纤维艺术中材料的表现研究
摘要
本文通过梳理纤维艺术发展的历史,发现纤维艺术发展史也是一部材料的发展史,顺着纤维艺术发展的脉络就可以看到材料的发展过程,它的不断衍进,它的不断发现和利用,可以说新材料的每一次的发现都能给纤维艺术的发展注入新的血液,使艺术表现的媒介更加丰富。材料以它自身极强的表现力,除了其本身的质感、肌理、色彩、形式等自然属性外,材料还有着十分丰富的文化属性,这些特征都逐渐被艺术家们推崇与喜爱,同时也满足了人们在审美上的多种需求,为人们带更多的意想不到的视觉享受。因此,在艺术创作中,对材料的充分认识具有一定的现实意义。本文也着重研究材料的质感、肌理、色彩、形式等因素的表现,利用对现有材料的观察与分析,大胆想象,从多方面多层次生成各种各样的观念,有意识的从周围的事物中吸取灵感,并利用各种技法(剪切、缠绕、拼贴、褶皱、染色、叠加等)进行可行性实验,在制作过程中体验材料的独特的性能。并通过实验,体会材料对人的心理作用,感受材料因此所带来丰富的视觉效果。在进行多种可能性实验之后,积累各种经验,从而达到材料创新的目的,创作出有感染力的纤维艺术作品。
By combing the history of fiber arts, fiber art history that is also a history of the development of materials, development of the arts along the fiber can see the material context of the development process, it continues to Yan Jin, it is the constant discovery and use of can be said that every new discovery materials to the fiber arts can inject new blood, so that the medium of artistic expression is more abundant. Material to its own strong expression, in addition to its own texture, texture, color, form and other natural attributes, there is a very rich material cultural attributes, these features are gradually being respected and loved artists, but also to meet the people in a variety of aesthetic needs more unexpected for people with visual enjoyment. Therefore, in the art, fully aware of the material has a certain practical significance. This article also focuses on the material texture, texture, color, form, performance and other factors, the use of observation and analysis of existing materials, bold imagination, generate a variety of ways the concept of multi-level, conscious of things from around the to draw inspiration, and use various techniques (cutting, winding, collage, folding, dyeing, overlay, etc.) to conduct a feasibility test, experience in the production process of the unique properties of materials. Through the experiment, the psychological experience of Materials on the role of material thus brought about feelings of rich visual effects. The possibility of conducting a variety of experiments, the accumulation of experiences, so as to achieve the purpose of innovative materials, create infectious fiber art.
By combing the history of fiber arts, fiber art history that is also a history of the development of materials, development of the arts along the fiber can see the material context of the development process, it continues to Yan Jin, it is the constant discovery and use of can be said that every new discovery materials to the fiber arts can inject new blood, so that the medium of artistic expression is more abundant. Material to its own strong expression, in addition to its own texture, texture, color, form and other natural attributes, there is a very rich material cultural attributes, these features are gradually being respected and loved artists, but also to meet the people in a variety of aesthetic needs more unexpected for people with visual enjoyment. Therefore, in the art, fully aware of the material has a certain practical significance. This article also focuses on the material texture, texture, color, form, performance and other factors, the use of observation and analysis of existing materials, bold imagination, generate a variety of ways the concept of multi-level, conscious of things from around the to draw inspiration, and use various techniques (cutting, winding, collage, folding, dyeing, overlay, etc.) to conduct a feasibility test, experience in the production process of the unique properties of materials. Through the experiment, the psychological experience of Materials on the role of material thus brought about feelings of rich visual effects. The possibility of conducting a variety of experiments, the accumulation of experiences, so as to achieve the purpose of innovative materials, create infectious fiber art.
引文
[1]张怡庄,蓝素明.纤维艺术史.北京:清华大学出版社,2006
[2]朱尽晖.现代纤维艺术设计.陕西:陕西人民美术出版社,2002
[3]龚建培.纤维艺术的创意与表现.重庆:西南师范大学出版社,2007
[4]王庆珍.纺织品设计的面料再造.重庆:西南师范大学出版社,2007
[5]柳沙.设计艺术心理学.北京:清华大学出版社,2006
[6]林乐城,尼跃红.从洛桑到北京——第五届国际纤维艺术双年展作品展.北京:中国建筑工业出版社,2008
[7]徐百佳.纤维艺术设计与制作.北京:中国纺织出版社,2002
[8]施慧.设计家-现代壁挂设计.杭州:浙江人民美术出版社,1996
[9]赵浥.别具魅力的软雕塑.沈阳:辽宁美术出版社,2001
[10]崔唯.纺织品艺术设计.北京:中国纺织出版社, 2004
[11]林乐成.纤维艺术.吉林:吉林美术出版社.1996
[12]田卫平.现代装饰艺术.黑龙江:黑龙江美术出版社,1995
[13]王受之.世界现代设计史.北京:中国青年出版社,2002
[14]林乐成,张怡庄.从洛桑到北京—-2002国际纤维艺术双年展作品选.南昌:江西美术出版社,2002
[15]李砚祖.工艺美术概论.山东:山东教育出版社,2002
[16]王庆珍.壁饰环境艺术.黑龙江:黑龙江美术出版社,1995
[17]田青.实用手工编织.北京:纺织工业出版社,1991
[18]诸葛雨阳.现代纤维艺术.南京:江苏美术出版社,2001
[2]朱尽晖.现代纤维艺术设计.陕西:陕西人民美术出版社,2002
[3]龚建培.纤维艺术的创意与表现.重庆:西南师范大学出版社,2007
[4]王庆珍.纺织品设计的面料再造.重庆:西南师范大学出版社,2007
[5]柳沙.设计艺术心理学.北京:清华大学出版社,2006
[6]林乐城,尼跃红.从洛桑到北京——第五届国际纤维艺术双年展作品展.北京:中国建筑工业出版社,2008
[7]徐百佳.纤维艺术设计与制作.北京:中国纺织出版社,2002
[8]施慧.设计家-现代壁挂设计.杭州:浙江人民美术出版社,1996
[9]赵浥.别具魅力的软雕塑.沈阳:辽宁美术出版社,2001
[10]崔唯.纺织品艺术设计.北京:中国纺织出版社, 2004
[11]林乐成.纤维艺术.吉林:吉林美术出版社.1996
[12]田卫平.现代装饰艺术.黑龙江:黑龙江美术出版社,1995
[13]王受之.世界现代设计史.北京:中国青年出版社,2002
[14]林乐成,张怡庄.从洛桑到北京—-2002国际纤维艺术双年展作品选.南昌:江西美术出版社,2002
[15]李砚祖.工艺美术概论.山东:山东教育出版社,2002
[16]王庆珍.壁饰环境艺术.黑龙江:黑龙江美术出版社,1995
[17]田青.实用手工编织.北京:纺织工业出版社,1991
[18]诸葛雨阳.现代纤维艺术.南京:江苏美术出版社,2001