and material in detail, integrating with the comparison of traditional difference of West and East, understands the macro status and developing trend of modern Meticulous Portraiture more profoundly and more definitely than ever.
I believe that, learning from Western paintings is a process of continually embedding and continually regulating. Refering to Western arts in the process, we open out more and yearn for more than ever. Our continually in-depth research on realism sculpt, our interest on material exploring and so on, all foretell the prospect of Meticulous Portraiture.
Therefore, conclusion and summarizing of the past phenomenon, scilicet, is the meaning and value of this paper.
本文试图就西方绘画对现代工笔人物画在造型、色彩、构图、材料四个方面的影响作具体、细致的梳理和分析，同时结合东西传统的不同点的对照，更加深刻和明确的认识现代工笔人物画的整体状况和发展趋势。
通过本文我们发现对西方绘画的学习和借鉴是一个不断深入发展、不断调整的过程。同时在这个过程中参照西方艺术，我们对传统有了更深的渴望和更广的挖掘。我们对写实造型的逐渐深入的研究，我们对材料探索的兴趣等，都预示了工笔人物画发展的希望。
对过去的总结和现象的归纳也即本文的意义和价值所在。
The introduction of Western learning into China has a profound and pervasive influence on Chinese modern paintings.
Learning from skills of Western paintings, fitting the need of social fact and social revolution and catering to faddish taste, modern Meticulous Painting develops well and greatly.
The paper, through analyzing the influence of Western paintings toward modern Meticulous Painting on sculpt, color, composition of picture and material in detail, integrating with the comparison of traditional difference of West and East, understands the macro status and developing trend of modern Meticulous Portraiture more profoundly and more definitely than ever.
I believe that, learning from Western paintings is a process of continually embedding and continually regulating. Refering to Western arts in the process, we open out more and yearn for more than ever. Our continually in-depth research on realism sculpt, our interest on material exploring and so on, all foretell the prospect of Meticulous Portraiture.
Therefore, conclusion and summarizing of the past phenomenon, scilicet, is the meaning and value of this paper.
引文
孙志钧著 《中国工笔人物画技法概析》《中国画色彩谈》 (《谈艺论教—首都师范大学美术学院教师论文集》人民美术出版社)
蒋采 著 《中国画材料应用技法》 上海人民美术出版社 1999年
胡伟著 《绘画材料的表现艺术》 黑龙江美术出版社 2001年
刘凌沧著 《中国重彩人物画技法的演变》 (发表于《美术研究》)
陈履生著 《新中国美术图史》 中国青年出版社 2000年
蒋玄 著 《中国绘画材料史》 上海书画出版社 1992年
蒋采 著 《中国画材料应用技法》 上海人民美术出版社 1999年
胡伟著 《绘画材料的表现艺术》 黑龙江美术出版社 2001年
刘凌沧著 《中国重彩人物画技法的演变》 (发表于《美术研究》)
陈履生著 《新中国美术图史》 中国青年出版社 2000年
蒋玄 著 《中国绘画材料史》 上海书画出版社 1992年