社会意识形态对艺术设计的影响
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摘要
研究艺术设计史,我们知道艺术设计史几乎是随着人类社会生活的开始而产生,同人类休戚与共。艺术设计无法抹煞自身对文化的依附,同时每个时代的设计作品也是那个时代的产物,艺术是时代的艺术。马克思主义认为,艺术是一种社会意识形态,是人类用感性形象的手段把握世界的一种方式,是人类社会生活的再现与艺术思想感情的表现的统一,是审美意识的物态化。本文通过对中国历史上典型与政治相捆绑时期的艺术设计的分析,着重研究中国的艺术设计的思想本源﹑社会意识形态对艺术设计的渗透,及分析艺术思想全球化的今天社会意识形态影响下的艺术设计的现状。
By study the history of art design , we know that art design begins at the start of human society , and it’s now rooting in everywhere of human beings. Art design lives in its peculiar culture , at the same time , the masterpieces of different times only belongs to the times when they were born , of course art is marked with different times.It was said by Marxism that art is a kind of social ideology, it is that human being uses sensible species means to grasp a way of the world , also it is a unification showing , the state being appreciation of the beauty consciousness being human being social life reproduction and art minds and sentiments melt. The analysis the main body of a book is designed by the fact that the model and politics tie up the period art each other to China in history, emphasizes the penetration studying the thought origin ? p social ideology that Chinese art designs designs that to art , analyses and the globalization art thought social ideology today affecting the current situation that lower art designs.
引文
1. 吴 江《中国封建意识形态略考——儒家学说述评》中共中央党校出版社,第 2 页。
    2. 李泽厚《华夏美学》广西师范大学出版社,第 35 页。
    3. 王受之《世界现代设计史》中国青年出版社,第 156 页。
    4. 杨家安《艺术概论》吉林美术出版社,第 44 页。
    5. 尹定邦《设计学概论》湖南科技技术出版,第 25 页,第 48 页。
    6. 董学文 浙江师范大学学报(社会科学版) 2006 年 03 期
    7. 马龙潜<<高校理论战线 >>2006 年 06 期,
    8. [英]威廉·莫里斯著.杨烈译,伍蠡甫校.《艺术与社会主义》上海译文出版社,第 56 页。
    9.Alexander,J.,StevenSeidman(ed.)Culture and Society,Contemporary debates,CambridgeUniversity Press,1992。

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