仿生设计在服装配饰设计中的应用与研究
|
摘要
进入21世纪,设计界弥漫着一股“回归自然,以绿色为主”的风潮,倡导这一风潮的仿生学对各个领域的影响日趋显著。日渐成熟完备的仿生设计在当今设计领域已成为最新鲜、最具活力的设计创新方法,是设计回归大自然、追求人性化的具体、可行的方法,正逐渐成为发展过程中的新亮点。
本文选取上海地区各主要商圈的百货商场为载体,以上海市20～40岁女性为对象,开展服装上海市仿生服装配饰市场调研、消费者仿生服装配饰偏好度调研以及仿生服装配饰消费者审美评价实验。
本文建立四个预期目标：预期目标1找出自然生物在轮廓形态、色彩材质及肌理特征等方面可为服装配饰设计借鉴的特质,为建立配饰仿生设计的素材库提供参考；预期目标2建立一套仿生配饰设计的基本方法和一般流程,使服装配饰的形态仿生和功能仿生达到更完美的结合；预期目标3探讨基于仿生设计的服装配饰与人们审美需求之间的内在联系,归纳出基于消费者的仿生配饰的审美评价指标；预期目标4预测配饰仿生设计的发展趋势。
为了达到预期目标1,本文通过相关理论文献综述,历时14天实地调研,共调研商场28家,调研品牌44个,调研样本2032件。根据调研数据分析,本文把仿生设计在服装配饰设计中的应用总结归类为：形态仿生、肌理仿生、色彩仿生3大类。形态仿生可以分为4小类：动物形态仿生、植物形态仿生、天体形态仿生和其他仿生。其中,动物形态仿生共26个细分种类,其中陆地动物仿生有19个细分种类,海洋动物仿生有7个细分种类,植物形态仿生有5个细分种类,天体形态仿生有3个细分种类心型是占比较大的其他仿生形态；肌理仿生的有825个样本。占样本总量的40.6%。经调研统计发现主为贝壳、蛇皮、叶子、花的肌理仿生；色彩仿生中,经调研统计发现主为明度高、明快、恬静。为了便于清晰直观看到,已将本调研记录结果分析、修正制成表格,并且绘制出饼状图及柱状图。
为了达到预期目标2,阅读大量该领域的文献资料和书籍,对所掌握的资料进行深入地阅读和筛选,对仿生学、仿生设计学、服装设计学、服装配饰设计学和美学等领域有全面的了解。邀请了3名权威的专家教授进行深入访谈,获取关于仿生配饰设计的建设性的指导意见。
为了达到预期目标3和4,本文通过网络和实地拍摄获取267张仿生服装配饰的高清图片。根据前期调研中市场配饰价格定位,在高、中、低三档中选择具有代表性的品牌产品图片。并且图片需要涵盖形态仿生、色彩仿生、肌理仿生等三个方面。最后经过筛选得出本研究所需图片30张。然后用Photoshop对图片进行处理,使这些图片具有相同的背景色。将这30张图片制作成幻灯片,共10套。然后借助SPSS13.0统计软件对消费者对仿生服装配饰语意差异量表每题的打分算其均值,该均值可以代表消费者对该细分条目的偏好程度。将消费者对30张图片的得分均值进行统计,制成量表。为便于分析,再次借助spss13.0统计软件,采用因子分析法对该20个审美指标进行降维,找出影响消费者对仿生配饰的主要审美评价指标,为本文仿生服装配饰的发展趋势预测奠定基础,对仿生配饰设计起到指向性作用。
Since 21st century, the circles of design filled with a fashion subject name "return to nature, green-oriented", bionics is the advocator of this wave that influenced in all field distinctly everyday. As mature of the bionics design, it is become the newest; the most dynamic and innovative design methods at the design field now a day. And it's the specific and practical way to let design back to nature, pursue the humanization. It's also becoming the new bright spot in the process of the development.
This paper has selected the stores in Shanghai's main business district for carrier, and chooses the age from 20 to 40-year-old females in Shanghai for the target, to carry out the bionic clothing accessories research in Shanghai, research the customer's predilection and experiment client's aesthetic evaluation of bionics clothing accessories.
This paper has set up 4 targets:
Target 1:Find out the natural biological profile in the shape, color, texture, and the characteristics of the material which can be used as accessories for clothing design, and provide the reference to set up the bionic designed database.
Target 2:Established a system of the basic method and process for bionics accessories designed to achieve the function and form of bionic clothing accessories perfect combination.
Target 3:Investigate the intrinsic connection between the bionics clothing accessories designed with the people's aesthetic needs, up with the aesthetic evaluation of consumer-based for bionic accessories.
Target 4:Forecast the development trend in Bionic accessories designed.
In order to the target 1, the paper against the relevant theoretical literature review, during 14days field survey, the total of research is 28 shopping malls,44 brand and 2032 samples. According to analysis of survey date, the used of bionic in clothing accessories designed was summed up and classified as:Bionic form, Bionic texture and Bionic color.
Bionic form can be classified as 4 items:Bionic form of animal, bionic form of plant, bionic form of celestial bodies and the others. The bionic form of animal has 26 sub-bionic types, the land animals bionic have 19 types, and the ocean animals bionic have 7 types, the plant bionic have 5 types, the celestial bodies bionic have 3 types. The heart is the larger proportion of other bionic forms; Bionic texture has 825 samples, accounted for 40.6 percent of the total sample. After revealed and statistics, the main bionic texture as shell, snake skin, leaves, and flowers; after research found that the main of the bionic color is high-brightness, crisp and quiet. In order to facilitate the visual clarity, the results of this study have been made the table and drew a bar and pie chart.
In order to the target 2, have read the large number of books and literatures of this field, and filter the available information deeply. So, at the bionics, bionic design, fashion design, clothing accessories design, aesthetics and the other areas have a complete recognized. Have invited 3 authoritative experts and professors to interview, and get some constructive guidance of bionic accessories design.
In order to the target 3 and 4, this paper including 267 high-definitions bionic clothing accessories pictures through the network and on the spot. According to the preliminary investigation of the price position of accessories market, I choose representative brand pictures for three grades as high, medium and low.The pictures are including bionic form, bionic color and bionic texture. After screening and processed the pictures have the same background color by Photoshop, I selected 30 images for this study, and make those to 10 suits of slides. Then get help from SPSS 13.0 to average the scores for different item of "Client's bionic clothing accessories Semantic Differential Scale Method", the value can show the client's predilection level for this item, statistical the average scale of consumers by this 30 pictures and made it to a form. In order to facilitate the analysis, re-used of statistical software SPSS 13.0, Using factor analysis to dimensionality reduction this 20 aesthetic indicates, and find out the main aesthetic indicates for influence the consumers at bionic accessories, it's laid a foundation for the trend of bionic clothing accessories,and also had directivity actions.
本文选取上海地区各主要商圈的百货商场为载体,以上海市20～40岁女性为对象,开展服装上海市仿生服装配饰市场调研、消费者仿生服装配饰偏好度调研以及仿生服装配饰消费者审美评价实验。
本文建立四个预期目标：预期目标1找出自然生物在轮廓形态、色彩材质及肌理特征等方面可为服装配饰设计借鉴的特质,为建立配饰仿生设计的素材库提供参考；预期目标2建立一套仿生配饰设计的基本方法和一般流程,使服装配饰的形态仿生和功能仿生达到更完美的结合；预期目标3探讨基于仿生设计的服装配饰与人们审美需求之间的内在联系,归纳出基于消费者的仿生配饰的审美评价指标；预期目标4预测配饰仿生设计的发展趋势。
为了达到预期目标1,本文通过相关理论文献综述,历时14天实地调研,共调研商场28家,调研品牌44个,调研样本2032件。根据调研数据分析,本文把仿生设计在服装配饰设计中的应用总结归类为：形态仿生、肌理仿生、色彩仿生3大类。形态仿生可以分为4小类：动物形态仿生、植物形态仿生、天体形态仿生和其他仿生。其中,动物形态仿生共26个细分种类,其中陆地动物仿生有19个细分种类,海洋动物仿生有7个细分种类,植物形态仿生有5个细分种类,天体形态仿生有3个细分种类心型是占比较大的其他仿生形态；肌理仿生的有825个样本。占样本总量的40.6%。经调研统计发现主为贝壳、蛇皮、叶子、花的肌理仿生；色彩仿生中,经调研统计发现主为明度高、明快、恬静。为了便于清晰直观看到,已将本调研记录结果分析、修正制成表格,并且绘制出饼状图及柱状图。
为了达到预期目标2,阅读大量该领域的文献资料和书籍,对所掌握的资料进行深入地阅读和筛选,对仿生学、仿生设计学、服装设计学、服装配饰设计学和美学等领域有全面的了解。邀请了3名权威的专家教授进行深入访谈,获取关于仿生配饰设计的建设性的指导意见。
为了达到预期目标3和4,本文通过网络和实地拍摄获取267张仿生服装配饰的高清图片。根据前期调研中市场配饰价格定位,在高、中、低三档中选择具有代表性的品牌产品图片。并且图片需要涵盖形态仿生、色彩仿生、肌理仿生等三个方面。最后经过筛选得出本研究所需图片30张。然后用Photoshop对图片进行处理,使这些图片具有相同的背景色。将这30张图片制作成幻灯片,共10套。然后借助SPSS13.0统计软件对消费者对仿生服装配饰语意差异量表每题的打分算其均值,该均值可以代表消费者对该细分条目的偏好程度。将消费者对30张图片的得分均值进行统计,制成量表。为便于分析,再次借助spss13.0统计软件,采用因子分析法对该20个审美指标进行降维,找出影响消费者对仿生配饰的主要审美评价指标,为本文仿生服装配饰的发展趋势预测奠定基础,对仿生配饰设计起到指向性作用。
Since 21st century, the circles of design filled with a fashion subject name "return to nature, green-oriented", bionics is the advocator of this wave that influenced in all field distinctly everyday. As mature of the bionics design, it is become the newest; the most dynamic and innovative design methods at the design field now a day. And it's the specific and practical way to let design back to nature, pursue the humanization. It's also becoming the new bright spot in the process of the development.
This paper has selected the stores in Shanghai's main business district for carrier, and chooses the age from 20 to 40-year-old females in Shanghai for the target, to carry out the bionic clothing accessories research in Shanghai, research the customer's predilection and experiment client's aesthetic evaluation of bionics clothing accessories.
This paper has set up 4 targets:
Target 1:Find out the natural biological profile in the shape, color, texture, and the characteristics of the material which can be used as accessories for clothing design, and provide the reference to set up the bionic designed database.
Target 2:Established a system of the basic method and process for bionics accessories designed to achieve the function and form of bionic clothing accessories perfect combination.
Target 3:Investigate the intrinsic connection between the bionics clothing accessories designed with the people's aesthetic needs, up with the aesthetic evaluation of consumer-based for bionic accessories.
Target 4:Forecast the development trend in Bionic accessories designed.
In order to the target 1, the paper against the relevant theoretical literature review, during 14days field survey, the total of research is 28 shopping malls,44 brand and 2032 samples. According to analysis of survey date, the used of bionic in clothing accessories designed was summed up and classified as:Bionic form, Bionic texture and Bionic color.
Bionic form can be classified as 4 items:Bionic form of animal, bionic form of plant, bionic form of celestial bodies and the others. The bionic form of animal has 26 sub-bionic types, the land animals bionic have 19 types, and the ocean animals bionic have 7 types, the plant bionic have 5 types, the celestial bodies bionic have 3 types. The heart is the larger proportion of other bionic forms; Bionic texture has 825 samples, accounted for 40.6 percent of the total sample. After revealed and statistics, the main bionic texture as shell, snake skin, leaves, and flowers; after research found that the main of the bionic color is high-brightness, crisp and quiet. In order to facilitate the visual clarity, the results of this study have been made the table and drew a bar and pie chart.
In order to the target 2, have read the large number of books and literatures of this field, and filter the available information deeply. So, at the bionics, bionic design, fashion design, clothing accessories design, aesthetics and the other areas have a complete recognized. Have invited 3 authoritative experts and professors to interview, and get some constructive guidance of bionic accessories design.
In order to the target 3 and 4, this paper including 267 high-definitions bionic clothing accessories pictures through the network and on the spot. According to the preliminary investigation of the price position of accessories market, I choose representative brand pictures for three grades as high, medium and low.The pictures are including bionic form, bionic color and bionic texture. After screening and processed the pictures have the same background color by Photoshop, I selected 30 images for this study, and make those to 10 suits of slides. Then get help from SPSS 13.0 to average the scores for different item of "Client's bionic clothing accessories Semantic Differential Scale Method", the value can show the client's predilection level for this item, statistical the average scale of consumers by this 30 pictures and made it to a form. In order to facilitate the analysis, re-used of statistical software SPSS 13.0, Using factor analysis to dimensionality reduction this 20 aesthetic indicates, and find out the main aesthetic indicates for influence the consumers at bionic accessories, it's laid a foundation for the trend of bionic clothing accessories,and also had directivity actions.
引文
[1]崔荣荣.现代服装设计文化学[M].上海：中国纺织大学出版社,2001.
[2]包铭新.时装鉴赏艺术[M].上海：中国纺织大学出版社,1998.12.
[3]刘晓刚、崔玉梅.基础服装设计[M].上海：东华大学出版社,2003.
[4]于帆、陈嬿.仿生造型设计[M].湖北：华中科技大学出版社,2005
[5]薛薇SPSS统计分析方法及应用[M].北京：电子工业出版社,2004.9
[6]华梅.华梅谈服饰文化.[M].天津：天津人民美术出版社,2001.
[7]戴君锡.奇异的仿生学[M].湖南：湖南教育出版社,1997.07
[8]李亮之.色彩设计[M].北京：高等教育出版社.2006.05
[9]戚昌滋徐挺.对应论方法学[M].北京：中国建筑出版社.1988.
[10]简召全.工业设计方法学.(修订版)[M].北京：北京理工大学出版社.2004.01.
[11]刘仲林.现代交叉科学[M].杭州：浙江教育出版社,1998.
[12]米宝山.仿生思维与新产品开发[M].北京：中国轻工业出版社,1998.
[13]艾伦.鲍尔斯.自然设计[M].王立非,等,译。南京：江苏美术出版社,2001
[14]庞志成.陈世家.工业造型设计[M].哈尔滨：哈尔滨工业大学出版社,1998.
[15]李砚祖.造物之美——产品设计的艺术与文化[M].北京：中国人民大学出版社,2003.
[16]李砚祖.艺术设计概论[M].湖北：湖北美术出版社,2005.
[17]戴君锡.奇异的仿生学[M].湖南：湖南教育出版社,1997.07
[18]嵘帕尼斯·马丁.李中泽译当代社会与文化艺术[M].四川：四川人民出版社,2000年1月第1版
[19]尹定邦.设计目标论[M].广州：暨南大学出版社,1998年版
[20](日)中西元男.21世纪顶级产品设计[M].上海：上海人民美术出版社,2005.
[21]倪海曙.视觉和仿生学[M].北京：知识出版社,1982.
[22]吴静芳.服装配饰学[M].上海：中国纺织大学出版社,2004.
[23]李巍.视觉表述[M].重庆：四川美术出版社,1996.
[24]李当歧.西洋服装史[M].北京：高等教育出版社,1996.
[25]李当歧.服装学概论[M].北京：高等教育出版社,1998.07.
[26]张殊琳.服饰色彩[M].哈尔滨：黑龙江教育出版社,1995.
[27]赵茂生.装饰图案[M].杭州：中国美术学院出版社,1999.
[28]刘元风.服装设计教程[M].杭州：中国美术学院出版社,2002.
[29]孙瑄.服装艺术与理念[M].济南：济南出版社,2004.
[30][日]饭壕弘子.服装设计学概论[M].李祖旺,金玉顺,金贞顺编译.北京：中国轻工业出版社,2002.
[31]汤重熹、曹瑞忻.产品设计理念与实务[M].安徽：安徽科学技术出版社,合肥,1998
[32]何人可.工业设计史[M].北京：北京理工大学出版社,1991。
[1]陈汗青,姚善良.仿生性创造思维与产品开发设计教学[D].江苏：无锡轻工大学,2001,
[2]基于动态结构的仿生设计新进展[D].
[3]崔荣荣,唐虹,卢阳.联想、创新与服饰仿生设计[D].
[4]仿生学应用中的制约因素分析[D].
[5]产品设计中的仿生设计[D].
[6]仿生设计学研究[D].
[7]崔荣荣,唐虹,卢阳.服饰设计与仿生学[D].
[8]仿生色彩设计初探[D].
[9]屠文珂阎保定杨海涛等.一种基于仿生学原理的复杂彩色目标辨识方法[A]河南科技大学学报(自然科学版)
[10]马惠钦.昆虫与仿生学浅淡昆虫知识[A]ENTOMOLOGICAL KNOWLEDGE200037(3)
[11]刘福林.仿生学视角中的学生管理部教育评论[D].2005(3)：42.
[12]路甬祥.仿生学的意义与发展[J].科学中国人,2004,12(o4)：23-24.
[13]产品设计中的仿生性设计[D].张久美,杨先超
[14]周小儒、徐宏.仿生设计在建筑艺术中的运用[D].(南京Ⅰ：业大学艺术设计学院,江苏南京
[15]叶萃萃.大自然赋予的创造思维[D].
[16]张久美、杨先超.产品设计中的仿生性设计[D].
[17]蒋冬青.浅谈建材仿生,山东建材,1998(4).
[18]杨兰生.仿生机构的组成及基本类型[D].哈尔滨科学技术大学学报总页数：129年代：1991年期号：第2期
[19]陈黎著.分化与融合一从中国当代文化的发展思考未来设计的趋势[D].2002年
[20]杨兰生.仿生机构中运动副的基本形态[D].哈尔滨科学技术大学学报总页数：108年代：1991年期号：第1期
[21]文化仿生——仿生设计的新领域》[D].
[22]崔荣荣、唐虹、卢阳.服饰设计与仿生学[D].
[23]袁金龙、方海燕、何银地.关于现代服装装饰美感的研究[D].
[1]姚平、路易吉.科拉尼.仿生设计传奇[J].艺术与设计：产品设计,2004,(5)：72-89
[2]陈连强.仿生经济学与企业经营术[J].杂志名：现代化总页数：32年代：983年期号：第9期
[3]刘先觉.仿生建筑文化的新趋向[J].杂志名：世界建筑总页数：1996年期号：第4期
[4]缪未雨.仿生服装的风采[J].杂志名：科学24小时总页数：47年代：1992年期号：第1期
[5]何井、周太、刘森林.谈家具仿生.[J].杂志名：家具与生活总页数：42年代：1993年期号：第5期
[6]唐显.关于“仿生”的对话[J].杂志名：家具与生活总页数：44年代：1998年期号：第4期
[7]木子.巧夺天工的仿生建筑[J].杂志名：科学之友总页数：48年代：1992年期号：第10期
[8]李伯书TOTO》 [J].“形态设计——产品创意设计与品牌形象塑造”,,2004.2
[9]王迎宪.交流》[J].“三访科拉尼”,,总第70期
[10]崔荣荣,唐虹、卢阳.联想、创新与服饰仿生设计[J].(南通工学院纺织服装系,江苏南通226007
[1]东华大学远程论文数据库
[2]http://202.120.13.45/umi/index.jsp
[3]http://www.wanfangdata.com.cn/论文数据库
[1]完善与扭转
[2]仿生对服装设计的启迪
[3]以动物的名义“时尚
[4]配饰提升时尚指数
[5]现代体育配饰设计研究
[6]流行主题于服饰配件设计
[7]服装配饰中讲四美
[8]论仿生设计之美
[9]服装设计中的视觉语言杨威
[10]正确选择与正确认识服装色彩
[11]浅析雕塑的空间塑造在服饰造型中的运用
[12]论服装造型的仿生设计方法
[13]服装仿生设计及其解构升华
[1]《Baxter MR.Product design-a practical guide to systematic methods of new product development)). London:Chapman & Hall; 1995.
[2]CD BI^ONICA NDSM, N_ucleo de Design e Selec_simao de Materiais, Escola de Engenharia UFRGS Available from.
[3]《Methodology for product design based on the study of bionics))
[4]Grande Dicion_ario Larousse Cultural da Lingua Portuguesa.Ssimao Paulo: Editora Nova Cultural Ltd; 1999.
[5]An-Hsuan T. Sementes do Cerrado e Design Contempor^aneo:Pioposta de estudo est_etico-morfol_ogico comparativo para o ensinodo design e da arquitetura. Goi^ania:Universidade Federal De Goi_as;1999.
[6]Broeck F. V. BIODISE～NO:Una Filosofia de Proyectacion.
[7]Geyer G, Kindlein Jr W, Kunzler L. Analogia entre a Escama daPiava e o Pneu Goodyer Aquatred. Anais do P&D Design 2000, FEEVALE, RS, V.l, 2000, p.0339-0344.Vasconcelo AC. Estruturas da natureza:um estudo da interfaceentre Biologia e Engenharia. S-ao Paulo:Studio Nobel; 2000.
[8]Ramos J.ABionica Aplicada ao Projeto de Produtos. Florianopolis:Universidade de Santa Catarina; 1993 (Tese de Mestrado).
[9]《Trail of bionic design》
[10]《What is bionic design?》
[11]C. Adams, The human system as a primary driver in longduration vehicle architecture, Life Support and Biosphere Science 7 (1) (2000) 97.
[12]D. Bogner, Frederick Kiesler, The Endless House, lau/Vienna,1997 p.140. Beukers, Ed. van Hinte,010 Publishers (Eds.), Lightness, The Inevitable Renaissance of Minimum Energy Structures,010 Publishers, Rotterdam, 1998, ISBN 90-6450-334-6.
[13]W. Nachtigall, Bionik, Grundlagen und Beispiele fur Ingenieure und Naturwissenschaftler, Springer, Berlin, Heidelberg,1998, ISBN 3-540-63403-7
[2]包铭新.时装鉴赏艺术[M].上海：中国纺织大学出版社,1998.12.
[3]刘晓刚、崔玉梅.基础服装设计[M].上海：东华大学出版社,2003.
[4]于帆、陈嬿.仿生造型设计[M].湖北：华中科技大学出版社,2005
[5]薛薇SPSS统计分析方法及应用[M].北京：电子工业出版社,2004.9
[6]华梅.华梅谈服饰文化.[M].天津：天津人民美术出版社,2001.
[7]戴君锡.奇异的仿生学[M].湖南：湖南教育出版社,1997.07
[8]李亮之.色彩设计[M].北京：高等教育出版社.2006.05
[9]戚昌滋徐挺.对应论方法学[M].北京：中国建筑出版社.1988.
[10]简召全.工业设计方法学.(修订版)[M].北京：北京理工大学出版社.2004.01.
[11]刘仲林.现代交叉科学[M].杭州：浙江教育出版社,1998.
[12]米宝山.仿生思维与新产品开发[M].北京：中国轻工业出版社,1998.
[13]艾伦.鲍尔斯.自然设计[M].王立非,等,译。南京：江苏美术出版社,2001
[14]庞志成.陈世家.工业造型设计[M].哈尔滨：哈尔滨工业大学出版社,1998.
[15]李砚祖.造物之美——产品设计的艺术与文化[M].北京：中国人民大学出版社,2003.
[16]李砚祖.艺术设计概论[M].湖北：湖北美术出版社,2005.
[17]戴君锡.奇异的仿生学[M].湖南：湖南教育出版社,1997.07
[18]嵘帕尼斯·马丁.李中泽译当代社会与文化艺术[M].四川：四川人民出版社,2000年1月第1版
[19]尹定邦.设计目标论[M].广州：暨南大学出版社,1998年版
[20](日)中西元男.21世纪顶级产品设计[M].上海：上海人民美术出版社,2005.
[21]倪海曙.视觉和仿生学[M].北京：知识出版社,1982.
[22]吴静芳.服装配饰学[M].上海：中国纺织大学出版社,2004.
[23]李巍.视觉表述[M].重庆：四川美术出版社,1996.
[24]李当歧.西洋服装史[M].北京：高等教育出版社,1996.
[25]李当歧.服装学概论[M].北京：高等教育出版社,1998.07.
[26]张殊琳.服饰色彩[M].哈尔滨：黑龙江教育出版社,1995.
[27]赵茂生.装饰图案[M].杭州：中国美术学院出版社,1999.
[28]刘元风.服装设计教程[M].杭州：中国美术学院出版社,2002.
[29]孙瑄.服装艺术与理念[M].济南：济南出版社,2004.
[30][日]饭壕弘子.服装设计学概论[M].李祖旺,金玉顺,金贞顺编译.北京：中国轻工业出版社,2002.
[31]汤重熹、曹瑞忻.产品设计理念与实务[M].安徽：安徽科学技术出版社,合肥,1998
[32]何人可.工业设计史[M].北京：北京理工大学出版社,1991。
[1]陈汗青,姚善良.仿生性创造思维与产品开发设计教学[D].江苏：无锡轻工大学,2001,
[2]基于动态结构的仿生设计新进展[D].
[3]崔荣荣,唐虹,卢阳.联想、创新与服饰仿生设计[D].
[4]仿生学应用中的制约因素分析[D].
[5]产品设计中的仿生设计[D].
[6]仿生设计学研究[D].
[7]崔荣荣,唐虹,卢阳.服饰设计与仿生学[D].
[8]仿生色彩设计初探[D].
[9]屠文珂阎保定杨海涛等.一种基于仿生学原理的复杂彩色目标辨识方法[A]河南科技大学学报(自然科学版)
[10]马惠钦.昆虫与仿生学浅淡昆虫知识[A]ENTOMOLOGICAL KNOWLEDGE200037(3)
[11]刘福林.仿生学视角中的学生管理部教育评论[D].2005(3)：42.
[12]路甬祥.仿生学的意义与发展[J].科学中国人,2004,12(o4)：23-24.
[13]产品设计中的仿生性设计[D].张久美,杨先超
[14]周小儒、徐宏.仿生设计在建筑艺术中的运用[D].(南京Ⅰ：业大学艺术设计学院,江苏南京
[15]叶萃萃.大自然赋予的创造思维[D].
[16]张久美、杨先超.产品设计中的仿生性设计[D].
[17]蒋冬青.浅谈建材仿生,山东建材,1998(4).
[18]杨兰生.仿生机构的组成及基本类型[D].哈尔滨科学技术大学学报总页数：129年代：1991年期号：第2期
[19]陈黎著.分化与融合一从中国当代文化的发展思考未来设计的趋势[D].2002年
[20]杨兰生.仿生机构中运动副的基本形态[D].哈尔滨科学技术大学学报总页数：108年代：1991年期号：第1期
[21]文化仿生——仿生设计的新领域》[D].
[22]崔荣荣、唐虹、卢阳.服饰设计与仿生学[D].
[23]袁金龙、方海燕、何银地.关于现代服装装饰美感的研究[D].
[1]姚平、路易吉.科拉尼.仿生设计传奇[J].艺术与设计：产品设计,2004,(5)：72-89
[2]陈连强.仿生经济学与企业经营术[J].杂志名：现代化总页数：32年代：983年期号：第9期
[3]刘先觉.仿生建筑文化的新趋向[J].杂志名：世界建筑总页数：1996年期号：第4期
[4]缪未雨.仿生服装的风采[J].杂志名：科学24小时总页数：47年代：1992年期号：第1期
[5]何井、周太、刘森林.谈家具仿生.[J].杂志名：家具与生活总页数：42年代：1993年期号：第5期
[6]唐显.关于“仿生”的对话[J].杂志名：家具与生活总页数：44年代：1998年期号：第4期
[7]木子.巧夺天工的仿生建筑[J].杂志名：科学之友总页数：48年代：1992年期号：第10期
[8]李伯书TOTO》 [J].“形态设计——产品创意设计与品牌形象塑造”,,2004.2
[9]王迎宪.交流》[J].“三访科拉尼”,,总第70期
[10]崔荣荣,唐虹、卢阳.联想、创新与服饰仿生设计[J].(南通工学院纺织服装系,江苏南通226007
[1]东华大学远程论文数据库
[2]http://202.120.13.45/umi/index.jsp
[3]http://www.wanfangdata.com.cn/论文数据库
[1]完善与扭转
[2]仿生对服装设计的启迪
[3]以动物的名义“时尚
[4]配饰提升时尚指数
[5]现代体育配饰设计研究
[6]流行主题于服饰配件设计
[7]服装配饰中讲四美
[8]论仿生设计之美
[9]服装设计中的视觉语言杨威
[10]正确选择与正确认识服装色彩
[11]浅析雕塑的空间塑造在服饰造型中的运用
[12]论服装造型的仿生设计方法
[13]服装仿生设计及其解构升华
[1]《Baxter MR.Product design-a practical guide to systematic methods of new product development)). London:Chapman & Hall; 1995.
[2]CD BI^ONICA NDSM, N_ucleo de Design e Selec_simao de Materiais, Escola de Engenharia UFRGS Available from
[3]《Methodology for product design based on the study of bionics))
[4]Grande Dicion_ario Larousse Cultural da Lingua Portuguesa.Ssimao Paulo: Editora Nova Cultural Ltd; 1999.
[5]An-Hsuan T. Sementes do Cerrado e Design Contempor^aneo:Pioposta de estudo est_etico-morfol_ogico comparativo para o ensinodo design e da arquitetura. Goi^ania:Universidade Federal De Goi_as;1999.
[6]Broeck F. V. BIODISE～NO:Una Filosofia de Proyectacion.
[7]Geyer G, Kindlein Jr W, Kunzler L. Analogia entre a Escama daPiava e o Pneu Goodyer Aquatred. Anais do P&D Design 2000, FEEVALE, RS, V.l, 2000, p.0339-0344.Vasconcelo AC. Estruturas da natureza:um estudo da interfaceentre Biologia e Engenharia. S-ao Paulo:Studio Nobel; 2000.
[8]Ramos J.ABionica Aplicada ao Projeto de Produtos. Florianopolis:Universidade de Santa Catarina; 1993 (Tese de Mestrado).
[9]《Trail of bionic design》
[10]《What is bionic design?》
[11]C. Adams, The human system as a primary driver in longduration vehicle architecture, Life Support and Biosphere Science 7 (1) (2000) 97.
[12]D. Bogner, Frederick Kiesler, The Endless House, lau/Vienna,1997 p.140. Beukers, Ed. van Hinte,010 Publishers (Eds.), Lightness, The Inevitable Renaissance of Minimum Energy Structures,010 Publishers, Rotterdam, 1998, ISBN 90-6450-334-6.
[13]W. Nachtigall, Bionik, Grundlagen und Beispiele fur Ingenieure und Naturwissenschaftler, Springer, Berlin, Heidelberg,1998, ISBN 3-540-63403-7