西方当代建筑设计手法剖析与研究
详细信息    本馆镜像全文|  推荐本文 |  |   获取CNKI官网全文
摘要
建筑设计手法是落实设计构思、解决设计矛盾的技巧或手段,具有很强的可操作性。在建筑创作中运用特定的建筑设计手法,有助于建筑师更有效地解决特定的设计问题,表达特定的建筑创作构思。
     论文在前人研究成果的基础上,剖析若干当代西方建筑作品,从特定视角研究世界优秀建筑师的建筑作品中体现的极具借鉴价值的建筑设计手法,论述当代建筑师应用这些建筑设计手法的创新成果。
     论文论述的4种建筑设计手法分别是:在不影响建筑内部空间及使用功能的基础上,建筑构成凸显建筑整体三维形体中的“面”,以“面”代“体”,“面’成为建筑形式创作主角的“化体为面”的建筑设计手法;将原本完整连贯的建筑整体或局部有意识地断开或分离而造成建筑形体整体或局部的不完整、不连贯,以表达特定建筑审美观念的“断裂”建筑设计手法;将建筑主体按常规设计而对建筑局部形式创新,使其成为方案设计点睛之笔的“建筑领带”建筑设计手法;使用由线性构件构成的“网罩”围合建筑,创造与环境融合、具备全新建筑形式的“网罩”建筑设计手法。
     论文在大量分析研究原始资料的基础上,提炼所论述的建筑设计手法的精髓,借助电脑绘制的建筑图式语言表达模式,绘制多幅准确表达作者论点的建筑设计手法分析图,简洁形象地表达建筑设计手法的基本概念,是使用适应社会发展的建筑论文创新表达模式的尝试。
     论文论述的建筑设计手法是建筑师在建筑创作过程中探索建筑形式创新的有效手段。但是,这些建筑设计手法并不是仅仅关注建筑形式创新的“造型设计手法”,而是同时解决建筑功能组织、建筑空间塑造、建筑技术应用,以及建筑形式创新等建筑设计诸多方面种种问题的建筑设计手法。论文在剖析一流建筑师使用这些建筑设计手法创作的建筑作品时,有意识地强调这些建筑作品体现的建筑设计手法与建筑形式、功能、环境及经济技术的完美结合,强调根据实际设计项目的具体条件选择适宜的建筑设计手法的重要性。
Architecture design manner, with the strong operability, is the skill or means to implement the design concept and to solve the contradiction of design. The use of specific Architecture design manner in the process of building can help the architects to resolve specific design problems effectively and express specific architectural design ideas.
     Based on the results of previous studies, the paper analyzes several exemplary architectural works of contemporary architecture design. From a specific perspective, the paper studies the Architecture design manner with the same excellence and high value of reference which is reflected in the excellent architectural works of these outstanding first-rate architects. Besides. the paper also discusses the new results of contemporary architects with the application of these architecture design manners.
     The paper discusses four architecture design manners. On the basis of not affecting the internal space and function, the first kind of Architecture design manner separates the two-dimensional wall space from three-dimensional structure and emphasizes the Architecture design manner which regards "piece" instead of "mass" as the protagonist and "peel mass into pieces". By consciously disconnecting or separating the originally complete and coherent architecture structure wholly or partly, the second architecture design manner aims to express the specific aesthetic concept of "rupture" in architecture. By designing the building body in a conventional way, the third design approach makes bold form innovation on part of the building so that the design will become the fabulous "architecture necktie" of the schematic design. The final design approach uses one-dimensional wire to make an enclosure building with the ornament structure of "mesh" so as to change the three-dimensional entity appearance and creates a totally new building form which is in harmony with the environment.
     Based on lots of analysis and research of the original material, the paper refines the quintessence of the architecture design manners discussed in the thesis. Besides, the paper draws many architecture design analysis charts that express the author's viewpoints accurately with the help of the graphic language expression mode of architecture scheme drew by computer. These charts express the basic concept of architecture design manner graphically. So it's a try to apply the innovative expression mode of architecture paper which adapts to social development.
     The architecture design manners discussed in the paper are the effective ways to explore architecture innovation in the process of architecture working. However, these architecture design manners not only focus on the "design approach" of architecture form innovation. They are also the approaches that resolve many problems in all aspects, such as building functional organization, building spatial shape, the application of construction technology, and architectural form innovation. In the process of analyzing these exemplary architectural works made by the world first-rate architects with these architecture design manners, the paper emphasizes consciously the perfect combination of these architecture design manners reflected in the works with the architecture form, function, environment, and economic technology. Moreover, the paper also emphasizes the importance of choosing appropriate Architecture design manner according to the concrete conditions of the practical design project.
引文
[1]刘先觉主编.现代建筑理论:建筑结合人文科学自然科学与技术科学的新成就(第2版)[M].北京:中国建筑工业出版社,2008.
    [2]彭一刚著.建筑空间组合论(第2版)[M].北京:中国建筑工业出版社,1998.
    [3]沈福煦.建筑设计手法[M].上海:同济大学出版社,1999.
    [4]杨秉德著.建筑设计方法概论[M].北京:中国建筑工业出版社,2009.
    [5]王受之著.世界现代建筑史[M].北京:中国建筑工业出版社,1999.
    [6][日]小林克弘编著.建筑构成手法[M].陈志华,王小盾译.北京:中国建筑工业出版社,2004.
    [7]张楠著.当代建筑创作手法解析:多元+ 聚合[M].北京:中国建筑工业出版社,2003.
    [8]Richard C. Levene, Fernando Marquez Cecilia主编.薛皓东,庄能发译,法兰克·盖瑞1991—1995[M].台北市:圣文书局,1997.
    [9]万书元著.当代西方建筑美学[M].南京:东南大学出版社,2001.
    [10][美]罗伯特·文丘里著.建筑的复杂性与矛盾性[M].周波颐译.北京:中国水利水电出版社、知识产权出版社,2006.
    [11]陈志华著.外国建筑史(19世纪末叶以前)[M].北京:中国建筑工业出版社,2004.
    [12]吴焕加著.外国现代建筑二十讲[M].北京:生活·读书·新知三联书店,2007.
    [13]王其均,陈帆著.图解西方近代建筑史[M].北京:中国电力出版社,2008.
    [14][美]彼得·布坎南编著.伦佐·皮亚诺建筑工作室作品集[M].周嘉明译.北京:机械工业出版社,2003.
    [15][英]布莱恩·劳森著.设计师怎么思考——解密设计[M].杨小东,段炼译.北京:机械工业出版社,2008.
    [16][德]史蒂西著.建筑表皮[M].贾子光,张磊,姜琦译.大连:大连理工大学出版社,2009.
    [17][美]朱瑞克编著.建筑表皮:设计师与艺术家的设计元素[M].刘冠楠译.大连:大连理工大学出版社,2010.
    [18]项瑾斐.施罗德住宅及其历史意义的研究[D].北京:清华大学建筑学院,2005
    [19]刘志勇,李震.用光演奏的建筑大师——第二届嘉士伯奖获得者朱哈·利维斯卡评介[J].世界建筑,2005(5).
    [20]David Cohn.会议中心,巴达霍斯[J].建筑世界,2007(1).
    [1]John Christopher Jones.Design Methods—2nd ed[M].USA:Wiley,1992.
    [2]Geoffrey Broadbent and Anthony Ward edited.Design Methods in Architecture [M].London:Lund Humphries,1969.
    [3]Tom Heath. Method in Architecture[M].New York:John Wiley & Sons Ltd,1984.
    [4]Richard Meier.Richard Meier Architect:Volume 3[M].New York:Rizzoli International Publications,1999.
    [5]Werner Blaser.Richard Meier—Details[M]. Basel; Boston; Berlin:Birkhauser,1996.
    [6]Yoshio Futagawa Edited-GA Document (66)[M].Tokyo:A.D.D.Edita Tokyo,2001.
    [7]Yoshio Futagawa Edited. GA Document (74)[M].Tokyo:A.D.D.Edita Tokyo,2003.
    [8]Kenneth Frampton.Steven Holl Architect [M].United Kingdom:Electa Architecture,2003.
    [9]Sabine Thiel-Siling Edited.Icons of Architecture:the 20th Century[M].Munich.London.New York:Prestel.
    [10]Steve Womersley Edited.SITE:Identity in Density[M].Australia:The Images Publishing Group Pty Ltd,2005.
    [11]Herbert Muschamp.SITE[M].New York:Rizzoli International Publications, Inc.,1989.
    [12]Peter Buchanan.Renzo Piano Building Workshop:Complete works (Volume one)[M].London:Phaidon Press Limited,1993.
    [13]Peter Buchanan.Renzo Piano Building Workshop:Complete works (Volume four)[M].London:Phaidon Press Limited,2000.
    [14]Vittorio Magn Lampugnani.Renzo Piano 1987-1994[M].Basel:Birkhauser Verlag,1995.
    [15]Yoshio Futagawa Edited.GA Document (81)[M]. Tokyo:A.D.D.Edita Tokyo,2004.
    [16]Yoshio Futagawa Edited.GA Document (73)[M].Tokyo:A.D.D.Edita Tokyo,2003.
    [17]Philip Jodidio.Richard Meier[M].Germany:Benedikt Taschen,1995.
    [18]Werner Blaser.Richard Meier—Details[M]. Basel; Boston; Berlin:Birkhauser,1996.
    [19]Richard Meier.Richard Meier Architect:Volume 3[M].New York:Rizzoli International Publications,1999.
    [20]Richard Meier.Richard Meier Architect:2000/2004[M].New York:Rizzoli International Publications,2004.
    [21]Kenneth Frampton. Richard Meier 2003[M]. Belgium:Phaidon Press,2003.
    [22]Lluis Hortet Edited.European Union Prize for Contemporary Architecture—Mies van der Rohe Award[M].Barcelona:Actar Pro, 2005.
    [23]Yoshio Futagawa Edited.GA Document (95)[M].Tokyo:A.D.D.Edita Tokyo,2007.
    [24]Jim Murphy.A Venice Collaboration[J].Progressive Architecture,1992(3).
    [25]Charles Jencks.Towards the Perfected Office[J].Architecture Dsign,1992 (7/8).
    [26]James Steele. The Myth of LA and the Reinvention of the City[J].Architecture Dsign,1992 (7/8).
    [27]Jay Chiat.Est-ce de L'Art ou de L'Architecture?[J].L'Architecture d 'Aujourd' hui,1989 (2)
    [28]Reed Kroloff.Swiss Precision [J].Architecture,1996 (2).
    [29]Peter Buchanan.Aloof Abstraction[J].Architecture,1996 (2).
    [30]Ivor Richards.Interactive languages[J].Architectural Review,1993 (4).
    [31]Ivor Richards.White City[J].Architectural Review,1997(3).
    [32]El Croquis:In Progress 1999-2002[J]. El Croquis (96/97+106/107),2000.
    [33]El Croquis:Cero.9+Abalos & Herreros+No.Mad [J].El Croquis (118),2003.
    [34]Carla Bertolucci.Frozen Music[J].Architectural Review,2003 (5).
    [35]Mansilla+Tunon Arquitectos, Leon Auditorium[J].A+U,2004 (2).
    [36]BAAS/Jordi Badia and Josep Val, Leon Municipal Funerary Services[J].A+U,2003 (7).
    [37]David Cohn.Between earth and sky[J].Architectural Record,2002 (7).
    [38]BAAS.Underwater rituals[J].Architectural Review,2001 (12).
    [39]Badia and Val, Square and Municipal Morgue, Leon[J].AV Monografias (93-94),2002.
    [40]Baas Arquitectura.Municipal funeral centre of Leon[J].ON DISENO,2001(11).
    [41]John Pastier.Tech Briefs:In Osaka, an iconic entry and sculpture mark the spot of a mostly underground museum[J]. Architectural Record,2005 (5).
    [42]John Gendall.BusinessWeek/Architectural Record awards 2006 [J].Architectural Record,2006 (11).
    [43]Beatriz Colomina.A Conversation With Frank Gehry (Ⅰ):The Design Process [J]. El Croquis:Frank Gehry 1996-2003,2003 (117).
    [44]Beatriz Colomina.A Conversation With Frank Gehry (Ⅱ):Gehry From A To Z [J]. El Croquis:Frank Gehry 1996-2003,2003 (117).
    [45]Irving Lavin.Going For Baroque:Frank Gehry and the Post-modern Drapery Fold [J]. El Croquis:Frank Gehry 1996-2003,2003 (117).
    [46]Frank Gehry. DZ Bank Building [J]. A+U,2002 (9).
    [47]James S. Russell. DG Bank, Berlin, Germany [J]. Architectural Record,2001 (10).
    [48]Catherine Slessor. Gehry's Geode:Bank offices and flats, Berlin, Germany [J]. Architectural Review,2001 (8).
    [49]Francesco Dal Co. Monsters in the Forge:DG Bank, Berlin [J]. AV Monografias 96. 2002,96 (7-8).
    [50]Steven Holl. Simmons Hall MIT Undergraduate Residence [J]. A+U,2003 (7).
    [51]Raymund Ryan. Kinetic Monolith:Student residences, Boston, Massachusetts, USA [J]. Architectural Review,2004(1).
    [52]Christian Brensing. Olympic rebirth[J].Architectural Review,2006 (4).
    [53]Bari Soccer Stadium, Bari, Italy,1990[J]. A+U,1992 (7).
    [54]Peter Buchanan. Piano:Responding to Place, Programme and the Present[J]. A+U,1998 (2).
    [55]Peter Buchanan.Science and Technology Museum "newMetropolis"[J].A+U,1998(2).
    [56]Peter Buchanan.Titanic Triumph[J].Architectural Review,1997 (12).
    [57]Peter Buchanan.Ship shape[J].Architecture,1997(9).
    [58]Naomi Shibata Edited.Herzog & de Meuron 2002-2006[J].A+U,2006 (8) Special Issue.
    [59]El Croquis:Herzog & de Meuron 1998-2002[J].El Croquis (109/110),2002.
    [60]Rob Gregory.Blue Lagoon[J].Architectural Review,2004 (9).
    [61]David Cohn.Correspondent's File:Barcelona[J].Architectural Record,2004 (6).
    [62]Liane Lefaivre.Loisium Visitors' Center, Austria[J].Architectural Record,2004 (7).
    [63]Steven Holl, Loisium Visitors' Center, Langenlois, Austria,2001-2003. A+U,2004 (6).
    [64]Juha Leiviska.Mannisto Church and Parish Center, Kuopio[J].a+u,1995(4).
    [65]Gerald Moorhead.Mannisto Church and Parish Center, Kuopio, Finland[J].Architectural Record,1993(11).
    [66]Ivor Richards.Interactive languages[J].Architectural Review,1993(4).
    [67]Peter Buchanan.Aloof Abstraction[J].Architecture,1996(2).
    [68]Ivor Richards.White City [J].Architectural Review,1997(3).
    [69]Richar Meier.The Church of the Year 2000[J].a+u,1997(4).
    [70]Tsuto Sakamoto.Exhibition:Church of the Year 2000[J].a+u,1997(4).
    [71]Ivor Richards.Instrument of Light[J].Architectural Review,2004(4).
    [72]Peter Popham.Jubilee Church, Rome [J].Architectural Record,2004(2).
    [73]Richar Meier.Jubilee Church[J].a+u,2005(1).
    [74]Exhibition:"Mesh", Anne de Villepoix Gallery, Paris, France [J].A+U,2003 (4).
    [75]Gilles de Bure.Interview:Perrault's Architecture with Metallic Fabrics[J].A+U,2003 (4).
    [76]Francois Pinault Foundation for Contemporary Art, Ile Seguin, Boulogne Billancourt, France [J].A+U,2003 (4).
    [77]Francis Soler.Francis Soler:Franch Ministry of Culture and Communication[J].a+u,2007 (6).
    [78]Rob Gregory.Ministry of Culture and Communication, Paris, France[J]. Architectural Review,2006 (2).
    [79]Sam Lubell.Sports City Tower, Qatar[J]. Architectural Record,2007 (8).
    [80]Gregoir Chikaher, John Hirst.Aspire Tower, Doha, Qatar[J].The Arup Journal,2007 (2).
    [81]David Cohn.Badajoz Congress Center, Badajoz, Spain[J].Architectural Record,2006 (11).
    [82]El Croquis:Work Systems Ⅱ[J].El Croquis (136/137),2007.
    [1]张晓中.苹果推出第一台微型超级个人电脑G4 Cube [N/OL].联合早报2000-7-20 [2007-11-8]. http://it.zaobao.com/pages2/it200700f.html.
    [2]张晓中.苹果立方体电脑亮相[N/OL].联合早报2000-8-12 [2007-11-8].http://it.zaobao.com/pages2/it120800e.html.
    [3]Cesar Pelli & Associates Goes Underwater to Soar to Great Heights[J/OL].AIArchitect,2004 (12). http://www.aia.org/aiarchitect/thisweek04/twl217/1217pw_pelli.htm.
    [4]Raul A. Barreneche.Constructing Osaka Art[J/OL].ArchitectureWeek,2006 (2). http://www.architectureweek.com/2006/0222/building_1-1.html.
    [5]Jessica Robey.Appetite for Destruction:Public Iconography and the Artificial Ruins of SITE, Inc.[J/OL].Invisible Culture (6), 2003.http://www.rochester.edu/in_visible_culture/Issue_6/robey/robey.html.
    [6]The Stadium's History-from the 19th Century to the Present[OL]:http://www.olympiastadion-berlin.de/index.php?id=30.
    [7]Bohlin Cywinski Jackson.Apple Store Fifth Avenue:Apple Computer, Inc., New York City, New York [OL].[2007-11-8]. http://www.bcj.com.
    [8]circa drei.San Nicola Stadium, Bari, Italy[OL].Brussels:Euro Inox,2005.http://www.euro-inox.org.

© 2004-2018 中国地质图书馆版权所有 京ICP备05064691号 京公网安备11010802017129号

地址:北京市海淀区学院路29号 邮编:100083

电话:办公室:(+86 10)66554848;文献借阅、咨询服务、科技查新:66554700